Indetermination under suspicion in contemporary Brazilian cinema: the distinct cases of Filmefobia and Pan-cinema permanente

Detalhes bibliográficos
Autor(a) principal: Feldman, Ilana
Data de Publicação: 2010
Tipo de documento: Artigo
Idioma: por
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/3313
Resumo: Among several recent Brazilian films – particularly those classified as documentaries – which invest in self-fiction and in questioning their own prerogatives, casting doubt over their procedures or producing their own equivocations, we choose to highlight Filmefobia (Kiko Goifman, 2009) and Pan-cinema permanente (Carlos Nader, 2008). Despite their undeniable differences and diverse esthetic and political effects, these films operate within a biopolitical realm of indetermination, shifting between the authentic and the staged, real individuals and fictional characters, experience and game, real life and acting performance, documentary and fiction. Far from simply praising the esthetic potential of indetermination, which, as we shall see, may function politically as a precondition of cynicism and of all sorts of states of exception, the case here is rather to place the concept of indetermination itself under suspicion.
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spelling Indetermination under suspicion in contemporary Brazilian cinema: the distinct cases of Filmefobia and Pan-cinema permanenteA indeterminação sob suspeita no cinema brasileiro contemporâneo: os distintos casos de Filmefobia e Pan-cinema permanenteindeterminationcynicismBrazilian documentarybiopoliticsAmong several recent Brazilian films – particularly those classified as documentaries – which invest in self-fiction and in questioning their own prerogatives, casting doubt over their procedures or producing their own equivocations, we choose to highlight Filmefobia (Kiko Goifman, 2009) and Pan-cinema permanente (Carlos Nader, 2008). Despite their undeniable differences and diverse esthetic and political effects, these films operate within a biopolitical realm of indetermination, shifting between the authentic and the staged, real individuals and fictional characters, experience and game, real life and acting performance, documentary and fiction. Far from simply praising the esthetic potential of indetermination, which, as we shall see, may function politically as a precondition of cynicism and of all sorts of states of exception, the case here is rather to place the concept of indetermination itself under suspicion.Dentre alguns filmes brasileiros recentes - sobretudo aqueles tomados por documentais - que investem na autoficção e na problematização das próprias prerrogativas, colocando sob suspeita seus procedimentos ou produzindo suas próprias esquivas, privilegiaremos Filmefobia (Kiko Goifman, 2009) e Pan-cinema permanente (Carlos Nader, 2008), que, a despeito de suas evidentes diferenças e de seus distintos efeitos estéticos e políticos, operam em um horizonte biopolítico de indeterminação: tais como o trânsito entre autenticidade e encenação, pessoa e personagem, experiência e jogo, vida e performance, documentário e ficção. Longe do simples elogio às potencias estéticas da indeterminação, que, como veremos, podem operar politicamente como condição do cinismo e de toda sorte de estados de exceção, trata-se de colocar o conceito sob suspeição.PEPG COS-PUC-SP2010-12-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/3313Galaxia; No. 20 (2010)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 20 (2010)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/3313/3232Feldman, Ilanainfo:eu-repo/semantics/openAccess2024-05-15T14:01:08Zoai:ojs.pkp.sfu.ca:article/3313Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2024-05-15T14:01:08Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv Indetermination under suspicion in contemporary Brazilian cinema: the distinct cases of Filmefobia and Pan-cinema permanente
A indeterminação sob suspeita no cinema brasileiro contemporâneo: os distintos casos de Filmefobia e Pan-cinema permanente
title Indetermination under suspicion in contemporary Brazilian cinema: the distinct cases of Filmefobia and Pan-cinema permanente
spellingShingle Indetermination under suspicion in contemporary Brazilian cinema: the distinct cases of Filmefobia and Pan-cinema permanente
Feldman, Ilana
indetermination
cynicism
Brazilian documentary
biopolitics
title_short Indetermination under suspicion in contemporary Brazilian cinema: the distinct cases of Filmefobia and Pan-cinema permanente
title_full Indetermination under suspicion in contemporary Brazilian cinema: the distinct cases of Filmefobia and Pan-cinema permanente
title_fullStr Indetermination under suspicion in contemporary Brazilian cinema: the distinct cases of Filmefobia and Pan-cinema permanente
title_full_unstemmed Indetermination under suspicion in contemporary Brazilian cinema: the distinct cases of Filmefobia and Pan-cinema permanente
title_sort Indetermination under suspicion in contemporary Brazilian cinema: the distinct cases of Filmefobia and Pan-cinema permanente
author Feldman, Ilana
author_facet Feldman, Ilana
author_role author
dc.contributor.author.fl_str_mv Feldman, Ilana
dc.subject.por.fl_str_mv indetermination
cynicism
Brazilian documentary
biopolitics
topic indetermination
cynicism
Brazilian documentary
biopolitics
description Among several recent Brazilian films – particularly those classified as documentaries – which invest in self-fiction and in questioning their own prerogatives, casting doubt over their procedures or producing their own equivocations, we choose to highlight Filmefobia (Kiko Goifman, 2009) and Pan-cinema permanente (Carlos Nader, 2008). Despite their undeniable differences and diverse esthetic and political effects, these films operate within a biopolitical realm of indetermination, shifting between the authentic and the staged, real individuals and fictional characters, experience and game, real life and acting performance, documentary and fiction. Far from simply praising the esthetic potential of indetermination, which, as we shall see, may function politically as a precondition of cynicism and of all sorts of states of exception, the case here is rather to place the concept of indetermination itself under suspicion.
publishDate 2010
dc.date.none.fl_str_mv 2010-12-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/3313
url https://revistas.pucsp.br/index.php/galaxia/article/view/3313
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/3313/3232
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; No. 20 (2010)
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 20 (2010)
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
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