A poetics of indetermination: notes on Sergio Chejfec

Detalhes bibliográficos
Autor(a) principal: Berg, Edgardo H.
Data de Publicação: 2007
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/103
Resumo: One can say that if in the beginning the poetics of the Argentinean writer Sergio Chejfec (1956) claimed Juan José Saer as his ancestral and a privileged textual father, from El aire (1992) and, more precisely, with his novels Los planetas (1999), Boca de lobo (2000) and Los incompletos (2004) one perceives a certain effect or echo evanescent from the very narrative of César Aira. One could say that Chejfec’s poetics acquires potency in a radical negativity, which erodes and makes vulnerable any attempt to classification and of a more or less imaginable definition. And if the narrative progress, understood as a continuum, is the narrative system selected by our author, the sentence could well be understood as aesthetic program.
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spelling A poetics of indetermination: notes on Sergio ChejfecUma poética da indeterminação: notas sobre Sergio ChejfecUne poétique de l’incertitude: remarques sur Sergio ChejfecUna poética de la indeterminación: notas sobre Sergio ChejfecPoeticsIndeterminationCityContinuumPoéticaIndeterminaçãoCidadeIncompletudeContínuoPoétiquesIndéterminationVilleContinuumPoéticaIndeterminaciónCiudadIncompletadContinuoOne can say that if in the beginning the poetics of the Argentinean writer Sergio Chejfec (1956) claimed Juan José Saer as his ancestral and a privileged textual father, from El aire (1992) and, more precisely, with his novels Los planetas (1999), Boca de lobo (2000) and Los incompletos (2004) one perceives a certain effect or echo evanescent from the very narrative of César Aira. One could say that Chejfec’s poetics acquires potency in a radical negativity, which erodes and makes vulnerable any attempt to classification and of a more or less imaginable definition. And if the narrative progress, understood as a continuum, is the narrative system selected by our author, the sentence could well be understood as aesthetic program.Pode-se dizer que se, no princípio, a poética do escritor argentino Sergio Chejfec (1956) convocava Juan José Saer como seu ancestral e pai textual privilegiado, a partir de El aire (1992) e, mais precisamente, com seus romances Los planetas (1999), Boca de lobo (2000) e Los incompletos (2004) percebe-se certo efeito ou eco evanescente próprio da narrativa de César Aira. Poderíamos dizer que a poética de Chejfec potencializa-se numa radical negatividade que vulnera e corrói qualquer tentativa de classificação e de definição mais ou menos imaginável. E se o progresso narrativo, entendido como um contínuo, é o sistema narrativo escolhido por nosso autor, a frase bem poderia ser entendida enquanto um programa estético.On peut dire que, si au départ, la poétique de l'écrivain argentin Sergio Chejfec (1956) appelait Juan Saer comme son ancêtre et père textuel privilegié, à partir de El Aire (1992) et, plus précisément, avec ses romans Los planetas (1999), Boca de Lobo (2000) et (Los incompletos) (2004) on se rend compte d'un certain effet ou écho évanescent même de la narration de César Aira. On pourrait dire que la poétique de Chejfec se rend puissante dans une dénégation radicale qui blesse et ronge n'importe quel essai de classement et de définition plus ou moins imaginable. Et si le progrès narratif, compris comme un continu, est le système narratif chosi par notre auteur, la phrase pourrait bien être comprise comme un programme esthétique.Se podría decir que si en un comienzo la poética del escritor argentino Sergio Chejfec (1956) convocaba a Juan José Saer, como su ancestro y padre textual privilegiado, a partir de El aire (1992) y, más precisamente, con sus novelas Los planetas (1999),  Boca de lobo (2000) y Los incompletos (2004) se percibe cierto efecto o eco evanescente propio de la narrativa de César Aira. Podríamos decir que la poética de Chejfec se potencia en una radical negatividad que vulnera y erosiona cualquier intento de clasificación y de definición más o menos imaginable. Y si el progreso narrativo, entendido como un continuo, es el sistema narrativo elegido por nuestro autor, la frase bien podría entenderse como un programa estético.Universidade do Sul de Santa Catarina2007-12-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/10310.19177/rcc.v2e220071-5Revista Crítica Cultural; v. 2 n. 2 (2007); 1-51980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/103/113Berg, Edgardo H.info:eu-repo/semantics/openAccess2016-09-30T19:25:43Zoai:portaldeperiodicos.animaeducacao.com.br:article/103Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2016-09-30T19:25:43Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv A poetics of indetermination: notes on Sergio Chejfec
Uma poética da indeterminação: notas sobre Sergio Chejfec
Une poétique de l’incertitude: remarques sur Sergio Chejfec
Una poética de la indeterminación: notas sobre Sergio Chejfec
title A poetics of indetermination: notes on Sergio Chejfec
spellingShingle A poetics of indetermination: notes on Sergio Chejfec
Berg, Edgardo H.
Poetics
Indetermination
City
Continuum
Poética
Indeterminação
Cidade
Incompletude
Contínuo
Poétiques
Indétermination
Ville
Continuum
Poética
Indeterminación
Ciudad
Incompletad
Continuo
title_short A poetics of indetermination: notes on Sergio Chejfec
title_full A poetics of indetermination: notes on Sergio Chejfec
title_fullStr A poetics of indetermination: notes on Sergio Chejfec
title_full_unstemmed A poetics of indetermination: notes on Sergio Chejfec
title_sort A poetics of indetermination: notes on Sergio Chejfec
author Berg, Edgardo H.
author_facet Berg, Edgardo H.
author_role author
dc.contributor.author.fl_str_mv Berg, Edgardo H.
dc.subject.por.fl_str_mv Poetics
Indetermination
City
Continuum
Poética
Indeterminação
Cidade
Incompletude
Contínuo
Poétiques
Indétermination
Ville
Continuum
Poética
Indeterminación
Ciudad
Incompletad
Continuo
topic Poetics
Indetermination
City
Continuum
Poética
Indeterminação
Cidade
Incompletude
Contínuo
Poétiques
Indétermination
Ville
Continuum
Poética
Indeterminación
Ciudad
Incompletad
Continuo
description One can say that if in the beginning the poetics of the Argentinean writer Sergio Chejfec (1956) claimed Juan José Saer as his ancestral and a privileged textual father, from El aire (1992) and, more precisely, with his novels Los planetas (1999), Boca de lobo (2000) and Los incompletos (2004) one perceives a certain effect or echo evanescent from the very narrative of César Aira. One could say that Chejfec’s poetics acquires potency in a radical negativity, which erodes and makes vulnerable any attempt to classification and of a more or less imaginable definition. And if the narrative progress, understood as a continuum, is the narrative system selected by our author, the sentence could well be understood as aesthetic program.
publishDate 2007
dc.date.none.fl_str_mv 2007-12-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/103
10.19177/rcc.v2e220071-5
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/103
identifier_str_mv 10.19177/rcc.v2e220071-5
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/103/113
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 2 n. 2 (2007); 1-5
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
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