Cinema and Politics: the representation of journalism and political marketing in Brazilian cinema
Autor(a) principal: | |
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Data de Publicação: | 2008 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista FAMECOS: Mídia cultura e tecnologia |
Texto Completo: | https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3447 |
Resumo: | The Brazilian cinema of the nineties seeks to diagnose the rapid changes that have occurred in the field of communication in this period. Lúcia Murat's film Candy Powers shows how Brazilian journalism, when subjected to political marketing and advertising, loses its role as a primary source of information and opens space for "news as a product." Although the film apparently aims to throw a critical eye on the situation of journalism of the nineties, the cinematic language and the narrative structure used in it undermine its intent, thus revealing the weaknesses and limitations of Brazilian cinema with political bias. |
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Cinema and Politics: the representation of journalism and political marketing in Brazilian cinemaCinema e Política: a representação do jornalismo e do marketing político no cinema brasileiroCinemajournalismmarketingCinema and representationCinemajornalismomarketingCinema e representaçãoThe Brazilian cinema of the nineties seeks to diagnose the rapid changes that have occurred in the field of communication in this period. Lúcia Murat's film Candy Powers shows how Brazilian journalism, when subjected to political marketing and advertising, loses its role as a primary source of information and opens space for "news as a product." Although the film apparently aims to throw a critical eye on the situation of journalism of the nineties, the cinematic language and the narrative structure used in it undermine its intent, thus revealing the weaknesses and limitations of Brazilian cinema with political bias.O cinema brasileiro dos anos noventa busca diagnosticar as rápidas mudanças ocorridas no campo da comunicação nesse período. O filme Doces Poderes, de Lúcia Murat, mostra como o jornalismo brasileiro, quando submetido ao marketing político e à publicidade, perde seu papel de fonte primária de informação e abre espaço para a “notícia enquanto produto”. Ainda que o filme aparentemente vise lançar um olhar crítico sobre a situação do jornalismo dos anos noventa, a linguagem cinemática e a estrutura narrativa nele usadas solapam seu intento, revelando assim as fragilidades e limitações do cinema brasileiro de viés político.Editora da PUCRS - ediPUCRS2008-04-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/344710.15448/1980-3729.2007.34.3447Revista FAMECOS; Vol. 14 No. 34 (2007); 14-21Revista FAMECOS; Vol. 14 Núm. 34 (2007); 14-21Revista FAMECOS; v. 14 n. 34 (2007); 14-211980-37291415-054910.15448/1980-3729.2007.34reponame:Revista FAMECOS: Mídia cultura e tecnologiainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3447/2709Nogueira, Lisandroinfo:eu-repo/semantics/openAccess2017-06-05T17:56:30Zoai:ojs.revistaseletronicas.pucrs.br:article/3447Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecosPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/oai||revistafamecos@gmail.com1980-37291980-3729opendoar:2017-06-05T17:56:30Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false |
dc.title.none.fl_str_mv |
Cinema and Politics: the representation of journalism and political marketing in Brazilian cinema Cinema e Política: a representação do jornalismo e do marketing político no cinema brasileiro |
title |
Cinema and Politics: the representation of journalism and political marketing in Brazilian cinema |
spellingShingle |
Cinema and Politics: the representation of journalism and political marketing in Brazilian cinema Nogueira, Lisandro Cinema journalism marketing Cinema and representation Cinema jornalismo marketing Cinema e representação |
title_short |
Cinema and Politics: the representation of journalism and political marketing in Brazilian cinema |
title_full |
Cinema and Politics: the representation of journalism and political marketing in Brazilian cinema |
title_fullStr |
Cinema and Politics: the representation of journalism and political marketing in Brazilian cinema |
title_full_unstemmed |
Cinema and Politics: the representation of journalism and political marketing in Brazilian cinema |
title_sort |
Cinema and Politics: the representation of journalism and political marketing in Brazilian cinema |
author |
Nogueira, Lisandro |
author_facet |
Nogueira, Lisandro |
author_role |
author |
dc.contributor.author.fl_str_mv |
Nogueira, Lisandro |
dc.subject.por.fl_str_mv |
Cinema journalism marketing Cinema and representation Cinema jornalismo marketing Cinema e representação |
topic |
Cinema journalism marketing Cinema and representation Cinema jornalismo marketing Cinema e representação |
description |
The Brazilian cinema of the nineties seeks to diagnose the rapid changes that have occurred in the field of communication in this period. Lúcia Murat's film Candy Powers shows how Brazilian journalism, when subjected to political marketing and advertising, loses its role as a primary source of information and opens space for "news as a product." Although the film apparently aims to throw a critical eye on the situation of journalism of the nineties, the cinematic language and the narrative structure used in it undermine its intent, thus revealing the weaknesses and limitations of Brazilian cinema with political bias. |
publishDate |
2008 |
dc.date.none.fl_str_mv |
2008-04-14 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3447 10.15448/1980-3729.2007.34.3447 |
url |
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3447 |
identifier_str_mv |
10.15448/1980-3729.2007.34.3447 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3447/2709 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
dc.source.none.fl_str_mv |
Revista FAMECOS; Vol. 14 No. 34 (2007); 14-21 Revista FAMECOS; Vol. 14 Núm. 34 (2007); 14-21 Revista FAMECOS; v. 14 n. 34 (2007); 14-21 1980-3729 1415-0549 10.15448/1980-3729.2007.34 reponame:Revista FAMECOS: Mídia cultura e tecnologia instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) instacron:PUC_RS |
instname_str |
Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
instacron_str |
PUC_RS |
institution |
PUC_RS |
reponame_str |
Revista FAMECOS: Mídia cultura e tecnologia |
collection |
Revista FAMECOS: Mídia cultura e tecnologia |
repository.name.fl_str_mv |
Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
repository.mail.fl_str_mv |
||revistafamecos@gmail.com |
_version_ |
1799128660274315264 |