Selfies on Instagram: implications of a platform in the configuration of a research object.
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Galáxia (São Paulo) |
Texto Completo: | https://revistas.pucsp.br/index.php/galaxia/article/view/37688 |
Resumo: | This paper aims to identify the interventions that the Instagram platform calls upon the configuration of selfies as a research object. This perspective aligns itself with the approach which defends a position that aims to consider critically digital data used in investigations of Social Sciences and Humanities. For this purpose, this article is based on the model posited by Van Dijck (2013), who interprets platforms both as techno-cultural constructs and socio-economic structures. From the confrontation between literature review and empirical evidences obtained in previous studies, it is highlighted that the dynamics encouraged by the platform come to consider selfies performativity beyond its visual aspect, in terms of captions, hashtags and location, reconfiguring the question of visibility associated with to personal exposure on that platform. |
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Selfies on Instagram: implications of a platform in the configuration of a research object.Selfies no Instagram: implicações de uma plataforma na configuração de um objeto de pesquisaSelfiesPlataformasInstagramselfiesplatformInstagramThis paper aims to identify the interventions that the Instagram platform calls upon the configuration of selfies as a research object. This perspective aligns itself with the approach which defends a position that aims to consider critically digital data used in investigations of Social Sciences and Humanities. For this purpose, this article is based on the model posited by Van Dijck (2013), who interprets platforms both as techno-cultural constructs and socio-economic structures. From the confrontation between literature review and empirical evidences obtained in previous studies, it is highlighted that the dynamics encouraged by the platform come to consider selfies performativity beyond its visual aspect, in terms of captions, hashtags and location, reconfiguring the question of visibility associated with to personal exposure on that platform. Este artigo tem por objetivo identificar intervenções que a plataforma Instagram exerce em relação à configuração das selfies como objeto de pesquisa. Essa perspectiva se alinha com a abordagem que defende uma postura que visa tomar criticamente os dados digitais utilizados em investigações das Ciências Humanas e Sociais. Para tanto, em um primeiro momento, este artigo se vale do modelo proposto por Van Dijck (2013) que interpreta plataformas tanto como construtos tecno-culturais quanto como estruturas sócio-econômicas. A partir do tensionamento entre levantamento bibliográfico e evidências empíricas captadas em estudos anteriores, destaca-se que as dinâmicas incentivadas pela plataforma privilegiam a instantaneidade nas interações em torno de imagens, e levam a considerar as propriedades conversacionais das selfies para além de seu aspecto visual, em termos de legendas, hashtags e localização, reconfigurando a questão da visibilidade associada à exposição pessoal nesta plataforma. PEPG COS-PUC-SP2019-06-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/37688Galaxia; No. 41 (2019)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 41 (2019)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/37688/28681Copyright (c) 2019 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica. ISSN 1982-2553info:eu-repo/semantics/openAccessMontardo, Sandra Portella2019-06-15T13:50:47Zoai:ojs.pkp.sfu.ca:article/37688Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2019-06-15T13:50:47Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
Selfies on Instagram: implications of a platform in the configuration of a research object. Selfies no Instagram: implicações de uma plataforma na configuração de um objeto de pesquisa |
title |
Selfies on Instagram: implications of a platform in the configuration of a research object. |
spellingShingle |
Selfies on Instagram: implications of a platform in the configuration of a research object. Montardo, Sandra Portella Selfies Plataformas selfies platform |
title_short |
Selfies on Instagram: implications of a platform in the configuration of a research object. |
title_full |
Selfies on Instagram: implications of a platform in the configuration of a research object. |
title_fullStr |
Selfies on Instagram: implications of a platform in the configuration of a research object. |
title_full_unstemmed |
Selfies on Instagram: implications of a platform in the configuration of a research object. |
title_sort |
Selfies on Instagram: implications of a platform in the configuration of a research object. |
author |
Montardo, Sandra Portella |
author_facet |
Montardo, Sandra Portella |
author_role |
author |
dc.contributor.author.fl_str_mv |
Montardo, Sandra Portella |
dc.subject.por.fl_str_mv |
Selfies Plataformas selfies platform |
topic |
Selfies Plataformas selfies platform |
description |
This paper aims to identify the interventions that the Instagram platform calls upon the configuration of selfies as a research object. This perspective aligns itself with the approach which defends a position that aims to consider critically digital data used in investigations of Social Sciences and Humanities. For this purpose, this article is based on the model posited by Van Dijck (2013), who interprets platforms both as techno-cultural constructs and socio-economic structures. From the confrontation between literature review and empirical evidences obtained in previous studies, it is highlighted that the dynamics encouraged by the platform come to consider selfies performativity beyond its visual aspect, in terms of captions, hashtags and location, reconfiguring the question of visibility associated with to personal exposure on that platform. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-06-15 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/37688 |
url |
https://revistas.pucsp.br/index.php/galaxia/article/view/37688 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/37688/28681 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
dc.source.none.fl_str_mv |
Galaxia; No. 41 (2019) GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 41 (2019) 1982-2553 reponame:Galáxia (São Paulo) instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Galáxia (São Paulo) |
collection |
Galáxia (São Paulo) |
repository.name.fl_str_mv |
Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
cos@pucsp.br||aidarprado@gmail.com |
_version_ |
1799129331373441024 |