The image of the word and the word of the image: the photographic tale of Tércia Montenegro

Detalhes bibliográficos
Autor(a) principal: da Silva, Lúcio Flávio Gondim
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: letrônica
Texto Completo: https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/32923
Resumo: Throughout nearly twenty years of artistic production, Tércia Montenegro stresses the relationship between word and image in her short stories, essays, children’s books, and a novel. Specifically, from her work, I observe in this article what the author discusses in emphasizing the visual characterof literature, with an emphasis on the relation of the characters to photography. In his four short storybooks and some anthologies, Montenegro develops a kind of photographic writing in which bodies in his desires are presented pictorially without falling into naturalism and without losing the lyrical power. The photographs act thus as characters in the narratives, crossing times and conflicting memory and finitude. Finally, the humans of the tales are also artists of the image and seem to ask: Am I in the knowable or the visible?
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spelling The image of the word and the word of the image: the photographic tale of Tércia MontenegroA imagem da palavra e a palavra da imagem: o conto fotográfico de Tércia MontenegroTerceira Montenegro. Tale. Photography. Image. Word.Tércia MontenegroContoFotografiaPalavraImagemThroughout nearly twenty years of artistic production, Tércia Montenegro stresses the relationship between word and image in her short stories, essays, children’s books, and a novel. Specifically, from her work, I observe in this article what the author discusses in emphasizing the visual characterof literature, with an emphasis on the relation of the characters to photography. In his four short storybooks and some anthologies, Montenegro develops a kind of photographic writing in which bodies in his desires are presented pictorially without falling into naturalism and without losing the lyrical power. The photographs act thus as characters in the narratives, crossing times and conflicting memory and finitude. Finally, the humans of the tales are also artists of the image and seem to ask: Am I in the knowable or the visible?Ao longo de quase vinte anos de produção artística, Tércia Montenegro tensiona a relação entre palavra e imagem em seus contos, ensaios, livros infanto-juvenis e um romance. A partir especificamente da sua contística, observo neste artigo o que discute a autora em dar ênfase ao caráter visual da literatura, com ênfase na relação das personagens com a fotografia. Em seus quatro livros de contos e em algumas participações em antologias, Montenegro desenvolve uma espécie de escrita fotográfica na qual corpos em seus desejos são apresentados de modo pictórico sem cair no naturalismo e sem perder a potência lírica. As fotografias age, assim, como personagens nas narrativas, cruzando tempos e conflitando memória e finitude. Por fim, os humanos dos contos também são artistas da imagem e parecem perguntar: estou no dizível ou no visível?Editora da PUCRS - ediPUCRS2019-12-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/3292310.15448/1984-4301.2019.3.32923Letrônica; Vol. 12 No. 3 (2019): Literatura e Fotografia; e32923Letrônica; v. 12 n. 3 (2019): Literatura e Fotografia; e329231984-430110.15448/1984-4301.2019.3reponame:letrônicainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/32923/19233Copyright (c) 2019 Letrônicainfo:eu-repo/semantics/openAccessda Silva, Lúcio Flávio Gondim2019-12-17T17:26:34Zoai:ojs.revistaseletronicas.pucrs.br:article/32923Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/letronicaPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/oailetronica@pucrs.br||ivanetemileski@gmail.com1984-43011984-4301opendoar:2019-12-17T17:26:34letrônica - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false
dc.title.none.fl_str_mv The image of the word and the word of the image: the photographic tale of Tércia Montenegro
A imagem da palavra e a palavra da imagem: o conto fotográfico de Tércia Montenegro
title The image of the word and the word of the image: the photographic tale of Tércia Montenegro
spellingShingle The image of the word and the word of the image: the photographic tale of Tércia Montenegro
da Silva, Lúcio Flávio Gondim
Terceira Montenegro. Tale. Photography. Image. Word.
Tércia Montenegro
Conto
Fotografia
Palavra
Imagem
title_short The image of the word and the word of the image: the photographic tale of Tércia Montenegro
title_full The image of the word and the word of the image: the photographic tale of Tércia Montenegro
title_fullStr The image of the word and the word of the image: the photographic tale of Tércia Montenegro
title_full_unstemmed The image of the word and the word of the image: the photographic tale of Tércia Montenegro
title_sort The image of the word and the word of the image: the photographic tale of Tércia Montenegro
author da Silva, Lúcio Flávio Gondim
author_facet da Silva, Lúcio Flávio Gondim
author_role author
dc.contributor.author.fl_str_mv da Silva, Lúcio Flávio Gondim
dc.subject.por.fl_str_mv Terceira Montenegro. Tale. Photography. Image. Word.
Tércia Montenegro
Conto
Fotografia
Palavra
Imagem
topic Terceira Montenegro. Tale. Photography. Image. Word.
Tércia Montenegro
Conto
Fotografia
Palavra
Imagem
description Throughout nearly twenty years of artistic production, Tércia Montenegro stresses the relationship between word and image in her short stories, essays, children’s books, and a novel. Specifically, from her work, I observe in this article what the author discusses in emphasizing the visual characterof literature, with an emphasis on the relation of the characters to photography. In his four short storybooks and some anthologies, Montenegro develops a kind of photographic writing in which bodies in his desires are presented pictorially without falling into naturalism and without losing the lyrical power. The photographs act thus as characters in the narratives, crossing times and conflicting memory and finitude. Finally, the humans of the tales are also artists of the image and seem to ask: Am I in the knowable or the visible?
publishDate 2019
dc.date.none.fl_str_mv 2019-12-16
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/32923
10.15448/1984-4301.2019.3.32923
url https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/32923
identifier_str_mv 10.15448/1984-4301.2019.3.32923
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/32923/19233
dc.rights.driver.fl_str_mv Copyright (c) 2019 Letrônica
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Letrônica
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
dc.source.none.fl_str_mv Letrônica; Vol. 12 No. 3 (2019): Literatura e Fotografia; e32923
Letrônica; v. 12 n. 3 (2019): Literatura e Fotografia; e32923
1984-4301
10.15448/1984-4301.2019.3
reponame:letrônica
instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron:PUC_RS
instname_str Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron_str PUC_RS
institution PUC_RS
reponame_str letrônica
collection letrônica
repository.name.fl_str_mv letrônica - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
repository.mail.fl_str_mv letronica@pucrs.br||ivanetemileski@gmail.com
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