A memória no espaço da escritura de quarto de hora: contos de Maria Lúcia Medeiros

• Autor(a) principal: Santos, Maria Trindade Martins dos
• Data de Publicação: 2007
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
• Texto Completo: https://tede2.pucsp.br/handle/handle/14792
• topic: Conto memorialista; Oralidade; Memória coletiva; Poética; Maria Lúcia Medeiros; Medeiros, Maria Lucia -- 1942 -- Quarto de hora -- Critica e interpretacao; Memoria na literatura; Memorialist short story; Orality; Collective memory; Poetics; Maria Lúcia Medeiros; CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA BRASILEIRA

The purpose of this dissertation is to study the poetic creation process in the book of short stories Quarto de Hora by Maria Lúcia Medeiros, published in 1994 in Belém do Pará, Brazil. It is a fictional process that, in view of the multiple stylistic marks, has similarities with the oral speech while legends or children s stories, beyond its own literary limits, in the realm of the visual arts. Two hypotheses were operated in this investigation: one relative to the ambivalent nature of the discourse in first person; the other relative to the presence of the memorialist narrative in the poetic essay. Both of them are supported on theories of the Russian Formalists, Paul Zumthor, Henri Bergson, Maurice Halbwachs, Gaston Bachelard, chiefly. The study of short stories was based on the analysis and construction of cinematographic procedures that blow up images processed as recollections of the oral illusional report. The time-space interrelation is operated in the narrative sequence by the imagination and memory, in the three chapters, as a complementary relation that results in the grasping of a fragmented and plural narrative, as a spiral figure, that has no beginning, no middle, and no end incomplete. The memory space provides the principle of creation of the legend s image in Quarto de Hora, which finds its representation in the origin of the human language, in the voice, and in gesticulations of the poetic expression at the threshold of prose