Sensitive presences on interactional processes
Autor(a) principal: | |
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Data de Publicação: | 2011 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Galáxia (São Paulo) |
Texto Completo: | https://revistas.pucsp.br/index.php/galaxia/article/view/6647 |
Resumo: | The activation of sensitive components in communication relations, either under the action of mediatic strategies or as a result of the interactional structure inherent to network exchanges, reinvigorates the discussion about the role of aesthetic experience in Communication, as well as, paradoxically, its unfolding in the assertion of a crisis of the aesthetic experience. Aiming to overcome a simplistic opposition between sensation and cognition, the present study recaptures two fundamental concepts of the aesthetic definition in communication, in order to re-dimension them in the ambit of that polemic, may it the one of aesthesia or the one of exceptionality, which are then treated in terms of an intelligibility of the sensitive. From this point of view, the question of sense is not translated into hermeneutical character readings; it comprehends indeed forms of presence in the world from which regimes of signification derive, and which is manifested over a musical and necessarily interactional way. |
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Sensitive presences on interactional processesPresenças do sensível nos processos interacionaisaesthetic experienceaesthesiamusical stateThe activation of sensitive components in communication relations, either under the action of mediatic strategies or as a result of the interactional structure inherent to network exchanges, reinvigorates the discussion about the role of aesthetic experience in Communication, as well as, paradoxically, its unfolding in the assertion of a crisis of the aesthetic experience. Aiming to overcome a simplistic opposition between sensation and cognition, the present study recaptures two fundamental concepts of the aesthetic definition in communication, in order to re-dimension them in the ambit of that polemic, may it the one of aesthesia or the one of exceptionality, which are then treated in terms of an intelligibility of the sensitive. From this point of view, the question of sense is not translated into hermeneutical character readings; it comprehends indeed forms of presence in the world from which regimes of signification derive, and which is manifested over a musical and necessarily interactional way.O acionamento de componentes sensíveis nas relações comunicacionais, seja sob a ação de estratégias midiáticas ou como decorrência da estrutura interacional inerente às trocas em redes, reanima o debate sobre o papel da experiência estética na comunicação, assim como, paradoxalmente, seu desdobramento na afirmação de uma crise da experiência estética. Visando a superar uma oposição simplista entre sensação e cognição, o presente artigo retoma dois conceitos fundamentais de definição do estético na comunicação, para redimensioná-los no âmbito daquela polêmica, quais sejam, o de estesia e, o de excepcionalidade, que passam a ser tratados nos termos de uma inteligibilidade do sensível. Desse ponto de vista, a questão do sentido não se traduz em leituras de caráter hermenêutico; compreende, sim, formas de presença no mundo de que derivam regimes de significação que se manifestam sobre um modo musical e necessariamente interacional.PEPG COS-PUC-SP2011-10-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/6647Galaxia; No. 22 (2011)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 22 (2011)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/6647/6034Caetano, Kati Elianeinfo:eu-repo/semantics/openAccess2024-05-15T14:01:09Zoai:ojs.pkp.sfu.ca:article/6647Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2024-05-15T14:01:09Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
Sensitive presences on interactional processes Presenças do sensível nos processos interacionais |
title |
Sensitive presences on interactional processes |
spellingShingle |
Sensitive presences on interactional processes Caetano, Kati Eliane aesthetic experience aesthesia musical state |
title_short |
Sensitive presences on interactional processes |
title_full |
Sensitive presences on interactional processes |
title_fullStr |
Sensitive presences on interactional processes |
title_full_unstemmed |
Sensitive presences on interactional processes |
title_sort |
Sensitive presences on interactional processes |
author |
Caetano, Kati Eliane |
author_facet |
Caetano, Kati Eliane |
author_role |
author |
dc.contributor.author.fl_str_mv |
Caetano, Kati Eliane |
dc.subject.por.fl_str_mv |
aesthetic experience aesthesia musical state |
topic |
aesthetic experience aesthesia musical state |
description |
The activation of sensitive components in communication relations, either under the action of mediatic strategies or as a result of the interactional structure inherent to network exchanges, reinvigorates the discussion about the role of aesthetic experience in Communication, as well as, paradoxically, its unfolding in the assertion of a crisis of the aesthetic experience. Aiming to overcome a simplistic opposition between sensation and cognition, the present study recaptures two fundamental concepts of the aesthetic definition in communication, in order to re-dimension them in the ambit of that polemic, may it the one of aesthesia or the one of exceptionality, which are then treated in terms of an intelligibility of the sensitive. From this point of view, the question of sense is not translated into hermeneutical character readings; it comprehends indeed forms of presence in the world from which regimes of signification derive, and which is manifested over a musical and necessarily interactional way. |
publishDate |
2011 |
dc.date.none.fl_str_mv |
2011-10-10 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/6647 |
url |
https://revistas.pucsp.br/index.php/galaxia/article/view/6647 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/6647/6034 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
dc.source.none.fl_str_mv |
Galaxia; No. 22 (2011) GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 22 (2011) 1982-2553 reponame:Galáxia (São Paulo) instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Galáxia (São Paulo) |
collection |
Galáxia (São Paulo) |
repository.name.fl_str_mv |
Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
cos@pucsp.br||aidarprado@gmail.com |
_version_ |
1799129329641193472 |