Cinematographic image and thought: image-affection at the confluence of the of Peirce’s and Deleuze’s theories

Detalhes bibliográficos
Autor(a) principal: Drigo, Maria Ogécia
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista FAMECOS: Mídia cultura e tecnologia
Texto Completo: https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/27989
Resumo: This paper presents results of a research, which addresses the relation between thought and cinematographic images, from theories developed by Deleuze at the confluence with Peirce’s theories. Among the kinds of the movement-image, a concept developed by Deleuze in Movement Image - Cinema 1 – for this paper, one has focused the affection image. Aiming to understand such concept and to explicit its role in the thought, focus on reflections about the movement image concept and its subdivisions, but connected with phenomenological categories established by Peirce. Besides that, it will be classified the affection-image, based on definitions and taxonomy of signs extracted from the speculative grammar, one of the branches of semiotics or logic, highlighting the different kinds of icon. The importance of this paper lies in emphasizing the potential of Peirce’s theories which flow with Deleuze’s theories, for the understanding of thought or of moving images.
id PUC_RS-12_83f88877ad4178831ccea99decefc81c
oai_identifier_str oai:ojs.revistaseletronicas.pucrs.br:article/27989
network_acronym_str PUC_RS-12
network_name_str Revista FAMECOS: Mídia cultura e tecnologia
repository_id_str
spelling Cinematographic image and thought: image-affection at the confluence of the of Peirce’s and Deleuze’s theoriesImagen cinematográfica y pensamiento: imagen-afección en la confluencia de las teorías de Peirce y DeleuzeImagem cinematográfica e pensamento: imagem-afeção na confluência das teorias de Peirce e DeleuzeDeleuze/PeirceCinematographic imageAffection ImageMediaDeleuze/PeirceImagen cinematográficaImagen-afecciónImagen-afecciónDeleuze/Peirceimagem cinematográficapensamentoMídiaThis paper presents results of a research, which addresses the relation between thought and cinematographic images, from theories developed by Deleuze at the confluence with Peirce’s theories. Among the kinds of the movement-image, a concept developed by Deleuze in Movement Image - Cinema 1 – for this paper, one has focused the affection image. Aiming to understand such concept and to explicit its role in the thought, focus on reflections about the movement image concept and its subdivisions, but connected with phenomenological categories established by Peirce. Besides that, it will be classified the affection-image, based on definitions and taxonomy of signs extracted from the speculative grammar, one of the branches of semiotics or logic, highlighting the different kinds of icon. The importance of this paper lies in emphasizing the potential of Peirce’s theories which flow with Deleuze’s theories, for the understanding of thought or of moving images.Este artículo presenta resultados de la investigación que trata la relación entre pensamiento e imagen cinematográfica y se consideran las teorías planteadas por Gilles Deleuze, en la confluencia con las de Charles Sanders Peirce. Se prioriza en este artículo la imagen-afección entre las modalidades de imagen movimiento, concepto desarrollado por Deleuze en el libro A Imagem-movimento Cinema 1. Con el propósito de comprender tal concepto y explicitar su rol en el pensamiento, en líneas generales, se trata el concepto de imagen-movimiento y sus divisiones pero asociadas a las categorías fenomenológicas peirceanas; a continuación se clasifica la imagen-afección a partir de definiciones y de la taxinomía que advienen de la gramática especulativa, uno de los ramos de la semiótica o lógica desarrollada por Peirce en que se destacan los diversos tipos de iconos. La importancia de este artículo es evidenciar el potencial de las teorías peirceanas, que fluyen con las deleuzeanas a la comprensión del pensamiento o de imágenes en movimiento.Este artigo apresenta resultados de pesquisa, que trata da relação entre pensamento e imagem cinematográfica, considerando-se as teorias elaboradas por Gilles Deleuze, na confluência com as de Charles Sanders Peirce. Entre as modalidades de imagem-movimento, conceito desenvolvido por Deleuze no livro A Imagem-movimento Cinema 1, neste artigo, prioriza-se a imagem-afeção. Com o propósito de compreender tal conceito e explicitar o papel deste no pensamento, trata-se, em linhas gerais, do conceito de imagem-movimento e de suas divisões, mas acopladas às categorias fenomenológicas peirceanas; em seguida, classifica-se a imagem-afeção, a partir de definições e da taxionomia advindas da gramática especulativa, um dos ramos da semiótica ou lógica desenvolvida por Peirce, destacando-se os diversos tipos de ícone. A importância deste artigo está em colocar em evidência o potencial das teorias peirceanas, que fluem com as deleuzeanas, para a compreensão do pensamento, ou de imagens em movimento.Editora da PUCRS - ediPUCRS2018-04-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/2798910.15448/1980-3729.2018.2.27989Revista FAMECOS; Vol. 25 No. 2 (2018); ID27989Revista FAMECOS; Vol. 25 Núm. 2 (2018); ID27989Revista FAMECOS; v. 25 n. 2 (2018); ID279891980-37291415-054910.15448/1980-3729.2018.2reponame:Revista FAMECOS: Mídia cultura e tecnologiainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/27989/16630Copyright (c) 2018 Revista FAMECOSinfo:eu-repo/semantics/openAccessDrigo, Maria Ogécia2018-05-02T00:32:07Zoai:ojs.revistaseletronicas.pucrs.br:article/27989Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecosPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/oai||revistafamecos@gmail.com1980-37291980-3729opendoar:2018-05-02T00:32:07Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false
dc.title.none.fl_str_mv Cinematographic image and thought: image-affection at the confluence of the of Peirce’s and Deleuze’s theories
Imagen cinematográfica y pensamiento: imagen-afección en la confluencia de las teorías de Peirce y Deleuze
Imagem cinematográfica e pensamento: imagem-afeção na confluência das teorias de Peirce e Deleuze
title Cinematographic image and thought: image-affection at the confluence of the of Peirce’s and Deleuze’s theories
spellingShingle Cinematographic image and thought: image-affection at the confluence of the of Peirce’s and Deleuze’s theories
Drigo, Maria Ogécia
Deleuze/Peirce
Cinematographic image
Affection Image
Media
Deleuze/Peirce
Imagen cinematográfica
Imagen-afección
Imagen-afección
Deleuze/Peirce
imagem cinematográfica
pensamento
Mídia
title_short Cinematographic image and thought: image-affection at the confluence of the of Peirce’s and Deleuze’s theories
title_full Cinematographic image and thought: image-affection at the confluence of the of Peirce’s and Deleuze’s theories
title_fullStr Cinematographic image and thought: image-affection at the confluence of the of Peirce’s and Deleuze’s theories
title_full_unstemmed Cinematographic image and thought: image-affection at the confluence of the of Peirce’s and Deleuze’s theories
title_sort Cinematographic image and thought: image-affection at the confluence of the of Peirce’s and Deleuze’s theories
author Drigo, Maria Ogécia
author_facet Drigo, Maria Ogécia
author_role author
dc.contributor.author.fl_str_mv Drigo, Maria Ogécia
dc.subject.por.fl_str_mv Deleuze/Peirce
Cinematographic image
Affection Image
Media
Deleuze/Peirce
Imagen cinematográfica
Imagen-afección
Imagen-afección
Deleuze/Peirce
imagem cinematográfica
pensamento
Mídia
topic Deleuze/Peirce
Cinematographic image
Affection Image
Media
Deleuze/Peirce
Imagen cinematográfica
Imagen-afección
Imagen-afección
Deleuze/Peirce
imagem cinematográfica
pensamento
Mídia
description This paper presents results of a research, which addresses the relation between thought and cinematographic images, from theories developed by Deleuze at the confluence with Peirce’s theories. Among the kinds of the movement-image, a concept developed by Deleuze in Movement Image - Cinema 1 – for this paper, one has focused the affection image. Aiming to understand such concept and to explicit its role in the thought, focus on reflections about the movement image concept and its subdivisions, but connected with phenomenological categories established by Peirce. Besides that, it will be classified the affection-image, based on definitions and taxonomy of signs extracted from the speculative grammar, one of the branches of semiotics or logic, highlighting the different kinds of icon. The importance of this paper lies in emphasizing the potential of Peirce’s theories which flow with Deleuze’s theories, for the understanding of thought or of moving images.
publishDate 2018
dc.date.none.fl_str_mv 2018-04-07
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/27989
10.15448/1980-3729.2018.2.27989
url https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/27989
identifier_str_mv 10.15448/1980-3729.2018.2.27989
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/27989/16630
dc.rights.driver.fl_str_mv Copyright (c) 2018 Revista FAMECOS
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Revista FAMECOS
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
dc.source.none.fl_str_mv Revista FAMECOS; Vol. 25 No. 2 (2018); ID27989
Revista FAMECOS; Vol. 25 Núm. 2 (2018); ID27989
Revista FAMECOS; v. 25 n. 2 (2018); ID27989
1980-3729
1415-0549
10.15448/1980-3729.2018.2
reponame:Revista FAMECOS: Mídia cultura e tecnologia
instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron:PUC_RS
instname_str Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron_str PUC_RS
institution PUC_RS
reponame_str Revista FAMECOS: Mídia cultura e tecnologia
collection Revista FAMECOS: Mídia cultura e tecnologia
repository.name.fl_str_mv Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
repository.mail.fl_str_mv ||revistafamecos@gmail.com
_version_ 1799128663641292800