A construção dos efeitos de sentido nas fotografias de retrato
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da PUC_SP |
Texto Completo: | https://tede2.pucsp.br/handle/handle/23209 |
Resumo: | The present research investigates what effects of meaning are produced by the production and sharing of the photographic portrait problematized as syncretic text due to its original composition and the transition in digital processing to multimedia to make sense and constitute itself as a whole of meaning. The study is based on a set of portrait photographs by Brazilian photographers, verified through #photographyportrait that stand out on social networks and contribute to the construction of images in the national territory. The general objective of the research is to understand in the digital portrait from the examination of plasticity and figurativity, themes, enunciative and aspectualization mechanisms, which structure the discursivity, as well as the narrativity and the logics of the junction and union, in the circulation of values in these photographs as social signifiers in virtuality. The post-capture digital processing graduations with their effects on the composition of the plastic arrangements of the formants and how they promote changes in the content plan will be considered. The central hypothesis of the research is that the new production and editing technologies created mechanisms to break with the concept proposed by photography in capturing the light reflected in the natural world, which gives it the status of the real opinion, making it an operation to reproduce an aesthetic that breaks with the evolution of the construction of the image by the creation technologies and evokes portrait paintings as a performance experience with the effect of saying true. The framework of analysis is that of Algirdas Julien Greimas' theory and method of semiotics, with Eric Landowski's contributions to social semiotics. The homologation between expression plan and content plan guides our analysis centered on the plastic contributions of Jean Marie Floch, in addition to the contributions to an analysis of the sensitive and aesthetic figurativeness of Ana Claudia de Oliveira. The understanding of the construction of meaning in the contemporary photographic portrait may contribute to the awareness of a society that values the visibility of itself that the photographs circulate as one of the goods of the consumer society in the practices of social life |
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Oliveira, Ana Claudia Mei Alves dehttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8217938Z1Jorge, Jailma Ribeiro2020-08-24T11:41:57Z2020-07-30Jorge, Jailma Ribeiro. A construção dos efeitos de sentido nas fotografias de retrato. 2020. 127 f. Dissertação (Mestrado em Comunicação e Semiótica) - Programa de Estudos Pós-Graduados em Comunicação e Semiótica, Pontifícia Universidade Católica de São Paulo, São Paulo, 2020.https://tede2.pucsp.br/handle/handle/23209The present research investigates what effects of meaning are produced by the production and sharing of the photographic portrait problematized as syncretic text due to its original composition and the transition in digital processing to multimedia to make sense and constitute itself as a whole of meaning. The study is based on a set of portrait photographs by Brazilian photographers, verified through #photographyportrait that stand out on social networks and contribute to the construction of images in the national territory. The general objective of the research is to understand in the digital portrait from the examination of plasticity and figurativity, themes, enunciative and aspectualization mechanisms, which structure the discursivity, as well as the narrativity and the logics of the junction and union, in the circulation of values in these photographs as social signifiers in virtuality. The post-capture digital processing graduations with their effects on the composition of the plastic arrangements of the formants and how they promote changes in the content plan will be considered. The central hypothesis of the research is that the new production and editing technologies created mechanisms to break with the concept proposed by photography in capturing the light reflected in the natural world, which gives it the status of the real opinion, making it an operation to reproduce an aesthetic that breaks with the evolution of the construction of the image by the creation technologies and evokes portrait paintings as a performance experience with the effect of saying true. The framework of analysis is that of Algirdas Julien Greimas' theory and method of semiotics, with Eric Landowski's contributions to social semiotics. The homologation between expression plan and content plan guides our analysis centered on the plastic contributions of Jean Marie Floch, in addition to the contributions to an analysis of the sensitive and aesthetic figurativeness of Ana Claudia de Oliveira. The understanding of the construction of meaning in the contemporary photographic portrait may contribute to the awareness of a society that values the visibility of itself that the photographs circulate as one of the goods of the consumer society in the practices of social lifeA presente pesquisa investiga quais efeitos de sentido são produzidos pela produção e compartilhamento do retrato fotográfico problematizado como texto sincrético por sua composição de origem e a transição no processamento digital para os multimeios para fazer sentido e constituir-se como um todo de significação. O estudo faz-se a partir de um conjunto de fotografias de retrato de fotógrafos brasileiros apuradas por meio da #fotografiaderetrato que se destacam nas redes sociais e contribuem para a construção imagética do retrato em território nacional. O objetivo geral da pesquisa é compreender no retrato digital a partir do exame de plasticidade e figuratividade, temas, mecanismos enunciativos e de aspectualização, que estruturam a discursividade, assim como a narratividade e as lógicas da junção e união, na circulação dos valores nestas fotografias como significantes do social na virtualidade. Serão consideradas as graduações do processamento digital pós-captura com os seus efeitos na composição dos arranjos plásticos dos formantes e como esses promovem modificações no plano do conteúdo. A hipótese central da pesquisa é de que as novas tecnologias de produção e edição criaram mecanismos de ruptura com o conceito proposto pela fotografia em capturar a luz refletida no mundo natural, o que confere à ela o estatuto do parecer real, tornando-a uma operação para reproduzir uma estética que rompe com a evolução da construção da imagem pelas tecnologias de criação e evoca pinturas retratistas como uma experiência performática com efeito de dizer verdadeiro. O arcabouço de análise é o da teoria e método da semiótica de Algirdas Julien Greimas, com as contribuições de Eric Landowski para uma semiótica do social. A homologação entre plano de expressão e plano de conteúdo orienta nossa análise centradas nas contribuições plásticas de Jean Marie Floch, além das contribuições para uma análise da figuratividade sensível e estésica de Ana Claudia de Oliveira. Com a compreensão da construção do sentido no retrato fotográfico contemporâneo, esperamos contribuir para o entendimento de uma sociedade que valoriza a visibilidade de si, que as fotografias fazem circular como uma das mercadorias da sociedade de consumo nas práticas de vida socialCoordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/52276/Jailma%20Ribeiro%20Jorge.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Comunicação e SemióticaPUC-SPBrasilFaculdade de Filosofia, Comunicação, Letras e ArtesFotografia - RetratosFotografia - ProcessamentoSentidos e significadosPortrait photographyPhotography - ProcessingSenses and significanceCNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAOA construção dos efeitos de sentido nas fotografias de retratoThe construction of the meaning effects in portrait photographsinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTJailma Ribeiro Jorge.pdf.txtJailma Ribeiro Jorge.pdf.txtExtracted texttext/plain231557https://repositorio.pucsp.br/xmlui/bitstream/handle/23209/4/Jailma%20Ribeiro%20Jorge.pdf.txt6a5fad2c7a03b62ef9c389de7e2f3804MD54LICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv |
A construção dos efeitos de sentido nas fotografias de retrato |
dc.title.alternative.eng.fl_str_mv |
The construction of the meaning effects in portrait photographs |
title |
A construção dos efeitos de sentido nas fotografias de retrato |
spellingShingle |
A construção dos efeitos de sentido nas fotografias de retrato Jorge, Jailma Ribeiro Fotografia - Retratos Fotografia - Processamento Sentidos e significados Portrait photography Photography - Processing Senses and significance CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
title_short |
A construção dos efeitos de sentido nas fotografias de retrato |
title_full |
A construção dos efeitos de sentido nas fotografias de retrato |
title_fullStr |
A construção dos efeitos de sentido nas fotografias de retrato |
title_full_unstemmed |
A construção dos efeitos de sentido nas fotografias de retrato |
title_sort |
A construção dos efeitos de sentido nas fotografias de retrato |
author |
Jorge, Jailma Ribeiro |
author_facet |
Jorge, Jailma Ribeiro |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Oliveira, Ana Claudia Mei Alves de |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8217938Z1 |
dc.contributor.author.fl_str_mv |
Jorge, Jailma Ribeiro |
contributor_str_mv |
Oliveira, Ana Claudia Mei Alves de |
dc.subject.por.fl_str_mv |
Fotografia - Retratos Fotografia - Processamento Sentidos e significados |
topic |
Fotografia - Retratos Fotografia - Processamento Sentidos e significados Portrait photography Photography - Processing Senses and significance CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
dc.subject.eng.fl_str_mv |
Portrait photography Photography - Processing Senses and significance |
dc.subject.cnpq.fl_str_mv |
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
description |
The present research investigates what effects of meaning are produced by the production and sharing of the photographic portrait problematized as syncretic text due to its original composition and the transition in digital processing to multimedia to make sense and constitute itself as a whole of meaning. The study is based on a set of portrait photographs by Brazilian photographers, verified through #photographyportrait that stand out on social networks and contribute to the construction of images in the national territory. The general objective of the research is to understand in the digital portrait from the examination of plasticity and figurativity, themes, enunciative and aspectualization mechanisms, which structure the discursivity, as well as the narrativity and the logics of the junction and union, in the circulation of values in these photographs as social signifiers in virtuality. The post-capture digital processing graduations with their effects on the composition of the plastic arrangements of the formants and how they promote changes in the content plan will be considered. The central hypothesis of the research is that the new production and editing technologies created mechanisms to break with the concept proposed by photography in capturing the light reflected in the natural world, which gives it the status of the real opinion, making it an operation to reproduce an aesthetic that breaks with the evolution of the construction of the image by the creation technologies and evokes portrait paintings as a performance experience with the effect of saying true. The framework of analysis is that of Algirdas Julien Greimas' theory and method of semiotics, with Eric Landowski's contributions to social semiotics. The homologation between expression plan and content plan guides our analysis centered on the plastic contributions of Jean Marie Floch, in addition to the contributions to an analysis of the sensitive and aesthetic figurativeness of Ana Claudia de Oliveira. The understanding of the construction of meaning in the contemporary photographic portrait may contribute to the awareness of a society that values the visibility of itself that the photographs circulate as one of the goods of the consumer society in the practices of social life |
publishDate |
2020 |
dc.date.accessioned.fl_str_mv |
2020-08-24T11:41:57Z |
dc.date.issued.fl_str_mv |
2020-07-30 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
Jorge, Jailma Ribeiro. A construção dos efeitos de sentido nas fotografias de retrato. 2020. 127 f. Dissertação (Mestrado em Comunicação e Semiótica) - Programa de Estudos Pós-Graduados em Comunicação e Semiótica, Pontifícia Universidade Católica de São Paulo, São Paulo, 2020. |
dc.identifier.uri.fl_str_mv |
https://tede2.pucsp.br/handle/handle/23209 |
identifier_str_mv |
Jorge, Jailma Ribeiro. A construção dos efeitos de sentido nas fotografias de retrato. 2020. 127 f. Dissertação (Mestrado em Comunicação e Semiótica) - Programa de Estudos Pós-Graduados em Comunicação e Semiótica, Pontifícia Universidade Católica de São Paulo, São Paulo, 2020. |
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Pontifícia Universidade Católica de São Paulo |
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Programa de Estudos Pós-Graduados em Comunicação e Semiótica |
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PUC-SP |
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Brasil |
dc.publisher.department.fl_str_mv |
Faculdade de Filosofia, Comunicação, Letras e Artes |
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Pontifícia Universidade Católica de São Paulo |
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