Escrever tout le temps: memórias e tempos nos textos de guerra de Marguerite Duras
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da PUC_SP |
Texto Completo: | https://repositorio.pucsp.br/jspui/handle/handle/40743 |
Resumo: | What and why write about war? How, in the face of disaster, can we extract its power from words? How can we invent other uses of language that escape violence – violence, in this case, that is expressed and perpetuated through words, which are in themselves an instrument of power? These are some questions that move this thesis, whose objective is to reflect with and about what we call here Marguerite Duras' war texts. To this end, we outlined, as a selection, in her vast work, five texts written about and/or during the Second World War, which she experienced in Paris, under the occupation of the German Nazi army. However, despite it being one specific war, these texts show that every war leads to another war and every war continues the previous one, in a thread of many tangled wars, still present here, now. Therefore, this study focuses on the works Hiroshima mon amour (1959), La douleur (1985) and the Aurélia Steiner trilogy (1979). In these texts, we notice ruptures with a chronology and a linearity of time, provoking and revealing a multiplicity of times, in which past, present and future coexist, overlap. Throughout this research, therefore, it became necessary to bring together theories that are in line with the view that there is not just one memory or just one time, as both are in a constant process of reconstruction and unfolding. Among the thinkers with whom we dialogue, from this perspective, we highlight Gilles Deleuze and Félix Guattari, whose work inspires us to escape the thought of representation and to think in and with a poetics of immanence, and no longer a representational poetics. Thus, both time and memory are seen here as operations, creative forces that Duras' writing, in this case, evokes and provokes, constructing impossibles, deviations. Thus, memory presents itself as movement and time as a rhizome, in the creation of other worlds, of becomings |
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Malufe, Annita Costahttp://lattes.cnpq.br/0596306185527243http://lattes.cnpq.br/5038195232379722Bosi, Isabela Magalhães2024-01-27T20:58:26Z2024-01-27T20:58:26Z2023-12-14Bosi, Isabela Magalhães. Escrever tout le temps: memórias e tempos nos textos de guerra de Marguerite Duras. 2023. Tese (Doutorado em Literatura e Crítica Literária) - Programa de Estudos Pós-Graduados em Literatura e Crítica Literária da Pontifícia Universidade Católica de São Paulo, São Paulo, 2023.https://repositorio.pucsp.br/jspui/handle/handle/40743What and why write about war? How, in the face of disaster, can we extract its power from words? How can we invent other uses of language that escape violence – violence, in this case, that is expressed and perpetuated through words, which are in themselves an instrument of power? These are some questions that move this thesis, whose objective is to reflect with and about what we call here Marguerite Duras' war texts. To this end, we outlined, as a selection, in her vast work, five texts written about and/or during the Second World War, which she experienced in Paris, under the occupation of the German Nazi army. However, despite it being one specific war, these texts show that every war leads to another war and every war continues the previous one, in a thread of many tangled wars, still present here, now. Therefore, this study focuses on the works Hiroshima mon amour (1959), La douleur (1985) and the Aurélia Steiner trilogy (1979). In these texts, we notice ruptures with a chronology and a linearity of time, provoking and revealing a multiplicity of times, in which past, present and future coexist, overlap. Throughout this research, therefore, it became necessary to bring together theories that are in line with the view that there is not just one memory or just one time, as both are in a constant process of reconstruction and unfolding. Among the thinkers with whom we dialogue, from this perspective, we highlight Gilles Deleuze and Félix Guattari, whose work inspires us to escape the thought of representation and to think in and with a poetics of immanence, and no longer a representational poetics. Thus, both time and memory are seen here as operations, creative forces that Duras' writing, in this case, evokes and provokes, constructing impossibles, deviations. Thus, memory presents itself as movement and time as a rhizome, in the creation of other worlds, of becomingsO que escrever e por que escrever sobre a guerra? Como, diante do desastre, extrair da palavra a sua potência? Como inventar outros usos da língua que escapem da violência – violência, no caso, que se expressa e se perpetua através da palavra, que é em si instrumento de poder? Essas são algumas questões que provocam esta tese, cujo objetivo é refletir com e acerca dos do que aqui chamamos de textos de guerra de Marguerite Duras. Para tanto, traçamos como recorte, em sua vasta obra, cinco textos escritos sobre e/ou durante a Segunda Guerra Mundial, vivida por ela em Paris, sob ocupação do exército nazista alemão. No entanto, apesar de se tratar de uma guerra, tais textos evidenciam que toda guerra leva à outra e continua a anterior, como em um fio de muitas guerras emaranhadas, ainda presentes, aqui. Sendo assim, este estudo se concentra em cinco obras: Hiroshima mon amour (1959), La douleur (1985) e os três Aurélia Steiner (1979). Nesses textos, notamos rupturas com uma cronologia e uma linearidade temporal, provocando e dando a ver uma multiplicidade de tempos, em que passado, presente e futuro coexistem, se tocam, se sobrepõem. Ao longo desta pesquisa, portanto, se tornou necessária uma aproximação de teorias que coadunam com a visão de que não há uma só memória nem um só tempo, pois tanto uma quanto outro estão em constante processo de reconstrução e de desdobramentos. Dentre os pensadores com quem dialogamos, a partir dessa perspectiva, destacamos Gilles Deleuze e Félix Guattari, cuja obra nos provocou a escapar do pensamento da representação para pensar em e com uma poética da imanência, e não mais uma poética representacional. Assim, tanto tempo como memória são tidos aqui como operações, forças criadoras que a escrita de Duras evoca e provoca, construindo impossíveis, desvios. Assim, a memória se apresenta como movimento e o tempo como rizoma, na criação de outros mundos, de deviresCoordenação de Aperfeiçoamento de Pessoal de Nível Superior – CAPESporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Literatura e Crítica LiteráriaPUC-SPBrasilFaculdade de Filosofia, Comunicação, Letras e ArtesCNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIAHiroshima mon amourLa douleurAurélia SteinerMultiplicidadeRizomaHiroshima mon amourLa douleurAurélia SteinerMultiplicityRhizomeEscrever tout le temps: memórias e tempos nos textos de guerra de Marguerite DurasWrite tout le temps: memories and times in Marguerite Duras' war textsinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPORIGINALISABELA MAGALHÃES BOSI.pdfapplication/pdf2110190https://repositorio.pucsp.br/xmlui/bitstream/handle/40743/1/ISABELA%20MAGALH%c3%83ES%20BOSI.pdfcc043a8e708c7845774d788b80ea4617MD51TEXTISABELA MAGALHÃES BOSI.pdf.txtISABELA MAGALHÃES BOSI.pdf.txtExtracted texttext/plain404126https://repositorio.pucsp.br/xmlui/bitstream/handle/40743/2/ISABELA%20MAGALH%c3%83ES%20BOSI.pdf.txt79cedaf4e692a4b82df4ba8132ad26daMD52THUMBNAILISABELA MAGALHÃES BOSI.pdf.jpgISABELA MAGALHÃES BOSI.pdf.jpgGenerated Thumbnailimage/jpeg1197https://repositorio.pucsp.br/xmlui/bitstream/handle/40743/3/ISABELA%20MAGALH%c3%83ES%20BOSI.pdf.jpg763408c4257381cc6db2f58515bcf8b1MD53handle/407432024-02-05 12:00:43.89oai:repositorio.pucsp.br:handle/40743Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2024-02-05T15:00:43Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.pt_BR.fl_str_mv |
Escrever tout le temps: memórias e tempos nos textos de guerra de Marguerite Duras |
dc.title.alternative.en_US.fl_str_mv |
Write tout le temps: memories and times in Marguerite Duras' war texts |
title |
Escrever tout le temps: memórias e tempos nos textos de guerra de Marguerite Duras |
spellingShingle |
Escrever tout le temps: memórias e tempos nos textos de guerra de Marguerite Duras Bosi, Isabela Magalhães CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA Hiroshima mon amour La douleur Aurélia Steiner Multiplicidade Rizoma Hiroshima mon amour La douleur Aurélia Steiner Multiplicity Rhizome |
title_short |
Escrever tout le temps: memórias e tempos nos textos de guerra de Marguerite Duras |
title_full |
Escrever tout le temps: memórias e tempos nos textos de guerra de Marguerite Duras |
title_fullStr |
Escrever tout le temps: memórias e tempos nos textos de guerra de Marguerite Duras |
title_full_unstemmed |
Escrever tout le temps: memórias e tempos nos textos de guerra de Marguerite Duras |
title_sort |
Escrever tout le temps: memórias e tempos nos textos de guerra de Marguerite Duras |
author |
Bosi, Isabela Magalhães |
author_facet |
Bosi, Isabela Magalhães |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Malufe, Annita Costa |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/0596306185527243 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/5038195232379722 |
dc.contributor.author.fl_str_mv |
Bosi, Isabela Magalhães |
contributor_str_mv |
Malufe, Annita Costa |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA |
topic |
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA Hiroshima mon amour La douleur Aurélia Steiner Multiplicidade Rizoma Hiroshima mon amour La douleur Aurélia Steiner Multiplicity Rhizome |
dc.subject.por.fl_str_mv |
Hiroshima mon amour La douleur Aurélia Steiner Multiplicidade Rizoma |
dc.subject.eng.fl_str_mv |
Hiroshima mon amour La douleur Aurélia Steiner Multiplicity Rhizome |
description |
What and why write about war? How, in the face of disaster, can we extract its power from words? How can we invent other uses of language that escape violence – violence, in this case, that is expressed and perpetuated through words, which are in themselves an instrument of power? These are some questions that move this thesis, whose objective is to reflect with and about what we call here Marguerite Duras' war texts. To this end, we outlined, as a selection, in her vast work, five texts written about and/or during the Second World War, which she experienced in Paris, under the occupation of the German Nazi army. However, despite it being one specific war, these texts show that every war leads to another war and every war continues the previous one, in a thread of many tangled wars, still present here, now. Therefore, this study focuses on the works Hiroshima mon amour (1959), La douleur (1985) and the Aurélia Steiner trilogy (1979). In these texts, we notice ruptures with a chronology and a linearity of time, provoking and revealing a multiplicity of times, in which past, present and future coexist, overlap. Throughout this research, therefore, it became necessary to bring together theories that are in line with the view that there is not just one memory or just one time, as both are in a constant process of reconstruction and unfolding. Among the thinkers with whom we dialogue, from this perspective, we highlight Gilles Deleuze and Félix Guattari, whose work inspires us to escape the thought of representation and to think in and with a poetics of immanence, and no longer a representational poetics. Thus, both time and memory are seen here as operations, creative forces that Duras' writing, in this case, evokes and provokes, constructing impossibles, deviations. Thus, memory presents itself as movement and time as a rhizome, in the creation of other worlds, of becomings |
publishDate |
2023 |
dc.date.issued.fl_str_mv |
2023-12-14 |
dc.date.accessioned.fl_str_mv |
2024-01-27T20:58:26Z |
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2024-01-27T20:58:26Z |
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info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
format |
doctoralThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
Bosi, Isabela Magalhães. Escrever tout le temps: memórias e tempos nos textos de guerra de Marguerite Duras. 2023. Tese (Doutorado em Literatura e Crítica Literária) - Programa de Estudos Pós-Graduados em Literatura e Crítica Literária da Pontifícia Universidade Católica de São Paulo, São Paulo, 2023. |
dc.identifier.uri.fl_str_mv |
https://repositorio.pucsp.br/jspui/handle/handle/40743 |
identifier_str_mv |
Bosi, Isabela Magalhães. Escrever tout le temps: memórias e tempos nos textos de guerra de Marguerite Duras. 2023. Tese (Doutorado em Literatura e Crítica Literária) - Programa de Estudos Pós-Graduados em Literatura e Crítica Literária da Pontifícia Universidade Católica de São Paulo, São Paulo, 2023. |
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Pontifícia Universidade Católica de São Paulo |
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