“From my living room to yours”: Theorizing the live streaming phenomenon in social media

Detalhes bibliográficos
Autor(a) principal: Lupinacci Amaral, Ludmila
Data de Publicação: 2020
Tipo de documento: preprint
Idioma: por
Título da fonte: SciELO Preprints
Texto Completo: https://preprints.scielo.org/index.php/scielo/preprint/view/960
Resumo: Over the last few years, most social media platforms have incorporated the possibility for users to create, share, and watch live video. In so-called ‘lives’, musicians, politicians, influencers and ordinary people alike broadcast content with varying degrees of improvisation and fluctuating production efforts, often from the intimate space of their domestic environments. This article aims to position the popularization of this format within the context of the culture of connectivity, and to offer some initial theoretical notes for the understanding of this phenomenon that has acquired new visibility thanks to the recent need for social isolation. Here, I identify exemplary types of live-streaming videos – which I designate as musical, conversational, instructive, speech, and companionship-based. Then, I characterize as the central features of contemporary live broadcasts their immediacy, apparent authenticity – which in turn results from their relative unpredictability, but also from efforts in producing a sense of spontaneity, intimacy and transparency –, and the sense of shared experiencing.
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spelling “From my living room to yours”: Theorizing the live streaming phenomenon in social media"Da minha sala pra sua": Teorizando o fenômeno das lives em mídias sociaisliveao vivostreamingconectividademídias sociaisredes sociaisplataformadistanciamento sociallivelivenessstreamingconnectivitysocial mediasocial networksplatformsocial distancingOver the last few years, most social media platforms have incorporated the possibility for users to create, share, and watch live video. In so-called ‘lives’, musicians, politicians, influencers and ordinary people alike broadcast content with varying degrees of improvisation and fluctuating production efforts, often from the intimate space of their domestic environments. This article aims to position the popularization of this format within the context of the culture of connectivity, and to offer some initial theoretical notes for the understanding of this phenomenon that has acquired new visibility thanks to the recent need for social isolation. Here, I identify exemplary types of live-streaming videos – which I designate as musical, conversational, instructive, speech, and companionship-based. Then, I characterize as the central features of contemporary live broadcasts their immediacy, apparent authenticity – which in turn results from their relative unpredictability, but also from efforts in producing a sense of spontaneity, intimacy and transparency –, and the sense of shared experiencing.Nos últimos anos, as mais populares plataformas de mídias sociais incorporaram a possibilidade de seus usuários criarem, compartilharem, e assistirem vídeos ao vivo. Nas chamadas lives, músicos, políticos, influenciadores e pessoas comuns fazem transmissões com variados níveis de improviso e flutuantes esforços de produção, frequentemente a partir do espaço íntimo de seus ambientes domésticos. Este artigo objetiva posicionar criticamente a emergência das lives no contexto da cultura da conectividade, e propor notas teóricas para a compreensão desse fenômeno que ganhou nova visibilidade graças ao isolamento social. São identificados tipos considerados exemplares – aqui denominados lives musicais, conversacionais, instrutivas, de pronunciamento, e de companhia. Além disso, são apontados como aspectos centrais às lives o imediatismo, a aparente autenticidade – resultante da relativa imprevisibilidade, mas também de esforços em criar impressões de espontaneidade, familiaridade, intimidade e transparência –, e a sensação de experiência compartilhada.SciELO PreprintsSciELO PreprintsSciELO Preprints2020-10-27info:eu-repo/semantics/preprintinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://preprints.scielo.org/index.php/scielo/preprint/view/96010.1590/SciELOPreprints.960porhttps://preprints.scielo.org/index.php/scielo/article/view/960/2207Copyright (c) 2020 Ludmila Lupinaccihttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessLupinacci Amaral, Ludmilareponame:SciELO Preprintsinstname:SciELOinstacron:SCI2020-07-14T20:11:15Zoai:ops.preprints.scielo.org:preprint/960Servidor de preprintshttps://preprints.scielo.org/index.php/scieloONGhttps://preprints.scielo.org/index.php/scielo/oaiscielo.submission@scielo.orgopendoar:2020-07-14T20:11:15SciELO Preprints - SciELOfalse
dc.title.none.fl_str_mv “From my living room to yours”: Theorizing the live streaming phenomenon in social media
"Da minha sala pra sua": Teorizando o fenômeno das lives em mídias sociais
title “From my living room to yours”: Theorizing the live streaming phenomenon in social media
spellingShingle “From my living room to yours”: Theorizing the live streaming phenomenon in social media
Lupinacci Amaral, Ludmila
live
ao vivo
streaming
conectividade
mídias sociais
redes sociais
plataforma
distanciamento social
live
liveness
streaming
connectivity
social media
social networks
platform
social distancing
title_short “From my living room to yours”: Theorizing the live streaming phenomenon in social media
title_full “From my living room to yours”: Theorizing the live streaming phenomenon in social media
title_fullStr “From my living room to yours”: Theorizing the live streaming phenomenon in social media
title_full_unstemmed “From my living room to yours”: Theorizing the live streaming phenomenon in social media
title_sort “From my living room to yours”: Theorizing the live streaming phenomenon in social media
author Lupinacci Amaral, Ludmila
author_facet Lupinacci Amaral, Ludmila
author_role author
dc.contributor.author.fl_str_mv Lupinacci Amaral, Ludmila
dc.subject.por.fl_str_mv live
ao vivo
streaming
conectividade
mídias sociais
redes sociais
plataforma
distanciamento social
live
liveness
streaming
connectivity
social media
social networks
platform
social distancing
topic live
ao vivo
streaming
conectividade
mídias sociais
redes sociais
plataforma
distanciamento social
live
liveness
streaming
connectivity
social media
social networks
platform
social distancing
description Over the last few years, most social media platforms have incorporated the possibility for users to create, share, and watch live video. In so-called ‘lives’, musicians, politicians, influencers and ordinary people alike broadcast content with varying degrees of improvisation and fluctuating production efforts, often from the intimate space of their domestic environments. This article aims to position the popularization of this format within the context of the culture of connectivity, and to offer some initial theoretical notes for the understanding of this phenomenon that has acquired new visibility thanks to the recent need for social isolation. Here, I identify exemplary types of live-streaming videos – which I designate as musical, conversational, instructive, speech, and companionship-based. Then, I characterize as the central features of contemporary live broadcasts their immediacy, apparent authenticity – which in turn results from their relative unpredictability, but also from efforts in producing a sense of spontaneity, intimacy and transparency –, and the sense of shared experiencing.
publishDate 2020
dc.date.none.fl_str_mv 2020-10-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/preprint
info:eu-repo/semantics/publishedVersion
format preprint
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://preprints.scielo.org/index.php/scielo/preprint/view/960
10.1590/SciELOPreprints.960
url https://preprints.scielo.org/index.php/scielo/preprint/view/960
identifier_str_mv 10.1590/SciELOPreprints.960
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://preprints.scielo.org/index.php/scielo/article/view/960/2207
dc.rights.driver.fl_str_mv Copyright (c) 2020 Ludmila Lupinacci
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Ludmila Lupinacci
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv SciELO Preprints
SciELO Preprints
SciELO Preprints
publisher.none.fl_str_mv SciELO Preprints
SciELO Preprints
SciELO Preprints
dc.source.none.fl_str_mv reponame:SciELO Preprints
instname:SciELO
instacron:SCI
instname_str SciELO
instacron_str SCI
institution SCI
reponame_str SciELO Preprints
collection SciELO Preprints
repository.name.fl_str_mv SciELO Preprints - SciELO
repository.mail.fl_str_mv scielo.submission@scielo.org
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