The cultural intervention of the cinematographic speech: The meanings of military dictatorship in Brazil

Detalhes bibliográficos
Autor(a) principal: Melo, Patricia Bandeira de
Data de Publicação: 2010
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista FAMECOS: Mídia cultura e tecnologia
Texto Completo: https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/7544
Resumo: After military Brazilian dictatorship in 1964, army force was the law and opposite discourse was silenced. However, in spite of such violent situation, artists reacted and tried, through the cinema, narrate the real Brazilian History. The narrative was constructed based on real stories: people were transposed from their real lives to movies. Drama was perpetuated through movies produced during and after military coup d´état. After 40 years, movies show meanings against the Brazilian official discourse and give to audience a binary association, as a fight between good and evil. Therefore, in order to understand this discussion in Brazilian films, we will make a brief analysis of the production in that period.
id PUC_RS-12_4d85c37484eef2fc92d501ba3d4b2e35
oai_identifier_str oai:ojs.revistaseletronicas.pucrs.br:article/7544
network_acronym_str PUC_RS-12
network_name_str Revista FAMECOS: Mídia cultura e tecnologia
repository_id_str
spelling The cultural intervention of the cinematographic speech: The meanings of military dictatorship in BrazilLa intervención cultural del discurso cinematográfico: los sentidos de la dictadura militar en BrasilA intervenção cultural do discurso cinematográfico: os sentidos da ditadura militar no BrasilCultural traumacinemaDictatorshipMilitary DictatorshipTrauma culturalcineDictadura MilitarDictadura MilitarTrauma culturalcinemaDitadura militarDitadura MilitarAfter military Brazilian dictatorship in 1964, army force was the law and opposite discourse was silenced. However, in spite of such violent situation, artists reacted and tried, through the cinema, narrate the real Brazilian History. The narrative was constructed based on real stories: people were transposed from their real lives to movies. Drama was perpetuated through movies produced during and after military coup d´état. After 40 years, movies show meanings against the Brazilian official discourse and give to audience a binary association, as a fight between good and evil. Therefore, in order to understand this discussion in Brazilian films, we will make a brief analysis of the production in that period.Con la eclosión de la dictadura militar en 1964, el silenciamiento de voces destoantes del poder se estableció como regla. Ante la violencia, grupos vinculados al arte reaccionaron e intentaron, a través del cine, contar la historia del país. La narrativa se construía a partir de guiones reales: los personajes eran sacados de la vida a las pantallas. El drama fue perpetuado a partir de películas producidas durante y después del golpe. Después de 40 años, el cine todavía revela significaciones de la historia que el discurso oficial se oponía, en una relación binaria del bien contra el mal. Para entender esta construcción discursiva, vamos a analizar brevemente la producción del cine relativa al período.Com a eclosão da ditadura militar em 1964, o silenciamento de vozes destoantes do poder firmou-se como regra. Diante da violência, grupos ligados à arte reagiram e tentaram, através do cinema, contar a história do país. A narrativa se construía a partir de roteiros reais: personagens eram tirados da vida para as telas. O drama foi perpetuado a partir de filmes produzidos durante e após o golpe. Após 40 anos, o cinema ainda revela significações da história que o discurso oficial se opunha, numa relação binária do bem contra o mal. Para compreensão desta construção discursiva, vamos analisar brevemente a produção do cinema relativa ao período.Editora da PUCRS - ediPUCRS2010-09-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/754410.15448/1980-3729.2010.2.7544Revista FAMECOS; Vol. 17 No. 2 (2010); 68-80Revista FAMECOS; Vol. 17 Núm. 2 (2010); 68-80Revista FAMECOS; v. 17 n. 2 (2010); 68-801980-37291415-054910.15448/1980-3729.2010.2reponame:Revista FAMECOS: Mídia cultura e tecnologiainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/7544/5409Melo, Patricia Bandeira deinfo:eu-repo/semantics/openAccess2018-02-08T14:14:12Zoai:ojs.revistaseletronicas.pucrs.br:article/7544Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecosPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/oai||revistafamecos@gmail.com1980-37291980-3729opendoar:2018-02-08T14:14:12Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false
dc.title.none.fl_str_mv The cultural intervention of the cinematographic speech: The meanings of military dictatorship in Brazil
La intervención cultural del discurso cinematográfico: los sentidos de la dictadura militar en Brasil
A intervenção cultural do discurso cinematográfico: os sentidos da ditadura militar no Brasil
title The cultural intervention of the cinematographic speech: The meanings of military dictatorship in Brazil
spellingShingle The cultural intervention of the cinematographic speech: The meanings of military dictatorship in Brazil
Melo, Patricia Bandeira de
Cultural trauma
cinema
Dictatorship
Military Dictatorship
Trauma cultural
cine
Dictadura Militar
Dictadura Militar
Trauma cultural
cinema
Ditadura militar
Ditadura Militar
title_short The cultural intervention of the cinematographic speech: The meanings of military dictatorship in Brazil
title_full The cultural intervention of the cinematographic speech: The meanings of military dictatorship in Brazil
title_fullStr The cultural intervention of the cinematographic speech: The meanings of military dictatorship in Brazil
title_full_unstemmed The cultural intervention of the cinematographic speech: The meanings of military dictatorship in Brazil
title_sort The cultural intervention of the cinematographic speech: The meanings of military dictatorship in Brazil
author Melo, Patricia Bandeira de
author_facet Melo, Patricia Bandeira de
author_role author
dc.contributor.author.fl_str_mv Melo, Patricia Bandeira de
dc.subject.por.fl_str_mv Cultural trauma
cinema
Dictatorship
Military Dictatorship
Trauma cultural
cine
Dictadura Militar
Dictadura Militar
Trauma cultural
cinema
Ditadura militar
Ditadura Militar
topic Cultural trauma
cinema
Dictatorship
Military Dictatorship
Trauma cultural
cine
Dictadura Militar
Dictadura Militar
Trauma cultural
cinema
Ditadura militar
Ditadura Militar
description After military Brazilian dictatorship in 1964, army force was the law and opposite discourse was silenced. However, in spite of such violent situation, artists reacted and tried, through the cinema, narrate the real Brazilian History. The narrative was constructed based on real stories: people were transposed from their real lives to movies. Drama was perpetuated through movies produced during and after military coup d´état. After 40 years, movies show meanings against the Brazilian official discourse and give to audience a binary association, as a fight between good and evil. Therefore, in order to understand this discussion in Brazilian films, we will make a brief analysis of the production in that period.
publishDate 2010
dc.date.none.fl_str_mv 2010-09-02
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/7544
10.15448/1980-3729.2010.2.7544
url https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/7544
identifier_str_mv 10.15448/1980-3729.2010.2.7544
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/7544/5409
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
dc.source.none.fl_str_mv Revista FAMECOS; Vol. 17 No. 2 (2010); 68-80
Revista FAMECOS; Vol. 17 Núm. 2 (2010); 68-80
Revista FAMECOS; v. 17 n. 2 (2010); 68-80
1980-3729
1415-0549
10.15448/1980-3729.2010.2
reponame:Revista FAMECOS: Mídia cultura e tecnologia
instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron:PUC_RS
instname_str Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron_str PUC_RS
institution PUC_RS
reponame_str Revista FAMECOS: Mídia cultura e tecnologia
collection Revista FAMECOS: Mídia cultura e tecnologia
repository.name.fl_str_mv Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
repository.mail.fl_str_mv ||revistafamecos@gmail.com
_version_ 1799128661439283200

Registros relacionados