“From my living room to yours”: Theorizing the live streaming phenomenon in social media

Detalhes bibliográficos
Autor(a) principal: Lupinacci, Ludmila
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/49052
Resumo: Over the last few years, the most popular social media platforms have incorporated the possibility for users to create, share, and watch live videos. In so-called ‘lives’, musicians, politicians, influencers and ordinary people alike broadcast content with varying degrees of improvisation and fluctuating production efforts, often from the intimate space of their domestic environments. This article aims to critically position the emergence of this format within the context of the culture of connectivity, and to offer some initial theoretical notes for the understanding of this phenomenon that has acquired new visibility due to the recent need for social distancing. Here, I identify exemplary types of live-streaming videos — which I designate as musical, conversational, instructive, speech, and companionship-based. Then, I characterize as the central features of contemporary live broadcasts their immediacy, apparent authenticity — which in turn results from their relative unpredictability, but also from efforts in producing a sense of spontaneity, intimacy and transparency — and the sense of shared experiencing.
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spelling “From my living room to yours”: Theorizing the live streaming phenomenon in social media“Da minha sala pra sua”: teorizando o fenômeno das lives em mídias sociaisao vivostreamingconectividademídias sociaisplataformadistanciamento sociallivestreamingconnectivitysocial mediaplatformsocial distancing.Over the last few years, the most popular social media platforms have incorporated the possibility for users to create, share, and watch live videos. In so-called ‘lives’, musicians, politicians, influencers and ordinary people alike broadcast content with varying degrees of improvisation and fluctuating production efforts, often from the intimate space of their domestic environments. This article aims to critically position the emergence of this format within the context of the culture of connectivity, and to offer some initial theoretical notes for the understanding of this phenomenon that has acquired new visibility due to the recent need for social distancing. Here, I identify exemplary types of live-streaming videos — which I designate as musical, conversational, instructive, speech, and companionship-based. Then, I characterize as the central features of contemporary live broadcasts their immediacy, apparent authenticity — which in turn results from their relative unpredictability, but also from efforts in producing a sense of spontaneity, intimacy and transparency — and the sense of shared experiencing. Nos últimos anos, as mais populares plataformas de mídias sociais incorporaram a possibilidade de seus usuários criarem, compartilharem e assistirem vídeos ao vivo. Nas chamadas lives, músicos, políticos, influenciadores e pessoas comuns fazem transmissões com variados níveis de improviso e flutuantes esforços de produção, frequentemente a partir do espaço íntimo de seus ambientes domésticos. Este artigo objetiva posicionar criticamente a emergência das lives no contexto da cultura da conectividade, e propor notas teóricas para a compreensão desse fenômeno que ganhou nova visibilidade graças ao isolamento social. São identificados tipos considerados exemplares — aqui denominados lives musicais, conversacionais, instrutivas, de pronunciamento e de companhia. Além disso, são apontados como aspectos centrais às lives o imediatismo, a aparente autenticidade — resultante da relativa imprevisibilidade, mas também de esforços em criar impressões de espontaneidade, familiaridade, intimidade e transparência – e a sensação de experiência compartilhada.PEPG COS-PUC-SP2021-07-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/mswordhttps://revistas.pucsp.br/index.php/galaxia/article/view/49052Galaxia; No. 46 (2021)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 46 (2021)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/49052/35718https://revistas.pucsp.br/index.php/galaxia/article/view/49052/37296Copyright (c) 2021 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica. ISSN 1982-2553info:eu-repo/semantics/openAccessLupinacci, Ludmila2022-06-21T13:55:46Zoai:ojs.pkp.sfu.ca:article/49052Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2022-06-21T13:55:46Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv “From my living room to yours”: Theorizing the live streaming phenomenon in social media
“Da minha sala pra sua”: teorizando o fenômeno das lives em mídias sociais
title “From my living room to yours”: Theorizing the live streaming phenomenon in social media
spellingShingle “From my living room to yours”: Theorizing the live streaming phenomenon in social media
Lupinacci, Ludmila
ao vivo
streaming
conectividade
mídias sociais
plataforma
distanciamento social
live
streaming
connectivity
social media
platform
social distancing.
title_short “From my living room to yours”: Theorizing the live streaming phenomenon in social media
title_full “From my living room to yours”: Theorizing the live streaming phenomenon in social media
title_fullStr “From my living room to yours”: Theorizing the live streaming phenomenon in social media
title_full_unstemmed “From my living room to yours”: Theorizing the live streaming phenomenon in social media
title_sort “From my living room to yours”: Theorizing the live streaming phenomenon in social media
author Lupinacci, Ludmila
author_facet Lupinacci, Ludmila
author_role author
dc.contributor.author.fl_str_mv Lupinacci, Ludmila
dc.subject.por.fl_str_mv ao vivo
streaming
conectividade
mídias sociais
plataforma
distanciamento social
live
streaming
connectivity
social media
platform
social distancing.
topic ao vivo
streaming
conectividade
mídias sociais
plataforma
distanciamento social
live
streaming
connectivity
social media
platform
social distancing.
description Over the last few years, the most popular social media platforms have incorporated the possibility for users to create, share, and watch live videos. In so-called ‘lives’, musicians, politicians, influencers and ordinary people alike broadcast content with varying degrees of improvisation and fluctuating production efforts, often from the intimate space of their domestic environments. This article aims to critically position the emergence of this format within the context of the culture of connectivity, and to offer some initial theoretical notes for the understanding of this phenomenon that has acquired new visibility due to the recent need for social distancing. Here, I identify exemplary types of live-streaming videos — which I designate as musical, conversational, instructive, speech, and companionship-based. Then, I characterize as the central features of contemporary live broadcasts their immediacy, apparent authenticity — which in turn results from their relative unpredictability, but also from efforts in producing a sense of spontaneity, intimacy and transparency — and the sense of shared experiencing.
publishDate 2021
dc.date.none.fl_str_mv 2021-07-07
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/49052
url https://revistas.pucsp.br/index.php/galaxia/article/view/49052
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/49052/35718
https://revistas.pucsp.br/index.php/galaxia/article/view/49052/37296
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/msword
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; No. 46 (2021)
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 46 (2021)
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
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