Ressonâncias do mal-estar contemporâneo: psicanálise, arte e política

• Autor(a) principal: Silva, Luiz Antonio Palma e
• Data de Publicação: 2013
• Tipo de documento: Tese
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
• Texto Completo: https://tede2.pucsp.br/handle/handle/17033
• topic: Subjetivação; Repressão; Vicissitude pulsional; Princípio de realidade; Injunções da cultura e civilização; Função estética; Arte; Emancipação; Subjectivation; Repression; Instinctual vicissitude; Reality principle; Injunctions of culture and civilization; Aesthetic function; Art; Emancipation; CNPQ::CIENCIAS HUMANAS::PSICOLOGIA

The mosaic of human frailty is revealed in Freud‟s Civilization and its discontents through the precarious and finite existence, the hardships and threats arising from Nature and the ambiguous relations with the other. Given this injunction, the Freudian subject, subsumed and insurgent in the cultural field, disturbed by the noise of the drives and the dark tones of the oppression of the reality principle, is endlessly confronted with the desire and the demands of external reality. The theme is developed from notions of psychoanalysis present in the work above in liaison and dialogue with the fields of social philosophy, questioned by two symbolic registers of human expression, politics and aesthetics. The main question lies in the bonds between civilization and culture that determine a complex and oppressive system of needs for the subject in order to glimpse the faces of the contemporary malaise. The central hypothesis is that despite the complexity that engenders unease and the wide adaptive force that impels it, its social configuration is not impervious to the dialectical telos of history and its properties: coercion and rebellion, subjugation and emancipation. From the hypothesis, two perspectivations arise: the possibilities of overcoming the self-reproduction of the politics that overweighs the reality principle, and the scope of the subversion of experience, a quality inherent in art and the aesthetic function, as an emancipatory path. The reflective and analytical course of this thesis was based on the clarity that subjectivation processes are not separated from their historical production; or in other words, it is the real historical process that constitutes the subject in the present state of things