The Red Danger in Brazilian cinema: the narratives of political exiled people and ex-prisoners of the military dictatorship in the contemporary documentary

Detalhes bibliográficos
Autor(a) principal: Tomaim, Cássio dos Santos
Data de Publicação: 2010
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista FAMECOS: Mídia cultura e tecnologia
Texto Completo: https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/7543
Resumo: In the first decade of 2000 the Brazilian cinema demonstrated a growing interest in portray in the screens episodes of the military dictatorship in the country, rummaging through hurts, complex and painful subject of our past. What for some military men was a revenge of the communists or of the Brazilian political left that would have invaded the Brazilian media. This way, starting from the analyzes of the Vlado, 30 years later (2005), Hércules 56 (2006) and Caparaó (2006) movies, we intended to point some initial reflections about how the contemporary Brazilian documentary, when update the past of the military dictatorship from a ethical and political compromise with the memory of the ones who participated of the armed fight in the country, struggle a esthetical fight against the forgetfulness and the denial of a dark period of the recent Brazilian history.
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spelling The Red Danger in Brazilian cinema: the narratives of political exiled people and ex-prisoners of the military dictatorship in the contemporary documentaryEl Peligro Rojo en el cine brasileño: las narrativas de exiliados y ex presos políticos de la dictadura militar en el documental contemporáneoO Perigo Vermelho no cinema brasileiro: as narrativas de exilados e ex-presos políticos da ditadura militar no documentário contemporâneoDocumentarymemoryMilitary dictatorshipMilitary DictatorshipDocumentalmemoriaDictadura MilitarDictadura MilitarDocumentáriomemóriaDitadura militarDitadura MilitarIn the first decade of 2000 the Brazilian cinema demonstrated a growing interest in portray in the screens episodes of the military dictatorship in the country, rummaging through hurts, complex and painful subject of our past. What for some military men was a revenge of the communists or of the Brazilian political left that would have invaded the Brazilian media. This way, starting from the analyzes of the Vlado, 30 years later (2005), Hércules 56 (2006) and Caparaó (2006) movies, we intended to point some initial reflections about how the contemporary Brazilian documentary, when update the past of the military dictatorship from a ethical and political compromise with the memory of the ones who participated of the armed fight in the country, struggle a esthetical fight against the forgetfulness and the denial of a dark period of the recent Brazilian history.En la primera década de 2000, el cine brasileño demostró un creciente interés por retratar en las pantallas episodios de la dictadura militar en el país, revolviendo en heridas, en asuntos complejos, dolorosos de nuestro pasado. Lo que para algunos militares sonó como un revanchismo de los comunistas o de la izquierda brasileña que habrían invadido los medios brasileños. Así, en el análisis de las películas Vlado, 30 años después (2005), Hércules 56 (2006) y Caparaó (2006) buscamos apuntar algunas reflexiones iniciales de cómo el documental brasileño contemporáneo, al actualizar el pasado de la dictadura militar a partir de un compromiso ético y político con la memoria de aquellos que participaron en la lucha armada en el país, frena una batalla estética contra el olvido y la denegación de un período sombrío de la reciente historia brasileña.Na primeira década de 2000, o cinema brasileiro demonstrou um crescente interesse por retratar nas telas episódios da ditadura militar no país, remexendo em feridas, em assuntos complexos, dolorosos de nosso passado. O que para alguns militares soou como um revanchismo dos comunistas ou da esquerda brasileira que teriam invadido a mídia brasileira. Sendo assim, a partir da análise dos filmes Vlado, 30 anos depois (2005), Hércules 56 (2006) e Caparaó (2006) procuramos apontar algumas reflexões iniciais de como o documentário brasileiro contemporâneo, ao atualizar o passado da ditadura militar a partir de um compromisso ético e político com a memória daqueles que participaram da luta armada no país, trava uma batalha estética contra o esquecimento e a denegação de um período sombrio da recente história brasileira.Editora da PUCRS - ediPUCRS2010-09-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/754310.15448/1980-3729.2010.2.7543Revista FAMECOS; Vol. 17 No. 2 (2010); 59-67Revista FAMECOS; Vol. 17 Núm. 2 (2010); 59-67Revista FAMECOS; v. 17 n. 2 (2010); 59-671980-37291415-054910.15448/1980-3729.2010.2reponame:Revista FAMECOS: Mídia cultura e tecnologiainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/7543/5408Tomaim, Cássio dos Santosinfo:eu-repo/semantics/openAccess2018-02-06T17:58:34Zoai:ojs.revistaseletronicas.pucrs.br:article/7543Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecosPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/oai||revistafamecos@gmail.com1980-37291980-3729opendoar:2018-02-06T17:58:34Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false
dc.title.none.fl_str_mv The Red Danger in Brazilian cinema: the narratives of political exiled people and ex-prisoners of the military dictatorship in the contemporary documentary
El Peligro Rojo en el cine brasileño: las narrativas de exiliados y ex presos políticos de la dictadura militar en el documental contemporáneo
O Perigo Vermelho no cinema brasileiro: as narrativas de exilados e ex-presos políticos da ditadura militar no documentário contemporâneo
title The Red Danger in Brazilian cinema: the narratives of political exiled people and ex-prisoners of the military dictatorship in the contemporary documentary
spellingShingle The Red Danger in Brazilian cinema: the narratives of political exiled people and ex-prisoners of the military dictatorship in the contemporary documentary
Tomaim, Cássio dos Santos
Documentary
memory
Military dictatorship
Military Dictatorship
Documental
memoria
Dictadura Militar
Dictadura Militar
Documentário
memória
Ditadura militar
Ditadura Militar
title_short The Red Danger in Brazilian cinema: the narratives of political exiled people and ex-prisoners of the military dictatorship in the contemporary documentary
title_full The Red Danger in Brazilian cinema: the narratives of political exiled people and ex-prisoners of the military dictatorship in the contemporary documentary
title_fullStr The Red Danger in Brazilian cinema: the narratives of political exiled people and ex-prisoners of the military dictatorship in the contemporary documentary
title_full_unstemmed The Red Danger in Brazilian cinema: the narratives of political exiled people and ex-prisoners of the military dictatorship in the contemporary documentary
title_sort The Red Danger in Brazilian cinema: the narratives of political exiled people and ex-prisoners of the military dictatorship in the contemporary documentary
author Tomaim, Cássio dos Santos
author_facet Tomaim, Cássio dos Santos
author_role author
dc.contributor.author.fl_str_mv Tomaim, Cássio dos Santos
dc.subject.por.fl_str_mv Documentary
memory
Military dictatorship
Military Dictatorship
Documental
memoria
Dictadura Militar
Dictadura Militar
Documentário
memória
Ditadura militar
Ditadura Militar
topic Documentary
memory
Military dictatorship
Military Dictatorship
Documental
memoria
Dictadura Militar
Dictadura Militar
Documentário
memória
Ditadura militar
Ditadura Militar
description In the first decade of 2000 the Brazilian cinema demonstrated a growing interest in portray in the screens episodes of the military dictatorship in the country, rummaging through hurts, complex and painful subject of our past. What for some military men was a revenge of the communists or of the Brazilian political left that would have invaded the Brazilian media. This way, starting from the analyzes of the Vlado, 30 years later (2005), Hércules 56 (2006) and Caparaó (2006) movies, we intended to point some initial reflections about how the contemporary Brazilian documentary, when update the past of the military dictatorship from a ethical and political compromise with the memory of the ones who participated of the armed fight in the country, struggle a esthetical fight against the forgetfulness and the denial of a dark period of the recent Brazilian history.
publishDate 2010
dc.date.none.fl_str_mv 2010-09-02
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/7543
10.15448/1980-3729.2010.2.7543
url https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/7543
identifier_str_mv 10.15448/1980-3729.2010.2.7543
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/7543/5408
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
dc.source.none.fl_str_mv Revista FAMECOS; Vol. 17 No. 2 (2010); 59-67
Revista FAMECOS; Vol. 17 Núm. 2 (2010); 59-67
Revista FAMECOS; v. 17 n. 2 (2010); 59-67
1980-3729
1415-0549
10.15448/1980-3729.2010.2
reponame:Revista FAMECOS: Mídia cultura e tecnologia
instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron:PUC_RS
instname_str Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron_str PUC_RS
institution PUC_RS
reponame_str Revista FAMECOS: Mídia cultura e tecnologia
collection Revista FAMECOS: Mídia cultura e tecnologia
repository.name.fl_str_mv Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
repository.mail.fl_str_mv ||revistafamecos@gmail.com
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