Voz, performance e subversão: um estudo do narrador em “Kadosh”, de Hilda Hilst

Detalhes bibliográficos
Autor(a) principal: Vieira, Maria Andrade
Data de Publicação: 2019
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
Texto Completo: https://tede2.pucsp.br/handle/handle/22345
Resumo: This dissertation proposes to investigate the way through which the voice of the narrator in the short story "Kadosh" (1973) by Hilda Hilst is constituted. The research aims at comparing Kadosh's peregrination to the aesthetics chosen by the author, including its hybridity in terms of the literary genres, the traits imprinted in the body of the text, as well as how the poetic language demands and promotes a place of otherness. Our research is based on the hypothesis that the voice of the narrator in Hilst represents the poetic undertaking, as a symbolic place created in order to generate a relationship of otherness with the reader through a performance writing. As such, we investigate, through a qualitative and descriptive research, the main characteristics of Hilda Hilst's creation of a poetic voice, considering an attentive reading of her published works, from the time of her debut as a poet to the constitution of this corpus, which unveils the concepts of performance and corporeality of the text as our theoretical cornerstone. As such, we have used the concept of voice by Massaud Moisés and Paul Zumthor; of performance by Richard Schechner, Renato Cohen and Paul Zumthor; of rhythm, image and language by Octavio Paz and Gaston Bachelard and Alberto Manguel's considerations (2018), Roland Barthes (2010) and Wolfgang Iser (1999) in terms of the relationship between the act of reading and the reader. We also use the concept of corporeality from the studies by George Bataille (2017) and Michel Collot (2004). In this research, we have found traits imprinted in the body of the text that create an experience in a way that transcend what the theory defines as performance: it is not a voice alone that performs in this corpus, but the text itself, in a structural aesthetics that communicates as the page turns into a stage and the words themselves come to life
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spelling Navas, Dianahttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8837690H1&tokenCaptchar=03AOLTBLQ3xtUgnzE2rYjcXzfv1uOmgQh0oJ3z2APpgHemEPTgftz_kzvVAXaQnZmBd-6zf1XXEzjUNiaW8f-84Hm0lYeDK6TrcP3GB1w84tr-0M34-uDCK00GnomaqsEOSn0SV7B2GRLD4zyc0CIAjh_tYfJOBq9vLRwdqAMhbhcQ-d6TC4V2quglj4DpYiDFCxarVxdwHhtez3-5Jm7KhdNinf-qogkR5xnW8E52JMFLo6oEMO-6C5cSJJfXk57AJ1AGc7ZbGkP4BIEIxg19hkgl5ZGZcJsr2OdiJBA0XO0_m9mnJ0VX__OfiAScoPfEc3bsqpM0YJfM0RgiWuLL0tF0sHqgdouzKAVieira, Maria Andrade2019-07-01T12:01:03Z2019-05-17Vieira, Maria Andrade. Voz, performance e subversão: um estudo do narrador em “Kadosh”, de Hilda Hilst. 2019. 90 f. Dissertação (Mestrado em Literatura e Crítica Literária) - Programa de Estudos Pós-Graduados em Literatura e Crítica Literária, Pontifícia Universidade Católica de São Paulo, São Paulo, 2019.https://tede2.pucsp.br/handle/handle/22345This dissertation proposes to investigate the way through which the voice of the narrator in the short story "Kadosh" (1973) by Hilda Hilst is constituted. The research aims at comparing Kadosh's peregrination to the aesthetics chosen by the author, including its hybridity in terms of the literary genres, the traits imprinted in the body of the text, as well as how the poetic language demands and promotes a place of otherness. Our research is based on the hypothesis that the voice of the narrator in Hilst represents the poetic undertaking, as a symbolic place created in order to generate a relationship of otherness with the reader through a performance writing. As such, we investigate, through a qualitative and descriptive research, the main characteristics of Hilda Hilst's creation of a poetic voice, considering an attentive reading of her published works, from the time of her debut as a poet to the constitution of this corpus, which unveils the concepts of performance and corporeality of the text as our theoretical cornerstone. As such, we have used the concept of voice by Massaud Moisés and Paul Zumthor; of performance by Richard Schechner, Renato Cohen and Paul Zumthor; of rhythm, image and language by Octavio Paz and Gaston Bachelard and Alberto Manguel's considerations (2018), Roland Barthes (2010) and Wolfgang Iser (1999) in terms of the relationship between the act of reading and the reader. We also use the concept of corporeality from the studies by George Bataille (2017) and Michel Collot (2004). In this research, we have found traits imprinted in the body of the text that create an experience in a way that transcend what the theory defines as performance: it is not a voice alone that performs in this corpus, but the text itself, in a structural aesthetics that communicates as the page turns into a stage and the words themselves come to lifeEsta dissertação tem como proposta investigar de que maneira se constitui a voz do narrador do conto “Kadosh” (1973), da escritora brasileira Hilda Hilst. Esta pesquisa busca comparar a peregrinação de Kadosh à estética escolhida pela autora, seu hibridismo de gêneros literários, as marcas deixadas no corpo do texto e como sua linguagem poética exige a formação de um lugar de escuta. Partimos da hipótese de que a voz do narrador hilstiano representa o fazer poético, como lugar simbólico constituído, a fim de criar uma relação de alteridade com o leitor por meio de sua escritura performática. Com base nessa premissa, investigamos, de forma qualitativa e descritiva, as principais características da voz poética de Hilda Hilst, por meio de uma leitura atenta das obras publicadas, desde sua estreia como poeta, até a constituição deste corpus, que apontaram os conceitos de performance e corporeidade do texto como nossos pilares teóricos. Para tanto, foram utilizados os conceitos de voz de Massaud Moisés e Paul Zumthor; de performance de Richard Schechner, Renato Cohen e Paul Zumthor; a concepção de ritmo, imagem e linguagem de Octavio Paz e Gaston Bachelard e as considerações de Alberto Manguel, Roland Barthes e Wolfgang Iser no tocante à relação entre leitura e leitor. Valemo-nos também, para a conceituação de corporeidade, dos estudos de George Bataille e Michel Collot. Nesta pesquisa, foram encontradas, em “Kadosh”, marcas textuais que criam uma experiência do modo de fazer que transpõem as definições teóricas de performance: não é apenas a voz que performa neste corpus, mas o próprio texto, uma estrutura estética que se comunica e se faz em cena, fazendo da página o palco das palavrasCoordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/49591/Maria%20Andrade%20Vieira.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Literatura e Crítica LiteráriaPUC-SPBrasilFaculdade de Filosofia, Comunicação, Letras e ArtesHilst, Hilda [1930-2004] - Crítica e interpretaçãoKadoshVozHilst, Hilda [1930-2004] - Criticism and interpretationKadoshVoiceCNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIAVoz, performance e subversão: um estudo do narrador em “Kadosh”, de Hilda HilstVoice, performance and subversion: a Study of the Narrator in “Kadosh”, by Hilda Hilstinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTMaria Andrade Vieira.pdf.txtMaria Andrade Vieira.pdf.txtExtracted texttext/plain172442https://repositorio.pucsp.br/xmlui/bitstream/handle/22345/4/Maria%20Andrade%20Vieira.pdf.txt4561b1e141794b4bf6c9f2b5fcc7925dMD54LICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv Voz, performance e subversão: um estudo do narrador em “Kadosh”, de Hilda Hilst
dc.title.alternative.eng.fl_str_mv Voice, performance and subversion: a Study of the Narrator in “Kadosh”, by Hilda Hilst
title Voz, performance e subversão: um estudo do narrador em “Kadosh”, de Hilda Hilst
spellingShingle Voz, performance e subversão: um estudo do narrador em “Kadosh”, de Hilda Hilst
Vieira, Maria Andrade
Hilst, Hilda [1930-2004] - Crítica e interpretação
Kadosh
Voz
Hilst, Hilda [1930-2004] - Criticism and interpretation
Kadosh
Voice
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA
title_short Voz, performance e subversão: um estudo do narrador em “Kadosh”, de Hilda Hilst
title_full Voz, performance e subversão: um estudo do narrador em “Kadosh”, de Hilda Hilst
title_fullStr Voz, performance e subversão: um estudo do narrador em “Kadosh”, de Hilda Hilst
title_full_unstemmed Voz, performance e subversão: um estudo do narrador em “Kadosh”, de Hilda Hilst
title_sort Voz, performance e subversão: um estudo do narrador em “Kadosh”, de Hilda Hilst
author Vieira, Maria Andrade
author_facet Vieira, Maria Andrade
author_role author
dc.contributor.advisor1.fl_str_mv Navas, Diana
dc.contributor.authorLattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8837690H1&tokenCaptchar=03AOLTBLQ3xtUgnzE2rYjcXzfv1uOmgQh0oJ3z2APpgHemEPTgftz_kzvVAXaQnZmBd-6zf1XXEzjUNiaW8f-84Hm0lYeDK6TrcP3GB1w84tr-0M34-uDCK00GnomaqsEOSn0SV7B2GRLD4zyc0CIAjh_tYfJOBq9vLRwdqAMhbhcQ-d6TC4V2quglj4DpYiDFCxarVxdwHhtez3-5Jm7KhdNinf-qogkR5xnW8E52JMFLo6oEMO-6C5cSJJfXk57AJ1AGc7ZbGkP4BIEIxg19hkgl5ZGZcJsr2OdiJBA0XO0_m9mnJ0VX__OfiAScoPfEc3bsqpM0YJfM0RgiWuLL0tF0sHqgdouzKA
dc.contributor.author.fl_str_mv Vieira, Maria Andrade
contributor_str_mv Navas, Diana
dc.subject.por.fl_str_mv Hilst, Hilda [1930-2004] - Crítica e interpretação
Kadosh
Voz
topic Hilst, Hilda [1930-2004] - Crítica e interpretação
Kadosh
Voz
Hilst, Hilda [1930-2004] - Criticism and interpretation
Kadosh
Voice
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA
dc.subject.eng.fl_str_mv Hilst, Hilda [1930-2004] - Criticism and interpretation
Kadosh
Voice
dc.subject.cnpq.fl_str_mv CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA
description This dissertation proposes to investigate the way through which the voice of the narrator in the short story "Kadosh" (1973) by Hilda Hilst is constituted. The research aims at comparing Kadosh's peregrination to the aesthetics chosen by the author, including its hybridity in terms of the literary genres, the traits imprinted in the body of the text, as well as how the poetic language demands and promotes a place of otherness. Our research is based on the hypothesis that the voice of the narrator in Hilst represents the poetic undertaking, as a symbolic place created in order to generate a relationship of otherness with the reader through a performance writing. As such, we investigate, through a qualitative and descriptive research, the main characteristics of Hilda Hilst's creation of a poetic voice, considering an attentive reading of her published works, from the time of her debut as a poet to the constitution of this corpus, which unveils the concepts of performance and corporeality of the text as our theoretical cornerstone. As such, we have used the concept of voice by Massaud Moisés and Paul Zumthor; of performance by Richard Schechner, Renato Cohen and Paul Zumthor; of rhythm, image and language by Octavio Paz and Gaston Bachelard and Alberto Manguel's considerations (2018), Roland Barthes (2010) and Wolfgang Iser (1999) in terms of the relationship between the act of reading and the reader. We also use the concept of corporeality from the studies by George Bataille (2017) and Michel Collot (2004). In this research, we have found traits imprinted in the body of the text that create an experience in a way that transcend what the theory defines as performance: it is not a voice alone that performs in this corpus, but the text itself, in a structural aesthetics that communicates as the page turns into a stage and the words themselves come to life
publishDate 2019
dc.date.accessioned.fl_str_mv 2019-07-01T12:01:03Z
dc.date.issued.fl_str_mv 2019-05-17
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv Vieira, Maria Andrade. Voz, performance e subversão: um estudo do narrador em “Kadosh”, de Hilda Hilst. 2019. 90 f. Dissertação (Mestrado em Literatura e Crítica Literária) - Programa de Estudos Pós-Graduados em Literatura e Crítica Literária, Pontifícia Universidade Católica de São Paulo, São Paulo, 2019.
dc.identifier.uri.fl_str_mv https://tede2.pucsp.br/handle/handle/22345
identifier_str_mv Vieira, Maria Andrade. Voz, performance e subversão: um estudo do narrador em “Kadosh”, de Hilda Hilst. 2019. 90 f. Dissertação (Mestrado em Literatura e Crítica Literária) - Programa de Estudos Pós-Graduados em Literatura e Crítica Literária, Pontifícia Universidade Católica de São Paulo, São Paulo, 2019.
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dc.publisher.program.fl_str_mv Programa de Estudos Pós-Graduados em Literatura e Crítica Literária
dc.publisher.initials.fl_str_mv PUC-SP
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Faculdade de Filosofia, Comunicação, Letras e Artes
publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
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