From women’s history to Brazilian women’s filmmaking

Detalhes bibliográficos
Autor(a) principal: Holanda, Karla
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista FAMECOS: Mídia cultura e tecnologia
Texto Completo: https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/24361
Resumo: Women have made fewer films than men, although increasingly they produce more. Still, many of their films were ignored or given little attention to. To understand this imbalance, this article is a panel on the secular discrimination of women in society. It also shows that there has always been resistance to this subjugation of women. Our goal is to strengthen the reason why films made by women stand out at all in the history of cinema, as well as in history in general, as advocated by Joan Scott, the part concerning women is not sufficiently covered. Next, we present and discuss three films little known in the history of Brazilian cinema, even if they bring stylistic elements, historical and thematic damning – A entrevista (Helena Solberg, 1966), Os homens que eu tive (Tereza Trautman, 1973) e Feminino Plural (Vera de Figueiredo, 1976).
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spelling From women’s history to Brazilian women’s filmmakingDe la historia de las mujeres al cine brasileño de autoría femeninaDa história das mulheres ao cinema brasileiro de autoria femininaCommunicationCinemaFeminismCinemaComunicaciónCineFeminismoFeminismoComunicaçãoCinemaFeminismoCinemaWomen have made fewer films than men, although increasingly they produce more. Still, many of their films were ignored or given little attention to. To understand this imbalance, this article is a panel on the secular discrimination of women in society. It also shows that there has always been resistance to this subjugation of women. Our goal is to strengthen the reason why films made by women stand out at all in the history of cinema, as well as in history in general, as advocated by Joan Scott, the part concerning women is not sufficiently covered. Next, we present and discuss three films little known in the history of Brazilian cinema, even if they bring stylistic elements, historical and thematic damning – A entrevista (Helena Solberg, 1966), Os homens que eu tive (Tereza Trautman, 1973) e Feminino Plural (Vera de Figueiredo, 1976).Las mujeres han hecho menos filmes que los hombres, aunque cada vez produzcan más. Sin embargo, muchos de sus filmes fueron ignorados o recibieron poca atención. Para comprender ese desequilibrio, este artículo hace un panel sobre la secular discriminación de la mujer en la sociedad. Igualmente demuestra que siempre hubo resistencia de las mujeres a esa subyugación. Nuestro objetivo es reforzar la razón por la cual se destacan los filmes hechos por mujeres, tanto en la historia del cine como en la historia en general, puesto que, como defiende Joan Scott, la parte concerniente a las mujeres no ha sido suficientemente contemplada. Asimismo, presentamos y discutimos tres filmes poco conocidos de la historia del cine brasileño, aunque traigan elementos estilísticos, históricos y temáticas contundentes: La entrevista (Helena Solberg, 1966), Los hombres que tuve (Tereza Trautman, 1973), y Femenino plural (Vera de Figueiredo, 1976). As mulheres têm feito menos filmes que os homens, embora cada vez produzam mais. Ainda assim, muitos de seus filmes foram ignorados ou receberam pouca atenção. Para compreender esse desequilíbrio, este artigo faz um painel sobre a secular discriminação da mulher na sociedade. Igualmente demonstra que sempre houve resistência das mulheres a essa subjugação. Nosso objetivo é reforçar a razão de se destacar filmes feitos por mulheres, afinal na história do cinema, assim como na história em geral, como defende Joan Scott, a parte concernente às mulheres não está suficientemente contemplada. Em seguida, apresentamos e discutimos três filmes pouco conhecidos da história do cinema brasileiro, mesmo que tragam elementos estilísticos, históricos e temáticos contundentes – A entrevista (Helena Solberg, 1966), Os homens que eu tive (Tereza Trautman, 1973) e Feminino Plural (Vera de Figueiredo, 1976).Editora da PUCRS - ediPUCRS2017-01-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/2436110.15448/1980-3729.2017.1.24361Revista FAMECOS; Vol. 24 No. 1 (2017); ID24361Revista FAMECOS; Vol. 24 Núm. 1 (2017); ID24361Revista FAMECOS; v. 24 n. 1 (2017); ID243611980-37291415-054910.15448/1980-3729.2017.1reponame:Revista FAMECOS: Mídia cultura e tecnologiainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/24361/15015Copyright (c) 2016 Revista FAMECOSinfo:eu-repo/semantics/openAccessHolanda, Karla2017-06-21T14:48:09Zoai:ojs.revistaseletronicas.pucrs.br:article/24361Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecosPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/oai||revistafamecos@gmail.com1980-37291980-3729opendoar:2017-06-21T14:48:09Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false
dc.title.none.fl_str_mv From women’s history to Brazilian women’s filmmaking
De la historia de las mujeres al cine brasileño de autoría femenina
Da história das mulheres ao cinema brasileiro de autoria feminina
title From women’s history to Brazilian women’s filmmaking
spellingShingle From women’s history to Brazilian women’s filmmaking
Holanda, Karla
Communication
Cinema
Feminism
Cinema
Comunicación
Cine
Feminismo
Feminismo
Comunicação
Cinema
Feminismo
Cinema
title_short From women’s history to Brazilian women’s filmmaking
title_full From women’s history to Brazilian women’s filmmaking
title_fullStr From women’s history to Brazilian women’s filmmaking
title_full_unstemmed From women’s history to Brazilian women’s filmmaking
title_sort From women’s history to Brazilian women’s filmmaking
author Holanda, Karla
author_facet Holanda, Karla
author_role author
dc.contributor.author.fl_str_mv Holanda, Karla
dc.subject.por.fl_str_mv Communication
Cinema
Feminism
Cinema
Comunicación
Cine
Feminismo
Feminismo
Comunicação
Cinema
Feminismo
Cinema
topic Communication
Cinema
Feminism
Cinema
Comunicación
Cine
Feminismo
Feminismo
Comunicação
Cinema
Feminismo
Cinema
description Women have made fewer films than men, although increasingly they produce more. Still, many of their films were ignored or given little attention to. To understand this imbalance, this article is a panel on the secular discrimination of women in society. It also shows that there has always been resistance to this subjugation of women. Our goal is to strengthen the reason why films made by women stand out at all in the history of cinema, as well as in history in general, as advocated by Joan Scott, the part concerning women is not sufficiently covered. Next, we present and discuss three films little known in the history of Brazilian cinema, even if they bring stylistic elements, historical and thematic damning – A entrevista (Helena Solberg, 1966), Os homens que eu tive (Tereza Trautman, 1973) e Feminino Plural (Vera de Figueiredo, 1976).
publishDate 2017
dc.date.none.fl_str_mv 2017-01-02
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/24361
10.15448/1980-3729.2017.1.24361
url https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/24361
identifier_str_mv 10.15448/1980-3729.2017.1.24361
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/24361/15015
dc.rights.driver.fl_str_mv Copyright (c) 2016 Revista FAMECOS
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Revista FAMECOS
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
dc.source.none.fl_str_mv Revista FAMECOS; Vol. 24 No. 1 (2017); ID24361
Revista FAMECOS; Vol. 24 Núm. 1 (2017); ID24361
Revista FAMECOS; v. 24 n. 1 (2017); ID24361
1980-3729
1415-0549
10.15448/1980-3729.2017.1
reponame:Revista FAMECOS: Mídia cultura e tecnologia
instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron:PUC_RS
instname_str Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron_str PUC_RS
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reponame_str Revista FAMECOS: Mídia cultura e tecnologia
collection Revista FAMECOS: Mídia cultura e tecnologia
repository.name.fl_str_mv Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
repository.mail.fl_str_mv ||revistafamecos@gmail.com
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