This is not a clown! Joker (2019), the artist beneath the shadow of the bat

Detalhes bibliográficos
Autor(a) principal: Garcia, Yuri
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/59075
Resumo: This article aims to present a reading of Joker (2019) by Todd Philips as a proposal for the deconstruction of a hegemonic history. With a conceptual framework based on some works by Michel Foucault, we seek an understanding of various mechanisms of power in the establishment of an identification of villainy as a Manichean vision of the socio-political and economic complexity of the fictional Gotham City. Thus, this investigation will enter some debates about the conditions of possibility of building truths within classical narratives. This work seeks not only an analysis of the protagonist of the film, but also its use as an object of study that serves as a demonstration of some theoretical approaches that present a questioning of certain dominant structures.
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spelling This is not a clown! Joker (2019), the artist beneath the shadow of the batIsso não é um palhaço! Joker (2019), o artista sob a sombra do morcegoJokerCinemaFoucaultnarrativapolíticaJokercinemafoucaultnarrativepoliticsThis article aims to present a reading of Joker (2019) by Todd Philips as a proposal for the deconstruction of a hegemonic history. With a conceptual framework based on some works by Michel Foucault, we seek an understanding of various mechanisms of power in the establishment of an identification of villainy as a Manichean vision of the socio-political and economic complexity of the fictional Gotham City. Thus, this investigation will enter some debates about the conditions of possibility of building truths within classical narratives. This work seeks not only an analysis of the protagonist of the film, but also its use as an object of study that serves as a demonstration of some theoretical approaches that present a questioning of certain dominant structures.O presente artigo tem como objetivo apresentar uma leitura de Joker (2019) de Todd Philips como uma proposta de desconstrução de uma história hegemônica. Com um arcabouço conceitual fundamentado em algumas obras de Michel Foucault, procuramos uma compreensão de diversos mecanismos de poder na instauração de uma identificação da vilania enquanto visão maniqueísta da complexidade sociopolítica e econômica da fictícia Gotham City. Assim, essa investigação irá adentrar alguns debates sobre as condições de possibilidade de construção de verdades dentro de narrativas clássicas. Esse trabalho busca, não somente, uma análise do protagonista do filme, mas também sua utilização como objeto de estudo que sirva como demonstração de algumas abordagens teóricas que apresentam um questionamento de determinadas estruturas dominantes.PEPG COS-PUC-SP2022-12-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/59075Galaxia; No. 47 (2022): GaláxiaGALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 47 (2022): Galáxia1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/59075/41489Copyright (c) 2022 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semióticahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessGarcia, Yuri2022-08-29T16:06:35Zoai:ojs.pkp.sfu.ca:article/59075Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2022-08-29T16:06:35Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv This is not a clown! Joker (2019), the artist beneath the shadow of the bat
Isso não é um palhaço! Joker (2019), o artista sob a sombra do morcego
title This is not a clown! Joker (2019), the artist beneath the shadow of the bat
spellingShingle This is not a clown! Joker (2019), the artist beneath the shadow of the bat
Garcia, Yuri
Joker
Cinema
Foucault
narrativa
política
Joker
cinema
foucault
narrative
politics
title_short This is not a clown! Joker (2019), the artist beneath the shadow of the bat
title_full This is not a clown! Joker (2019), the artist beneath the shadow of the bat
title_fullStr This is not a clown! Joker (2019), the artist beneath the shadow of the bat
title_full_unstemmed This is not a clown! Joker (2019), the artist beneath the shadow of the bat
title_sort This is not a clown! Joker (2019), the artist beneath the shadow of the bat
author Garcia, Yuri
author_facet Garcia, Yuri
author_role author
dc.contributor.author.fl_str_mv Garcia, Yuri
dc.subject.por.fl_str_mv Joker
Cinema
Foucault
narrativa
política
Joker
cinema
foucault
narrative
politics
topic Joker
Cinema
Foucault
narrativa
política
Joker
cinema
foucault
narrative
politics
description This article aims to present a reading of Joker (2019) by Todd Philips as a proposal for the deconstruction of a hegemonic history. With a conceptual framework based on some works by Michel Foucault, we seek an understanding of various mechanisms of power in the establishment of an identification of villainy as a Manichean vision of the socio-political and economic complexity of the fictional Gotham City. Thus, this investigation will enter some debates about the conditions of possibility of building truths within classical narratives. This work seeks not only an analysis of the protagonist of the film, but also its use as an object of study that serves as a demonstration of some theoretical approaches that present a questioning of certain dominant structures.
publishDate 2022
dc.date.none.fl_str_mv 2022-12-28
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/59075
url https://revistas.pucsp.br/index.php/galaxia/article/view/59075
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/59075/41489
dc.rights.driver.fl_str_mv Copyright (c) 2022 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; No. 47 (2022): Galáxia
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 47 (2022): Galáxia
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
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