Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship
Autor(a) principal: | |
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Data de Publicação: | 2014 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Galáxia (São Paulo) |
Texto Completo: | https://revistas.pucsp.br/index.php/galaxia/article/view/16497 |
Resumo: | The vindication of the memory of the Civil-Military Dictatorship in contemporary Brazilian cinema intensifies. This article recollects documentaries of the 1980s, and ideas and authors that have been examined before in order to attain to discuss the use of testemonies and film footage from the period of the dictatorship on recent audiovisual production, and their mode of performatively assuming the lack – of documents, memory, and images. Uma longa viagem [A Long Journey] and Que bom te ver viva [How Nice to See You Alive], both by filmmaker Lucia Murat, will be analyzed, among others, from the standpoint of these issues. |
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Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorshipImagem-performada e imagem-atestação: o documentário brasileiro e a reemergência dos espectros da ditaduradocumentárioimagem de arquivoditadurafiled imageperformed imagedictatorshipdocumentary.The vindication of the memory of the Civil-Military Dictatorship in contemporary Brazilian cinema intensifies. This article recollects documentaries of the 1980s, and ideas and authors that have been examined before in order to attain to discuss the use of testemonies and film footage from the period of the dictatorship on recent audiovisual production, and their mode of performatively assuming the lack – of documents, memory, and images. Uma longa viagem [A Long Journey] and Que bom te ver viva [How Nice to See You Alive], both by filmmaker Lucia Murat, will be analyzed, among others, from the standpoint of these issues.A reivindicação da memória da Ditadura Civil-Militar no cinema brasileiro contemporâneo se intensifica. Este artigo retoma documentários da década de 1980, ideias e autores já explorados anteriormente para se ater à discussão do uso de depoimentos e imagens da época da ditadura na produção audiovisual recente e ainda seu modo de assumir performativamente a falta – de documentos, de memória, de imagens. Uma longa viagem e Que bom te ver viva (ambos de Lucia Murat), entre outros, serão analisados a partir dessas questões.PEPG COS-PUC-SP2014-12-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/16497Galaxia; No. 28 (2014)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 28 (2014)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/16497/16723França Martins, AndreaMachado, Patriciainfo:eu-repo/semantics/openAccess2024-05-15T14:01:13Zoai:ojs.pkp.sfu.ca:article/16497Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2024-05-15T14:01:13Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship Imagem-performada e imagem-atestação: o documentário brasileiro e a reemergência dos espectros da ditadura |
title |
Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship |
spellingShingle |
Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship França Martins, Andrea documentário imagem de arquivo ditadura filed image performed image dictatorship documentary. |
title_short |
Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship |
title_full |
Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship |
title_fullStr |
Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship |
title_full_unstemmed |
Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship |
title_sort |
Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship |
author |
França Martins, Andrea |
author_facet |
França Martins, Andrea Machado, Patricia |
author_role |
author |
author2 |
Machado, Patricia |
author2_role |
author |
dc.contributor.author.fl_str_mv |
França Martins, Andrea Machado, Patricia |
dc.subject.por.fl_str_mv |
documentário imagem de arquivo ditadura filed image performed image dictatorship documentary. |
topic |
documentário imagem de arquivo ditadura filed image performed image dictatorship documentary. |
description |
The vindication of the memory of the Civil-Military Dictatorship in contemporary Brazilian cinema intensifies. This article recollects documentaries of the 1980s, and ideas and authors that have been examined before in order to attain to discuss the use of testemonies and film footage from the period of the dictatorship on recent audiovisual production, and their mode of performatively assuming the lack – of documents, memory, and images. Uma longa viagem [A Long Journey] and Que bom te ver viva [How Nice to See You Alive], both by filmmaker Lucia Murat, will be analyzed, among others, from the standpoint of these issues. |
publishDate |
2014 |
dc.date.none.fl_str_mv |
2014-12-13 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/16497 |
url |
https://revistas.pucsp.br/index.php/galaxia/article/view/16497 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/16497/16723 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
dc.source.none.fl_str_mv |
Galaxia; No. 28 (2014) GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 28 (2014) 1982-2553 reponame:Galáxia (São Paulo) instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Galáxia (São Paulo) |
collection |
Galáxia (São Paulo) |
repository.name.fl_str_mv |
Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
cos@pucsp.br||aidarprado@gmail.com |
_version_ |
1799129330360516608 |