Dance Discourse and the Concept of Genre – Some Interpretive Elements
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por eng |
Título da fonte: | Bakhtiniana |
Texto Completo: | https://revistas.pucsp.br/index.php/bakhtiniana/article/view/42617 |
Resumo: | The objective of this article is to examine dance as visual and verbal-visual discourse, and to identify the components that foster the production of meaning for an audience without any specialized training, but who are merely amateurs, and who attend dance shows. The first part of the article establishes the theoretical-conceptual basis for the study, supported by excerpts from the works of Bakhtin, Medvedev, and Voloshinov, which converge with the perspective of dance theorist, Rudolf Laban, who conceives of dance as language. Secondly, a corpus consisting of four discursive fragments from different genres are analyzed: classical ballet, modern ballet, hip-hop and street dance. The analysis focuses on the concepts of discursive genres, intonation, and value systems. |
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Dance Discourse and the Concept of Genre – Some Interpretive ElementsO discurso da dança e o conceito de gênero – alguns elementos de leituraDançaGêneroEnunciadoValorEntonaçãoDanceGenreUtteranceValueIntonationThe objective of this article is to examine dance as visual and verbal-visual discourse, and to identify the components that foster the production of meaning for an audience without any specialized training, but who are merely amateurs, and who attend dance shows. The first part of the article establishes the theoretical-conceptual basis for the study, supported by excerpts from the works of Bakhtin, Medvedev, and Voloshinov, which converge with the perspective of dance theorist, Rudolf Laban, who conceives of dance as language. Secondly, a corpus consisting of four discursive fragments from different genres are analyzed: classical ballet, modern ballet, hip-hop and street dance. The analysis focuses on the concepts of discursive genres, intonation, and value systems.O objetivo do presente artigo é tratar a dança como discurso visual e verbo-visual e identificar alguns de seus componentes que permitem a construção de sentido para um público sem formação específica e que seja mero amador e frequentador de espetáculos de dança. Na primeira parte, busca-se estabelecer as bases teórico-conceituais do trabalho e, para tanto, percorrem-se trechos da obra de Bakhtin, Medviédev e Volóshinov que convergem com o pensamento de Rudolf Laban, teórico da dança que a concebe como linguagem. Na segunda parte, analisa-se um corpus constituído de quatro fragmentos discursivos, exemplares de diferentes gêneros – balé clássico, balé moderno, hip-hop e streetdance. Mobilizam-se para a análise os conceitos de gênero discursivo, entonação e sistema de valores.Pontifícia Universidade Católica de São Paulo2020-04-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://revistas.pucsp.br/index.php/bakhtiniana/article/view/42617Bakhtiniana. Revista de Estudos do Discurso ; Vol. 15 No. 2 (2020); Port. 64-96 / Eng. 67-101Bakhtiniana. Revista de Estudos do Discurso; Vol. 15 Núm. 2 (2020); Port. 64-96 / Eng. 67-101Bakhtiniana. Revista de Estudos do Discurso; Vol. 15 No. 2 (2020); Port. 64-96 / Eng. 67-101Bakhtiniana. Revista de Estudos do Discurso; v. 15 n. 2 (2020); Port. 64-96 / Eng. 67-101Бахтиниана: Журнал дискурсивных исследований; Том 15 № 2 (2020); Port. 64-96 / Eng. 67-1012176-4573reponame:Bakhtinianainstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporenghttps://revistas.pucsp.br/index.php/bakhtiniana/article/view/42617/31605https://revistas.pucsp.br/index.php/bakhtiniana/article/view/42617/31606Copyright (c) 2020 Bakhtiniana. Revista de Estudos do Discursoinfo:eu-repo/semantics/openAccessAmorim, Marilia2020-04-20T10:57:00Zoai:ojs.pkp.sfu.ca:article/42617Revistahttps://revistas.pucsp.br/index.php/bakhtiniana/indexPRIhttps://old.scielo.br/oai/scielo-oai.php||bakhtinianarevista@gmail.com2176-45732176-4573opendoar:2020-04-20T10:57Bakhtiniana - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
Dance Discourse and the Concept of Genre – Some Interpretive Elements O discurso da dança e o conceito de gênero – alguns elementos de leitura |
title |
Dance Discourse and the Concept of Genre – Some Interpretive Elements |
spellingShingle |
Dance Discourse and the Concept of Genre – Some Interpretive Elements Amorim, Marilia Dança Gênero Enunciado Valor Entonação Dance Genre Utterance Value Intonation |
title_short |
Dance Discourse and the Concept of Genre – Some Interpretive Elements |
title_full |
Dance Discourse and the Concept of Genre – Some Interpretive Elements |
title_fullStr |
Dance Discourse and the Concept of Genre – Some Interpretive Elements |
title_full_unstemmed |
Dance Discourse and the Concept of Genre – Some Interpretive Elements |
title_sort |
Dance Discourse and the Concept of Genre – Some Interpretive Elements |
author |
Amorim, Marilia |
author_facet |
Amorim, Marilia |
author_role |
author |
dc.contributor.author.fl_str_mv |
Amorim, Marilia |
dc.subject.por.fl_str_mv |
Dança Gênero Enunciado Valor Entonação Dance Genre Utterance Value Intonation |
topic |
Dança Gênero Enunciado Valor Entonação Dance Genre Utterance Value Intonation |
description |
The objective of this article is to examine dance as visual and verbal-visual discourse, and to identify the components that foster the production of meaning for an audience without any specialized training, but who are merely amateurs, and who attend dance shows. The first part of the article establishes the theoretical-conceptual basis for the study, supported by excerpts from the works of Bakhtin, Medvedev, and Voloshinov, which converge with the perspective of dance theorist, Rudolf Laban, who conceives of dance as language. Secondly, a corpus consisting of four discursive fragments from different genres are analyzed: classical ballet, modern ballet, hip-hop and street dance. The analysis focuses on the concepts of discursive genres, intonation, and value systems. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-04-17 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/bakhtiniana/article/view/42617 |
url |
https://revistas.pucsp.br/index.php/bakhtiniana/article/view/42617 |
dc.language.iso.fl_str_mv |
por eng |
language |
por eng |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/bakhtiniana/article/view/42617/31605 https://revistas.pucsp.br/index.php/bakhtiniana/article/view/42617/31606 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Bakhtiniana. Revista de Estudos do Discurso info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Bakhtiniana. Revista de Estudos do Discurso |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
publisher.none.fl_str_mv |
Pontifícia Universidade Católica de São Paulo |
dc.source.none.fl_str_mv |
Bakhtiniana. Revista de Estudos do Discurso ; Vol. 15 No. 2 (2020); Port. 64-96 / Eng. 67-101 Bakhtiniana. Revista de Estudos do Discurso; Vol. 15 Núm. 2 (2020); Port. 64-96 / Eng. 67-101 Bakhtiniana. Revista de Estudos do Discurso; Vol. 15 No. 2 (2020); Port. 64-96 / Eng. 67-101 Bakhtiniana. Revista de Estudos do Discurso; v. 15 n. 2 (2020); Port. 64-96 / Eng. 67-101 Бахтиниана: Журнал дискурсивных исследований; Том 15 № 2 (2020); Port. 64-96 / Eng. 67-101 2176-4573 reponame:Bakhtiniana instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Bakhtiniana |
collection |
Bakhtiniana |
repository.name.fl_str_mv |
Bakhtiniana - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
||bakhtinianarevista@gmail.com |
_version_ |
1799138683441381376 |