Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship

Detalhes bibliográficos
Autor(a) principal: França Martins, Andrea
Data de Publicação: 2014
Outros Autores: Machado, Patricia
Tipo de documento: Artigo
Idioma: por
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/16497
Resumo: The vindication of the memory of the Civil-Military Dictatorship in contemporary Brazilian cinema intensifies. This article recollects documentaries of the 1980s, and ideas and authors that have been examined before in order to attain to discuss the use of testemonies and film footage from the period of the dictatorship on recent audiovisual production, and their mode of performatively assuming the lack – of documents, memory, and images. Uma longa viagem [A Long Journey] and Que bom te ver viva [How Nice to See You Alive], both by filmmaker Lucia Murat, will be analyzed, among others, from the standpoint of these issues.
id PUC_SP-8_6d99ef19a1923ec20d606cdfa8dd08ff
oai_identifier_str oai:ojs.pkp.sfu.ca:article/16497
network_acronym_str PUC_SP-8
network_name_str Galáxia (São Paulo)
repository_id_str
spelling Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorshipImagem-performada e imagem-atestação: o documentário brasileiro e a reemergência dos espectros da ditaduradocumentárioimagem de arquivoditadurafiled imageperformed imagedictatorshipdocumentary.The vindication of the memory of the Civil-Military Dictatorship in contemporary Brazilian cinema intensifies. This article recollects documentaries of the 1980s, and ideas and authors that have been examined before in order to attain to discuss the use of testemonies and film footage from the period of the dictatorship on recent audiovisual production, and their mode of performatively assuming the lack – of documents, memory, and images. Uma longa viagem [A Long Journey] and Que bom te ver viva [How Nice to See You Alive], both by filmmaker Lucia Murat, will be analyzed, among others, from the standpoint of these issues.A reivindicação da memória da Ditadura Civil-Militar no cinema brasileiro contemporâneo se intensifica. Este artigo retoma documentários da década de 1980, ideias e autores já explorados anteriormente para se ater à discussão do uso de depoimentos e imagens da época da ditadura na produção audiovisual recente e ainda seu modo de assumir performativamente a falta – de documentos, de memória, de imagens. Uma longa viagem e Que bom te ver viva (ambos de Lucia Murat), entre outros, serão analisados a partir dessas questões.PEPG COS-PUC-SP2014-12-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/16497Galaxia; No. 28 (2014)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 28 (2014)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/16497/16723França Martins, AndreaMachado, Patriciainfo:eu-repo/semantics/openAccess2024-05-15T14:01:13Zoai:ojs.pkp.sfu.ca:article/16497Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2024-05-15T14:01:13Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship
Imagem-performada e imagem-atestação: o documentário brasileiro e a reemergência dos espectros da ditadura
title Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship
spellingShingle Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship
França Martins, Andrea
documentário
imagem de arquivo
ditadura
filed image
performed image
dictatorship
documentary.
title_short Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship
title_full Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship
title_fullStr Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship
title_full_unstemmed Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship
title_sort Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship
author França Martins, Andrea
author_facet França Martins, Andrea
Machado, Patricia
author_role author
author2 Machado, Patricia
author2_role author
dc.contributor.author.fl_str_mv França Martins, Andrea
Machado, Patricia
dc.subject.por.fl_str_mv documentário
imagem de arquivo
ditadura
filed image
performed image
dictatorship
documentary.
topic documentário
imagem de arquivo
ditadura
filed image
performed image
dictatorship
documentary.
description The vindication of the memory of the Civil-Military Dictatorship in contemporary Brazilian cinema intensifies. This article recollects documentaries of the 1980s, and ideas and authors that have been examined before in order to attain to discuss the use of testemonies and film footage from the period of the dictatorship on recent audiovisual production, and their mode of performatively assuming the lack – of documents, memory, and images. Uma longa viagem [A Long Journey] and Que bom te ver viva [How Nice to See You Alive], both by filmmaker Lucia Murat, will be analyzed, among others, from the standpoint of these issues.
publishDate 2014
dc.date.none.fl_str_mv 2014-12-13
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/16497
url https://revistas.pucsp.br/index.php/galaxia/article/view/16497
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/16497/16723
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; No. 28 (2014)
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 28 (2014)
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
_version_ 1799129330360516608