A sala de cinema como espaço significante: o sentido do lugar
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da PUC_SP |
Texto Completo: | https://repositorio.pucsp.br/jspui/handle/handle/26479 |
Resumo: | This research project aims to analyze the movie theater as a significant space for its audiences. The study justifies its relevance and falls within the framework of communicational studies, considering that, since the turn of the first decade of the 21st century, the attendance of movie theaters, its very existence, economic and symbolic importance has been losing its predominance in the activity of watching movies, in the face of new modes of appreciation. The hypothesis put forward is that the movie theater would not be a mere device among others to watch the film, but a device with a specificity that generates the most diverse effects of meaning, including ontological effects, since in a perspective of concrete social practice, going to the cinema would be confused with the meaning of the cinema object. The thesis is that the movie theater, due to its specificity, at the same time historical, but also transhistorical, would constitute a significant space, producer of signs, according to the audiences of its frequentation. To carry out this journey, classical and recent thinkers of cinema theories were mobilized, from the revisiting of the cinema situation by Hugo Mauerhofer, through the theories of the device of Jean-Louis Baudry, and other theorists who contribute to an interpretation of the phenomenon of cinema as a social fact. such as Edgar Morin; or those who focused on the ontological and epistemological consideration of the cinema object, such as Roland Barthes, Raymond Bellour, Jacques Aumont, André Gaudreault, Thomas Elsaesser, among others. In order to analyze the room as a significant space in itself, Peirce's semiotics will be mobilized; for the analysis of a specific case, special semiotics will be used. The thesis also presents, at the end, a specific case study, that of the exhibition group Estação, in Rio de Janeiro, emblematic in the formation of moviegoers in that city. For that, an analysis was carried out based on a qualitative interview and the evaluation of the group's trajectory; a semiotic study of a movie theater of the group was also carried out, in order to understand how meaning can be constructed by the expressive materials of the exhibition space and what kind of meanings can be elaborated for its audiences. It is believed that a political development of the research may be the evaluation of the place of cultural spaces in the city in a formative dimension that is significant for the formation of the symbolic capital of society |
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Motta, Leda Tenório dahttp://lattes.cnpq.br/5298452627500759http://lattes.cnpq.br/0721834174572232Kahtalian, Marcos2022-07-04T15:50:07Z2022-07-04T15:50:07Z2022-04-28Kahtalian, Marcos. A sala de cinema como espaço significante: o sentido do lugar. 2022. Tese (Doutorado em Comunicação e Semiótica) - Programa de Estudos Pós-Graduados em Comunicação e Semiótica da Pontifícia Universidade Católica de São Paulo, São Paulo, 2022.https://repositorio.pucsp.br/jspui/handle/handle/26479This research project aims to analyze the movie theater as a significant space for its audiences. The study justifies its relevance and falls within the framework of communicational studies, considering that, since the turn of the first decade of the 21st century, the attendance of movie theaters, its very existence, economic and symbolic importance has been losing its predominance in the activity of watching movies, in the face of new modes of appreciation. The hypothesis put forward is that the movie theater would not be a mere device among others to watch the film, but a device with a specificity that generates the most diverse effects of meaning, including ontological effects, since in a perspective of concrete social practice, going to the cinema would be confused with the meaning of the cinema object. The thesis is that the movie theater, due to its specificity, at the same time historical, but also transhistorical, would constitute a significant space, producer of signs, according to the audiences of its frequentation. To carry out this journey, classical and recent thinkers of cinema theories were mobilized, from the revisiting of the cinema situation by Hugo Mauerhofer, through the theories of the device of Jean-Louis Baudry, and other theorists who contribute to an interpretation of the phenomenon of cinema as a social fact. such as Edgar Morin; or those who focused on the ontological and epistemological consideration of the cinema object, such as Roland Barthes, Raymond Bellour, Jacques Aumont, André Gaudreault, Thomas Elsaesser, among others. In order to analyze the room as a significant space in itself, Peirce's semiotics will be mobilized; for the analysis of a specific case, special semiotics will be used. The thesis also presents, at the end, a specific case study, that of the exhibition group Estação, in Rio de Janeiro, emblematic in the formation of moviegoers in that city. For that, an analysis was carried out based on a qualitative interview and the evaluation of the group's trajectory; a semiotic study of a movie theater of the group was also carried out, in order to understand how meaning can be constructed by the expressive materials of the exhibition space and what kind of meanings can be elaborated for its audiences. It is believed that a political development of the research may be the evaluation of the place of cultural spaces in the city in a formative dimension that is significant for the formation of the symbolic capital of societyEste projeto de pesquisa objetiva analisar a sala de cinema como espaço significante para seus públicos. O estudo justifica sua relevância e insere-se no quadro dos estudos comunicacionais, pois, desde a virada da primeira década do século XXI, a frequentação das salas de cinema, sua própria existência, importância econômica e simbólica vem perdendo sua predominância na atividade de ver filmes, face aos novos modos apreciação. A hipótese colocada é que a sala de cinema não seria um mero dispositivo entre outros de ver o filme, mas um dispositivo com uma especificidade que gera efeitos de significação os mais diversos, inclusive efeitos ontológicos, posto que, em uma perspectiva de prática social concreta, a ida e frequentação ao cinema confundir-se-ia com o significado do objeto cinema. A tese é que a sala de cinema, por sua especificidade, ao mesmo tempo histórica, mas também trans-histórica, se constituiria de um espaço significante, produtor de signos, conforme os públicos de sua frequentação. Para realizar este percurso foram mobilizados pensadores clássicos e recentes das teorias de cinema, desde a revisitação da situação cinema de Hugo Mauerhofer, passando pelas teorias do dispositivo de Jean-Louis Baudry, e demais teóricos que contribuem para uma interpretação do fenômeno do cinema como fato social, tais como como Edgar Morin; ou aqueles que se detiveram na consideração ontológica e epistemológica do objeto cinema, como Roland Barthes, Raymond Bellour, Jacques Aumont, André Gaudreault, Thomas Elsaesser, entre outros. Para analisar a sala como espaço significante em si será mobilizada a semiótica de Peirce; para análise de um caso específico serão utilizadas semióticas especiais. A tese apresenta ainda ao final um estudo de caso específico, o do grupo exibidor Estação, no Rio de Janeiro, emblemático na formação de públicos cinéfilos naquela cidade. Para tanto foi realizada uma análise a partir de entrevista qualitativa e da avaliação do percurso do grupo; realizou-se também um estudo semiótico de uma sala de cinema do grupo, para compreender como pode ser construída a significação pelos materiais expressivos do espaço de exibição e que tipo de significações são passíveis de elaboração para seus públicos. Acredita-se que um desdobramento político da pesquisa possa ser a avaliação do lugar dos espaços culturais na cidade em uma dimensão formativa significativa para a formação do capital simbólico da sociedadeporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Comunicação e SemióticaPUC-SPBrasilFaculdade de Filosofia, Comunicação, Letras e ArtesCNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAOSalas de cinemaSemiótica e cinemaOntologia do cinemaMovie theatersSemiotics and cinemaCinema ontologyA sala de cinema como espaço significante: o sentido do lugarThe movie theater as a significant space: the sense of placeinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPORIGINALMarcos Kahtalian.pdfapplication/pdf3507365https://repositorio.pucsp.br/xmlui/bitstream/handle/26479/1/Marcos%20Kahtalian.pdf3eaebaf7c3864ec66520424204f64f70MD51TEXTMarcos Kahtalian.pdf.txtMarcos Kahtalian.pdf.txtExtracted texttext/plain350913https://repositorio.pucsp.br/xmlui/bitstream/handle/26479/2/Marcos%20Kahtalian.pdf.txta8ec32a13446597b042276b3e44fa559MD52THUMBNAILMarcos Kahtalian.pdf.jpgMarcos Kahtalian.pdf.jpgGenerated Thumbnailimage/jpeg1138https://repositorio.pucsp.br/xmlui/bitstream/handle/26479/3/Marcos%20Kahtalian.pdf.jpg227a3f2cd093cb2ad9891b9f24b12b7aMD53handle/264792022-07-05 09:58:06.988oai:repositorio.pucsp.br:handle/26479Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-07-05T12:58:06Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.pt_BR.fl_str_mv |
A sala de cinema como espaço significante: o sentido do lugar |
dc.title.alternative.en_US.fl_str_mv |
The movie theater as a significant space: the sense of place |
title |
A sala de cinema como espaço significante: o sentido do lugar |
spellingShingle |
A sala de cinema como espaço significante: o sentido do lugar Kahtalian, Marcos CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO Salas de cinema Semiótica e cinema Ontologia do cinema Movie theaters Semiotics and cinema Cinema ontology |
title_short |
A sala de cinema como espaço significante: o sentido do lugar |
title_full |
A sala de cinema como espaço significante: o sentido do lugar |
title_fullStr |
A sala de cinema como espaço significante: o sentido do lugar |
title_full_unstemmed |
A sala de cinema como espaço significante: o sentido do lugar |
title_sort |
A sala de cinema como espaço significante: o sentido do lugar |
author |
Kahtalian, Marcos |
author_facet |
Kahtalian, Marcos |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Motta, Leda Tenório da |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/5298452627500759 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/0721834174572232 |
dc.contributor.author.fl_str_mv |
Kahtalian, Marcos |
contributor_str_mv |
Motta, Leda Tenório da |
dc.subject.cnpq.fl_str_mv |
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
topic |
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO Salas de cinema Semiótica e cinema Ontologia do cinema Movie theaters Semiotics and cinema Cinema ontology |
dc.subject.por.fl_str_mv |
Salas de cinema Semiótica e cinema Ontologia do cinema |
dc.subject.eng.fl_str_mv |
Movie theaters Semiotics and cinema Cinema ontology |
description |
This research project aims to analyze the movie theater as a significant space for its audiences. The study justifies its relevance and falls within the framework of communicational studies, considering that, since the turn of the first decade of the 21st century, the attendance of movie theaters, its very existence, economic and symbolic importance has been losing its predominance in the activity of watching movies, in the face of new modes of appreciation. The hypothesis put forward is that the movie theater would not be a mere device among others to watch the film, but a device with a specificity that generates the most diverse effects of meaning, including ontological effects, since in a perspective of concrete social practice, going to the cinema would be confused with the meaning of the cinema object. The thesis is that the movie theater, due to its specificity, at the same time historical, but also transhistorical, would constitute a significant space, producer of signs, according to the audiences of its frequentation. To carry out this journey, classical and recent thinkers of cinema theories were mobilized, from the revisiting of the cinema situation by Hugo Mauerhofer, through the theories of the device of Jean-Louis Baudry, and other theorists who contribute to an interpretation of the phenomenon of cinema as a social fact. such as Edgar Morin; or those who focused on the ontological and epistemological consideration of the cinema object, such as Roland Barthes, Raymond Bellour, Jacques Aumont, André Gaudreault, Thomas Elsaesser, among others. In order to analyze the room as a significant space in itself, Peirce's semiotics will be mobilized; for the analysis of a specific case, special semiotics will be used. The thesis also presents, at the end, a specific case study, that of the exhibition group Estação, in Rio de Janeiro, emblematic in the formation of moviegoers in that city. For that, an analysis was carried out based on a qualitative interview and the evaluation of the group's trajectory; a semiotic study of a movie theater of the group was also carried out, in order to understand how meaning can be constructed by the expressive materials of the exhibition space and what kind of meanings can be elaborated for its audiences. It is believed that a political development of the research may be the evaluation of the place of cultural spaces in the city in a formative dimension that is significant for the formation of the symbolic capital of society |
publishDate |
2022 |
dc.date.accessioned.fl_str_mv |
2022-07-04T15:50:07Z |
dc.date.available.fl_str_mv |
2022-07-04T15:50:07Z |
dc.date.issued.fl_str_mv |
2022-04-28 |
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info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
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doctoralThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
Kahtalian, Marcos. A sala de cinema como espaço significante: o sentido do lugar. 2022. Tese (Doutorado em Comunicação e Semiótica) - Programa de Estudos Pós-Graduados em Comunicação e Semiótica da Pontifícia Universidade Católica de São Paulo, São Paulo, 2022. |
dc.identifier.uri.fl_str_mv |
https://repositorio.pucsp.br/jspui/handle/handle/26479 |
identifier_str_mv |
Kahtalian, Marcos. A sala de cinema como espaço significante: o sentido do lugar. 2022. Tese (Doutorado em Comunicação e Semiótica) - Programa de Estudos Pós-Graduados em Comunicação e Semiótica da Pontifícia Universidade Católica de São Paulo, São Paulo, 2022. |
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Pontifícia Universidade Católica de São Paulo |
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Programa de Estudos Pós-Graduados em Comunicação e Semiótica |
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PUC-SP |
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Brasil |
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Faculdade de Filosofia, Comunicação, Letras e Artes |
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Pontifícia Universidade Católica de São Paulo |
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