Música, web radio e redes sociais: o uso de webradios e redes sociais e suas interações entre redes e usuários na difusão e produção de conteúdo

• Autor(a) principal: Paiva, Thiago Rocha Moreira
• Data de Publicação: 2010
• Tipo de documento: Trabalho de conclusão de curso
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
• Texto Completo: https://repositorio.pucsp.br/jspui/handle/handle/31260
• topic: CNPQ::CIENCIAS EXATAS E DA TERRA::CIENCIA DA COMPUTACAO; Música e Internet; Processos de difusão da música; Redes sociais

The following paper is about a junction of 2 currently present and very discussed subjects nowadays: music diffusion and social networks. Through both internet and efficient audio compression formats combined with p2p networks, the phonographic industry suffered a considerable impact on their incomings, causing the closuring of several CDs stores and labels; which, among other factors, led to a crisis in the current musical content distribution format and to a questioning of the need of labels in this context. Clearly, even with all the judicial struggle labels and entertainment industry engage on, it is visible that this is an irreversible path. There has been much thinking about alternatives, whether to maintain or not old media, but no way was found that could grant a fair remuneration for both musicians and composers. This matter does not call for a short-term resolution. Nonetheless, much discussion over this particular subject has been seen on the internet lately, which point to possible medium and long-term solutions. By way of concepts like cloud computing and with the help of mobile devices, one can set up a content distribution scheme anywhere, which could contribute to the reaching of fair remuneration for music professionals. Again, it is not a matter that calls for short-term resolutions. Planning is absolutely necessary. Nevertheless, similar operations in several networks on internet are presently to be found. Those concepts, combined with social networks — where all users can make their content —, can provide users with precious experiences as well as producers and musicians with precious data on a wide range of information they might be interested in, such as: what their target audience listens to; what their target audience thinks about their works etc; which guarantees an excellent feedback. By virtue of the audience's musical taste sharing, one can observe how information flows, along with how relevant information for the music industry can be obtained. Furthermore, we will see the music history on the following pages, and how embraces society and social networks. Additionally, we will also see how these social networks are formed, and why simple musical taste sharing can make such a big difference for everyone