Photography: theory, interrupted?
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Galáxia (São Paulo) |
Texto Completo: | https://revistas.pucsp.br/index.php/galaxia/article/view/33808 |
Resumo: | I diagnose a state of the art in photography theories, in view of the symptoms of an “interruption” of its discourse, in the limit between two beacons that guided it, since the 1980s, namely: the emphasis on technical devices of visualization, and its semiotic corollary of indexicality. From the starting point of theoretical discourses of history and art criticism, and also the instituting force of the work of photographers-artists, I construct a counter-discourse to this dominance of visual devices, situating visual aisthésis (and its mediation by art history) as alternative parameters for reallocating a genuinely pragmatic and phenomenological inquiry about the experience of photographic images. |
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Photography: theory, interrupted?Fotografia: teoria, interrompida?Photography TheoryDeviceÍndexTeorias da FotografiaDispositivoÍndice.I diagnose a state of the art in photography theories, in view of the symptoms of an “interruption” of its discourse, in the limit between two beacons that guided it, since the 1980s, namely: the emphasis on technical devices of visualization, and its semiotic corollary of indexicality. From the starting point of theoretical discourses of history and art criticism, and also the instituting force of the work of photographers-artists, I construct a counter-discourse to this dominance of visual devices, situating visual aisthésis (and its mediation by art history) as alternative parameters for reallocating a genuinely pragmatic and phenomenological inquiry about the experience of photographic images.Estabeleço um diagnóstico sobre o estado da arte das teorias da fotografia, em vista dos sintomas de uma “interrupção” de seus discursos, no limite entre duas balizas que o orientaram, desde os anos 1980, a saber: a ênfase nos dispositivos técnicos de visualização e seu corolário semiótico de indexicalidade. A partir dos discursos teóricos da história e da crítica da arte e da força instauradora da obra de fotógrafos-artistas, construo um contra-discurso à dominância do dispositivo, situando a aisthésis visual e sua mediação pela história da arte como parâmetros alternativos para realocar uma interrogação genuinamente pragmática e fenomenológica acerca da experiência da imagem fotográfica.PEPG COS-PUC-SP2017-12-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfimage/jpegimage/jpegapplication/mswordapplication/mswordhttps://revistas.pucsp.br/index.php/galaxia/article/view/33808Galaxia; No. 36 (2017)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 36 (2017)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/33808/24117https://revistas.pucsp.br/index.php/galaxia/article/view/33808/36478https://revistas.pucsp.br/index.php/galaxia/article/view/33808/36479https://revistas.pucsp.br/index.php/galaxia/article/view/33808/36508https://revistas.pucsp.br/index.php/galaxia/article/view/33808/36509Copyright (c) 2017 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica. ISSN 1982-2553info:eu-repo/semantics/openAccessPicado, Benjamim2022-06-21T13:56:18Zoai:ojs.pkp.sfu.ca:article/33808Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2022-06-21T13:56:18Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
Photography: theory, interrupted? Fotografia: teoria, interrompida? |
title |
Photography: theory, interrupted? |
spellingShingle |
Photography: theory, interrupted? Picado, Benjamim Photography Theory Device Índex Teorias da Fotografia Dispositivo Índice. |
title_short |
Photography: theory, interrupted? |
title_full |
Photography: theory, interrupted? |
title_fullStr |
Photography: theory, interrupted? |
title_full_unstemmed |
Photography: theory, interrupted? |
title_sort |
Photography: theory, interrupted? |
author |
Picado, Benjamim |
author_facet |
Picado, Benjamim |
author_role |
author |
dc.contributor.author.fl_str_mv |
Picado, Benjamim |
dc.subject.por.fl_str_mv |
Photography Theory Device Índex Teorias da Fotografia Dispositivo Índice. |
topic |
Photography Theory Device Índex Teorias da Fotografia Dispositivo Índice. |
description |
I diagnose a state of the art in photography theories, in view of the symptoms of an “interruption” of its discourse, in the limit between two beacons that guided it, since the 1980s, namely: the emphasis on technical devices of visualization, and its semiotic corollary of indexicality. From the starting point of theoretical discourses of history and art criticism, and also the instituting force of the work of photographers-artists, I construct a counter-discourse to this dominance of visual devices, situating visual aisthésis (and its mediation by art history) as alternative parameters for reallocating a genuinely pragmatic and phenomenological inquiry about the experience of photographic images. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-12-03 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/33808 |
url |
https://revistas.pucsp.br/index.php/galaxia/article/view/33808 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/33808/24117 https://revistas.pucsp.br/index.php/galaxia/article/view/33808/36478 https://revistas.pucsp.br/index.php/galaxia/article/view/33808/36479 https://revistas.pucsp.br/index.php/galaxia/article/view/33808/36508 https://revistas.pucsp.br/index.php/galaxia/article/view/33808/36509 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf image/jpeg image/jpeg application/msword application/msword |
dc.publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
dc.source.none.fl_str_mv |
Galaxia; No. 36 (2017) GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 36 (2017) 1982-2553 reponame:Galáxia (São Paulo) instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Galáxia (São Paulo) |
collection |
Galáxia (São Paulo) |
repository.name.fl_str_mv |
Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
cos@pucsp.br||aidarprado@gmail.com |
_version_ |
1799129331301089280 |