The body of the notion: images and imaginaries in Brazilian cinema

Detalhes bibliográficos
Autor(a) principal: Rossini, Miriam de Souza
Data de Publicação: 2008
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista FAMECOS: Mídia cultura e tecnologia
Texto Completo: https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3448
Resumo: This text intends to discuss the identity brands produced by two cinematographic schools that since the 60's have been influencing the production of films in Brazil, anchored in an aesthetic audiovisual and narrative that aims to attack the viewer. With this, we want to understand how what began as a proposal for a revolutionary cinema and social denunciation ended up becoming the very mark of national cinema, and also of the image representation of Brazil and Brazilians. It is also intended to understand how these discursive and audiovisual strategies can be perceived in the films of the post-retake call, that is, in the cinema made from 2001. From this perspective, some of these films will be focused: Beto Brant's "O Invasor", 2001 ; "Cidade de Deus", 2001, by Fernando Meireles; "Amarelo Manga", 2002, by Cláudio Assis; "Contra todos 2004", by Roberto Moreira.
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spelling The body of the notion: images and imaginaries in Brazilian cinemaO corpo da noção: imagens e imaginários no cinema brasileiroCulturecinemaimaginaryCinema and representationCulturacinemaimaginárioCinema e representaçãoThis text intends to discuss the identity brands produced by two cinematographic schools that since the 60's have been influencing the production of films in Brazil, anchored in an aesthetic audiovisual and narrative that aims to attack the viewer. With this, we want to understand how what began as a proposal for a revolutionary cinema and social denunciation ended up becoming the very mark of national cinema, and also of the image representation of Brazil and Brazilians. It is also intended to understand how these discursive and audiovisual strategies can be perceived in the films of the post-retake call, that is, in the cinema made from 2001. From this perspective, some of these films will be focused: Beto Brant's "O Invasor", 2001 ; "Cidade de Deus", 2001, by Fernando Meireles; "Amarelo Manga", 2002, by Cláudio Assis; "Contra todos 2004", by Roberto Moreira.Este texto pretende discutir as marcas identitárias produzidas por duas escolas cinematográficas que desde os anos 60 vêm influenciando a produção de filmes no Brasil, ancorados em uma estética audiovisual e narrativa que visa a agredir o espectador. Com isso, quer-se entender como aquilo que começou como proposta de um cinema revolucionário e de denúncia social acabou se tornando na própria marca do cinema nacional, e também da representação imagética do Brasil e dos brasileiros. Pretende-se ainda perceber como essas estratégias discursivas e audiovisuais podem ser percebidas nos filmes da chamada pós-retomada, ou seja, no cinema feito a partir de 2001. Nessa perspectiva, serão focalizados alguns desses filmes: O invasor, 2001, de Beto Brant; Cidade de Deus, 2001, de Fernando Meireles; Amarelo Manga, 2002, de Cláudio Assis; Contra todos 2004, de Roberto Moreira.Editora da PUCRS - ediPUCRS2008-04-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/344810.15448/1980-3729.2007.34.3448Revista FAMECOS; Vol. 14 No. 34 (2007); 22-28Revista FAMECOS; Vol. 14 Núm. 34 (2007); 22-28Revista FAMECOS; v. 14 n. 34 (2007); 22-281980-37291415-054910.15448/1980-3729.2007.34reponame:Revista FAMECOS: Mídia cultura e tecnologiainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3448/2710Rossini, Miriam de Souzainfo:eu-repo/semantics/openAccess2017-06-05T18:04:06Zoai:ojs.revistaseletronicas.pucrs.br:article/3448Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecosPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/oai||revistafamecos@gmail.com1980-37291980-3729opendoar:2017-06-05T18:04:06Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false
dc.title.none.fl_str_mv The body of the notion: images and imaginaries in Brazilian cinema
O corpo da noção: imagens e imaginários no cinema brasileiro
title The body of the notion: images and imaginaries in Brazilian cinema
spellingShingle The body of the notion: images and imaginaries in Brazilian cinema
Rossini, Miriam de Souza
Culture
cinema
imaginary
Cinema and representation
Cultura
cinema
imaginário
Cinema e representação
title_short The body of the notion: images and imaginaries in Brazilian cinema
title_full The body of the notion: images and imaginaries in Brazilian cinema
title_fullStr The body of the notion: images and imaginaries in Brazilian cinema
title_full_unstemmed The body of the notion: images and imaginaries in Brazilian cinema
title_sort The body of the notion: images and imaginaries in Brazilian cinema
author Rossini, Miriam de Souza
author_facet Rossini, Miriam de Souza
author_role author
dc.contributor.author.fl_str_mv Rossini, Miriam de Souza
dc.subject.por.fl_str_mv Culture
cinema
imaginary
Cinema and representation
Cultura
cinema
imaginário
Cinema e representação
topic Culture
cinema
imaginary
Cinema and representation
Cultura
cinema
imaginário
Cinema e representação
description This text intends to discuss the identity brands produced by two cinematographic schools that since the 60's have been influencing the production of films in Brazil, anchored in an aesthetic audiovisual and narrative that aims to attack the viewer. With this, we want to understand how what began as a proposal for a revolutionary cinema and social denunciation ended up becoming the very mark of national cinema, and also of the image representation of Brazil and Brazilians. It is also intended to understand how these discursive and audiovisual strategies can be perceived in the films of the post-retake call, that is, in the cinema made from 2001. From this perspective, some of these films will be focused: Beto Brant's "O Invasor", 2001 ; "Cidade de Deus", 2001, by Fernando Meireles; "Amarelo Manga", 2002, by Cláudio Assis; "Contra todos 2004", by Roberto Moreira.
publishDate 2008
dc.date.none.fl_str_mv 2008-04-14
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3448
10.15448/1980-3729.2007.34.3448
url https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3448
identifier_str_mv 10.15448/1980-3729.2007.34.3448
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3448/2710
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
dc.source.none.fl_str_mv Revista FAMECOS; Vol. 14 No. 34 (2007); 22-28
Revista FAMECOS; Vol. 14 Núm. 34 (2007); 22-28
Revista FAMECOS; v. 14 n. 34 (2007); 22-28
1980-3729
1415-0549
10.15448/1980-3729.2007.34
reponame:Revista FAMECOS: Mídia cultura e tecnologia
instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron:PUC_RS
instname_str Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron_str PUC_RS
institution PUC_RS
reponame_str Revista FAMECOS: Mídia cultura e tecnologia
collection Revista FAMECOS: Mídia cultura e tecnologia
repository.name.fl_str_mv Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
repository.mail.fl_str_mv ||revistafamecos@gmail.com
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