A música dos rebeldes: o punk paulistano e a resistência à indústria fonográfica

Detalhes bibliográficos
Autor(a) principal: Silva, Edson Alencar
Data de Publicação: 2020
Tipo de documento: Tese
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
Texto Completo: https://tede2.pucsp.br/handle/handle/23321
Resumo: This thesis focuses on music recorded by punks in the city of São Paulo from 1981 to 2019. Based on that, we argue that these productions are linked to globalized culture, established, therefore, to a specific musical form, to the world punk movement and its ethics group Do It Yourself (DIY). Focusing internally on class habitus and belonging to youth groups spread across the perifhery of the city of São Paulo. This dynamic generated a series of practices, including those linked to recorded music, which has been performing without interruption since 1981. We surveyed productions in which we found 880 elaborated punk phonographic products, most of which were made, disseminated and distributed by São Paulo punks themselves. In this sense, from the research effort, we suggest that, in addition to an economic sense, these practices would be focused on networks of sociability, friendship and identity, shared by São Paulo punks. Which also favored that they could insert their conceptions and worldviews, via recorded music, in a context of musical production dominated by economic and cultural elites from Brazil
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spelling Mira, Maria Celestehttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4455878D2Silva, Edson Alencar2020-11-09T12:14:07Z2020-09-23Silva, Edson Alencar. A música dos rebeldes: o punk paulistano e a resistência à indústria fonográfica. 2020. 270 f. Tese (Doutorado em Ciências Sociais) - Programa de Estudos Pós-Graduados em Ciências Sociais, Pontifícia Universidade Católica de São Paulo, São Paulo, 2020.https://tede2.pucsp.br/handle/handle/23321This thesis focuses on music recorded by punks in the city of São Paulo from 1981 to 2019. Based on that, we argue that these productions are linked to globalized culture, established, therefore, to a specific musical form, to the world punk movement and its ethics group Do It Yourself (DIY). Focusing internally on class habitus and belonging to youth groups spread across the perifhery of the city of São Paulo. This dynamic generated a series of practices, including those linked to recorded music, which has been performing without interruption since 1981. We surveyed productions in which we found 880 elaborated punk phonographic products, most of which were made, disseminated and distributed by São Paulo punks themselves. In this sense, from the research effort, we suggest that, in addition to an economic sense, these practices would be focused on networks of sociability, friendship and identity, shared by São Paulo punks. Which also favored that they could insert their conceptions and worldviews, via recorded music, in a context of musical production dominated by economic and cultural elites from BrazilEsta tese foca a música gravada por punks na cidade de São Paulo de 1981 até 2019. Com base nisso, argumentamos que estas produções vinculam-se a cultura mundializada, estabelecidas, portanto à uma forma musical específica, ao movimento punk mundial e à sua ética de grupo Do It Yourself (DIY). Incidindo internamente ao habitus de classe e aos pertencimentos a grupos juvenis espalhados pela periferia da cidade de São Paulo. Essa dinâmica gerou uma série de práticas, entre elas aquelas vinculadas à música gravada no qual vem se apresentando sem interrupções desde 1981. Fizemos um levantamento de produções no qual constatamos 880 produtos fonográficos elaborados punks, sendo a maior parte delas feitas, difundidas e distribuídas pelos próprios punks paulistanos. Neste sentido, a partir do esforço de pesquisa, sugerimos que, para além de um sentido econômico, estas práticas estariam focadas nas redes de sociabilidade, amizade e identidade, partilhadas punks paulistanos. O qual também favoreceu que estes pudessem inserir suas concepções e visões de mundo, via a música gravada, em um contexto de produção musical dominado pelas elites econômicas e culturais do Brasilapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/52653/Edson%20Alencar%20Silva.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Ciências SociaisPUC-SPBrasilFaculdade de Ciências SociaisPunksPunk (Música)Registros sonoros - Indústria - São PauloDo It Yourself (DIY)Punk culturePunk rock musicSound recording industry - São Paulo (Brazil)CNPQ::CIENCIAS SOCIAIS APLICADASA música dos rebeldes: o punk paulistano e a resistência à indústria fonográficainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTEdson Alencar Silva.pdf.txtEdson Alencar Silva.pdf.txtExtracted texttext/plain659205https://repositorio.pucsp.br/xmlui/bitstream/handle/23321/4/Edson%20Alencar%20Silva.pdf.txt56a19a09b9c3ae8d23f1d64422c39b9aMD54LICENSElicense.txtlicense.txttext/plain; charset=utf-82165https://repositorio.pucsp.br/xmlui/bitstream/handle/23321/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51ORIGINALEdson Alencar Silva.pdfEdson Alencar Silva.pdfapplication/pdf9763119https://repositorio.pucsp.br/xmlui/bitstream/handle/23321/2/Edson%20Alencar%20Silva.pdf81ca88e884ec59c4eca436b2c387805bMD52THUMBNAILEdson Alencar Silva.pdf.jpgEdson Alencar Silva.pdf.jpgGenerated Thumbnailimage/jpeg2777https://repositorio.pucsp.br/xmlui/bitstream/handle/23321/3/Edson%20Alencar%20Silva.pdf.jpg3eb28e0f98d7877b446b8358d4fd0e0aMD53handle/233212022-04-28 18:06:17.714oai:repositorio.pucsp.br: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Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-28T21:06:17Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.por.fl_str_mv A música dos rebeldes: o punk paulistano e a resistência à indústria fonográfica
title A música dos rebeldes: o punk paulistano e a resistência à indústria fonográfica
spellingShingle A música dos rebeldes: o punk paulistano e a resistência à indústria fonográfica
Silva, Edson Alencar
Punks
Punk (Música)
Registros sonoros - Indústria - São Paulo
Do It Yourself (DIY)
Punk culture
Punk rock music
Sound recording industry - São Paulo (Brazil)
CNPQ::CIENCIAS SOCIAIS APLICADAS
title_short A música dos rebeldes: o punk paulistano e a resistência à indústria fonográfica
title_full A música dos rebeldes: o punk paulistano e a resistência à indústria fonográfica
title_fullStr A música dos rebeldes: o punk paulistano e a resistência à indústria fonográfica
title_full_unstemmed A música dos rebeldes: o punk paulistano e a resistência à indústria fonográfica
title_sort A música dos rebeldes: o punk paulistano e a resistência à indústria fonográfica
author Silva, Edson Alencar
author_facet Silva, Edson Alencar
author_role author
dc.contributor.advisor1.fl_str_mv Mira, Maria Celeste
dc.contributor.authorLattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4455878D2
dc.contributor.author.fl_str_mv Silva, Edson Alencar
contributor_str_mv Mira, Maria Celeste
dc.subject.por.fl_str_mv Punks
Punk (Música)
Registros sonoros - Indústria - São Paulo
topic Punks
Punk (Música)
Registros sonoros - Indústria - São Paulo
Do It Yourself (DIY)
Punk culture
Punk rock music
Sound recording industry - São Paulo (Brazil)
CNPQ::CIENCIAS SOCIAIS APLICADAS
dc.subject.eng.fl_str_mv Do It Yourself (DIY)
Punk culture
Punk rock music
Sound recording industry - São Paulo (Brazil)
dc.subject.cnpq.fl_str_mv CNPQ::CIENCIAS SOCIAIS APLICADAS
description This thesis focuses on music recorded by punks in the city of São Paulo from 1981 to 2019. Based on that, we argue that these productions are linked to globalized culture, established, therefore, to a specific musical form, to the world punk movement and its ethics group Do It Yourself (DIY). Focusing internally on class habitus and belonging to youth groups spread across the perifhery of the city of São Paulo. This dynamic generated a series of practices, including those linked to recorded music, which has been performing without interruption since 1981. We surveyed productions in which we found 880 elaborated punk phonographic products, most of which were made, disseminated and distributed by São Paulo punks themselves. In this sense, from the research effort, we suggest that, in addition to an economic sense, these practices would be focused on networks of sociability, friendship and identity, shared by São Paulo punks. Which also favored that they could insert their conceptions and worldviews, via recorded music, in a context of musical production dominated by economic and cultural elites from Brazil
publishDate 2020
dc.date.accessioned.fl_str_mv 2020-11-09T12:14:07Z
dc.date.issued.fl_str_mv 2020-09-23
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/doctoralThesis
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dc.identifier.citation.fl_str_mv Silva, Edson Alencar. A música dos rebeldes: o punk paulistano e a resistência à indústria fonográfica. 2020. 270 f. Tese (Doutorado em Ciências Sociais) - Programa de Estudos Pós-Graduados em Ciências Sociais, Pontifícia Universidade Católica de São Paulo, São Paulo, 2020.
dc.identifier.uri.fl_str_mv https://tede2.pucsp.br/handle/handle/23321
identifier_str_mv Silva, Edson Alencar. A música dos rebeldes: o punk paulistano e a resistência à indústria fonográfica. 2020. 270 f. Tese (Doutorado em Ciências Sociais) - Programa de Estudos Pós-Graduados em Ciências Sociais, Pontifícia Universidade Católica de São Paulo, São Paulo, 2020.
url https://tede2.pucsp.br/handle/handle/23321
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dc.publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.publisher.program.fl_str_mv Programa de Estudos Pós-Graduados em Ciências Sociais
dc.publisher.initials.fl_str_mv PUC-SP
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Faculdade de Ciências Sociais
publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
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