This is not a clown! Joker (2019), the artist beneath the shadow of the bat
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Galáxia (São Paulo) |
Texto Completo: | https://revistas.pucsp.br/index.php/galaxia/article/view/59075 |
Resumo: | This article aims to present a reading of Joker (2019) by Todd Philips as a proposal for the deconstruction of a hegemonic history. With a conceptual framework based on some works by Michel Foucault, we seek an understanding of various mechanisms of power in the establishment of an identification of villainy as a Manichean vision of the socio-political and economic complexity of the fictional Gotham City. Thus, this investigation will enter some debates about the conditions of possibility of building truths within classical narratives. This work seeks not only an analysis of the protagonist of the film, but also its use as an object of study that serves as a demonstration of some theoretical approaches that present a questioning of certain dominant structures. |
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This is not a clown! Joker (2019), the artist beneath the shadow of the batIsso não é um palhaço! Joker (2019), o artista sob a sombra do morcegoJokerCinemaFoucaultnarrativapolíticaJokercinemafoucaultnarrativepoliticsThis article aims to present a reading of Joker (2019) by Todd Philips as a proposal for the deconstruction of a hegemonic history. With a conceptual framework based on some works by Michel Foucault, we seek an understanding of various mechanisms of power in the establishment of an identification of villainy as a Manichean vision of the socio-political and economic complexity of the fictional Gotham City. Thus, this investigation will enter some debates about the conditions of possibility of building truths within classical narratives. This work seeks not only an analysis of the protagonist of the film, but also its use as an object of study that serves as a demonstration of some theoretical approaches that present a questioning of certain dominant structures.O presente artigo tem como objetivo apresentar uma leitura de Joker (2019) de Todd Philips como uma proposta de desconstrução de uma história hegemônica. Com um arcabouço conceitual fundamentado em algumas obras de Michel Foucault, procuramos uma compreensão de diversos mecanismos de poder na instauração de uma identificação da vilania enquanto visão maniqueísta da complexidade sociopolítica e econômica da fictícia Gotham City. Assim, essa investigação irá adentrar alguns debates sobre as condições de possibilidade de construção de verdades dentro de narrativas clássicas. Esse trabalho busca, não somente, uma análise do protagonista do filme, mas também sua utilização como objeto de estudo que sirva como demonstração de algumas abordagens teóricas que apresentam um questionamento de determinadas estruturas dominantes.PEPG COS-PUC-SP2022-12-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/59075Galaxia; No. 47 (2022): GaláxiaGALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 47 (2022): Galáxia1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/59075/41489Copyright (c) 2022 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semióticahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessGarcia, Yuri2022-08-29T16:06:35Zoai:ojs.pkp.sfu.ca:article/59075Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2022-08-29T16:06:35Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
This is not a clown! Joker (2019), the artist beneath the shadow of the bat Isso não é um palhaço! Joker (2019), o artista sob a sombra do morcego |
title |
This is not a clown! Joker (2019), the artist beneath the shadow of the bat |
spellingShingle |
This is not a clown! Joker (2019), the artist beneath the shadow of the bat Garcia, Yuri Joker Cinema Foucault narrativa política Joker cinema foucault narrative politics |
title_short |
This is not a clown! Joker (2019), the artist beneath the shadow of the bat |
title_full |
This is not a clown! Joker (2019), the artist beneath the shadow of the bat |
title_fullStr |
This is not a clown! Joker (2019), the artist beneath the shadow of the bat |
title_full_unstemmed |
This is not a clown! Joker (2019), the artist beneath the shadow of the bat |
title_sort |
This is not a clown! Joker (2019), the artist beneath the shadow of the bat |
author |
Garcia, Yuri |
author_facet |
Garcia, Yuri |
author_role |
author |
dc.contributor.author.fl_str_mv |
Garcia, Yuri |
dc.subject.por.fl_str_mv |
Joker Cinema Foucault narrativa política Joker cinema foucault narrative politics |
topic |
Joker Cinema Foucault narrativa política Joker cinema foucault narrative politics |
description |
This article aims to present a reading of Joker (2019) by Todd Philips as a proposal for the deconstruction of a hegemonic history. With a conceptual framework based on some works by Michel Foucault, we seek an understanding of various mechanisms of power in the establishment of an identification of villainy as a Manichean vision of the socio-political and economic complexity of the fictional Gotham City. Thus, this investigation will enter some debates about the conditions of possibility of building truths within classical narratives. This work seeks not only an analysis of the protagonist of the film, but also its use as an object of study that serves as a demonstration of some theoretical approaches that present a questioning of certain dominant structures. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-12-28 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/59075 |
url |
https://revistas.pucsp.br/index.php/galaxia/article/view/59075 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/59075/41489 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
dc.source.none.fl_str_mv |
Galaxia; No. 47 (2022): Galáxia GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 47 (2022): Galáxia 1982-2553 reponame:Galáxia (São Paulo) instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Galáxia (São Paulo) |
collection |
Galáxia (São Paulo) |
repository.name.fl_str_mv |
Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
cos@pucsp.br||aidarprado@gmail.com |
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1799129332370636800 |