Como um terraço sobre outra coisa ... linda: poéticas possíveis de Armindo Trevisan
Autor(a) principal: | |
---|---|
Data de Publicação: | 2023 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da PUC_RS |
Texto Completo: | https://tede2.pucrs.br/tede2/handle/tede/10930 |
Resumo: | The present work aims to propose interpretations of a set of works in lyric poetry by Armindo Trevisan, in order to establish relationshis and conceptualizations about the elaboration of his poetic statements that, according to the examination, perform transversal movements. It is proposed a study that establishes the perception of different forms of manifestations of lyric self and poetic forms, which concern aesthetic and conceptual issues. Thus, by adopting as corpus of study a set of seventeen works of lyric poetry published by Armindo Trevisan over five decades of production (from 1967 to 2013), this paper hypothesizes the existence of three expressions of poetic practices in his textual phenomena, which intersect, while also maintaining differences in thematic, lexical, syntactic, and symbolic issues. They are: poetry as route ; poetry as experience , and poetry as discourse . In seeking to establish Trevisan's poetic connections, this research is guided by theoreticians such as Kate Hambürger, Mikel Dufrenne, Octavio Paz, and others. It also considers the reflections of poets who have theorized about poetic making, such as T.S. Elliot, Edgar Allan Poe, Paul Valery, and Armindo Trevisan himself, as well as reflecting on notes by specialized critics and reviews of literary histories by names such as Antônio Hohlfeldt, Alfredo Bosi, and Donaldo Schüler. On this point, there are, first, two chapters (second and third), in which we try to recover and promote Trevisan's artistic and personal trajectory. Then, because it is a work that aims not only at a general reading of Trevisan's body of work, but, above all, at looking at each work in its individuality, a structure is proposed in the research formed by three chapters (fourth, fifth, and sixth) that correspond to the analysis of the poetic works. In each chapter, a group of works and poems selected from them are listed in order to present and defend the arguments that underlie the consideration of the poetic concepts elaborated here ( route , experience , and discourse ). The first and seventh chapters of this research perform helical movements that, like a helicide, have an element that revolves around a fixed axis: being, proudly, its own voice |
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Baumgarten, Carlos Alexandrehttp://lattes.cnpq.br/9047211743126405Teixeiro, Alva Martínezhttp://lattes.cnpq.br/2570435891058140http://lattes.cnpq.br/2848683122794062Paz Filho, Luís Alberto dos Santos2023-07-18T14:06:07Z2023-01-06https://tede2.pucrs.br/tede2/handle/tede/10930The present work aims to propose interpretations of a set of works in lyric poetry by Armindo Trevisan, in order to establish relationshis and conceptualizations about the elaboration of his poetic statements that, according to the examination, perform transversal movements. It is proposed a study that establishes the perception of different forms of manifestations of lyric self and poetic forms, which concern aesthetic and conceptual issues. Thus, by adopting as corpus of study a set of seventeen works of lyric poetry published by Armindo Trevisan over five decades of production (from 1967 to 2013), this paper hypothesizes the existence of three expressions of poetic practices in his textual phenomena, which intersect, while also maintaining differences in thematic, lexical, syntactic, and symbolic issues. They are: poetry as route ; poetry as experience , and poetry as discourse . In seeking to establish Trevisan's poetic connections, this research is guided by theoreticians such as Kate Hambürger, Mikel Dufrenne, Octavio Paz, and others. It also considers the reflections of poets who have theorized about poetic making, such as T.S. Elliot, Edgar Allan Poe, Paul Valery, and Armindo Trevisan himself, as well as reflecting on notes by specialized critics and reviews of literary histories by names such as Antônio Hohlfeldt, Alfredo Bosi, and Donaldo Schüler. On this point, there are, first, two chapters (second and third), in which we try to recover and promote Trevisan's artistic and personal trajectory. Then, because it is a work that aims not only at a general reading of Trevisan's body of work, but, above all, at looking at each work in its individuality, a structure is proposed in the research formed by three chapters (fourth, fifth, and sixth) that correspond to the analysis of the poetic works. In each chapter, a group of works and poems selected from them are listed in order to present and defend the arguments that underlie the consideration of the poetic concepts elaborated here ( route , experience , and discourse ). The first and seventh chapters of this research perform helical movements that, like a helicide, have an element that revolves around a fixed axis: being, proudly, its own voiceO presente trabalho tem como objetivo propor interpretações de um conjunto de obras em poesia lírica de Armindo Trevisan, com o objetivo de estabelecer relações e conceituações acerca da elaboração de seus enunciados poéticos que, de acordo com o exame, realizam movimentos transversais. Propõe-se um estudo que estabeleça a percepção de diferentes formas de manifestações de eus-líricos e de formas poéticas, que dizem respeito a questões estéticas e conceituais. Dessa forma, ao adotar como corpus de estudo um conjunto de dezessete obras em poesia lírica publicadas por Armindo Trevisan ao longo de cinco décadas de produção (de 1967 a 2013), este trabalho tem por hipótese a existência de três expressões de fazeres poéticos em seus fenômenos textuais, que se inter/transcruzam, ao passo que também mantêm diferenciações nos quesitos temáticos, lexicais, sintáticos e simbólicos. São elas: poesia como percurso ; poesia como experiência e poesia como discurso . Ao buscar estabelecer as conexões poéticas de Trevisan, essa pesquisa é guiada por teóricos como Kate Hambürger, Mikel Dufrenne, Octavio Paz e outros, bem como considera as reflexões de poetas que teorizaram sobre o fazer poético como Thomas Stearns Elliot, Edgar Allan Poe, Paul Valéry e o próprio Armindo Trevisan, e ainda reflete acerca de anotações da crítica especializada e de revisões das histórias da literatura de nomes como Antônio Hohlfeldt, Alfredo Bosi e Donaldo Schüler. A respeito desse ponto, há, primeiramente, dois capítulos (segundo e terceiro), nos quais busca-se recuperar e promover a trajetória artística e pessoal de Trevisan. Depois, por se tratar de um trabalho que visa não apenas uma leitura geral sobre o conjunto de obras de Trevisan, mas que, sobretudo, lança olhar para cada obra em sua individualidade, é proposta uma estrutura na pesquisa formada três capítulos (quarto, quinto e sexto) que correspondem à análise das obras poéticas. Em cada capítulo, é elencado um grupo de obras e de poemas delas selecionados para apresentar e defender os argumentos que balizam a consideração dos conceitos poéticos aqui elaborados ( percurso , experiência e discurso ). O primeiro e o sétimo capítulos desta pesquisam realizam movimentos helicoidais que, assim como um helicídeo, possuem um elemento que gira em torno de um eixo fixo: ser, orgulhosamente, sua própria voz.Submitted by PPG Letras (letraspg@pucrs.br) on 2023-07-18T12:09:48Z No. of bitstreams: 1 Tese - Luís Paz Filho.pdf: 2755150 bytes, checksum: ffb7064d834fbb35011a7336b866d486 (MD5)Approved for entry into archive by Sarajane Pan (sarajane.pan@pucrs.br) on 2023-07-18T13:56:31Z (GMT) No. of bitstreams: 1 Tese - Luís Paz Filho.pdf: 2755150 bytes, checksum: ffb7064d834fbb35011a7336b866d486 (MD5)Made available in DSpace on 2023-07-18T14:06:07Z (GMT). No. of bitstreams: 1 Tese - Luís Paz Filho.pdf: 2755150 bytes, checksum: ffb7064d834fbb35011a7336b866d486 (MD5) Previous issue date: 2023-01-06Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfhttps://tede2.pucrs.br/tede2/retrieve/188519/Tese%20-%20Lu%c3%ads%20Paz%20Filho.pdf.jpgporPontifícia Universidade Católica do Rio Grande do SulPrograma de Pós-Graduação em LetrasPUCRSBrasilEscola de HumanidadesArmindo TrevisanPoesia LíricaPercursoExperiênciaDiscursoArmindo TrevisanLyric PoetryRoute.ExperienceDiscourseLINGUISTICA, LETRAS E ARTES::LETRASComo um terraço sobre outra coisa ... linda: poéticas possíveis de Armindo Trevisaninfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisTrabalho não apresenta restrição para publicação407477848473845987500500500600-6557531471218110192-54094192628864980883590462550136975366info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_RSinstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSTHUMBNAILTese - Luís Paz Filho.pdf.jpgTese - Luís Paz Filho.pdf.jpgimage/jpeg5778https://tede2.pucrs.br/tede2/bitstream/tede/10930/4/Tese+-+Lu%C3%ADs+Paz+Filho.pdf.jpg8535e7a708bbc76f7c4fb5d7b73cb049MD54TEXTTese - Luís Paz Filho.pdf.txtTese - Luís Paz Filho.pdf.txttext/plain804935https://tede2.pucrs.br/tede2/bitstream/tede/10930/3/Tese+-+Lu%C3%ADs+Paz+Filho.pdf.txtcfb9fe53414c4e1c5c945cb599b808b4MD53ORIGINALTese - Luís Paz Filho.pdfTese - Luís Paz Filho.pdfapplication/pdf2755150https://tede2.pucrs.br/tede2/bitstream/tede/10930/2/Tese+-+Lu%C3%ADs+Paz+Filho.pdfffb7064d834fbb35011a7336b866d486MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-8590https://tede2.pucrs.br/tede2/bitstream/tede/10930/1/license.txt220e11f2d3ba5354f917c7035aadef24MD51tede/109302023-07-18 12:00:22.731oai:tede2.pucrs.br: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Biblioteca Digital de Teses e Dissertaçõeshttp://tede2.pucrs.br/tede2/PRIhttps://tede2.pucrs.br/oai/requestbiblioteca.central@pucrs.br||opendoar:2023-07-18T15:00:22Biblioteca Digital de Teses e Dissertações da PUC_RS - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false |
dc.title.por.fl_str_mv |
Como um terraço sobre outra coisa ... linda: poéticas possíveis de Armindo Trevisan |
title |
Como um terraço sobre outra coisa ... linda: poéticas possíveis de Armindo Trevisan |
spellingShingle |
Como um terraço sobre outra coisa ... linda: poéticas possíveis de Armindo Trevisan Paz Filho, Luís Alberto dos Santos Armindo Trevisan Poesia Lírica Percurso Experiência Discurso Armindo Trevisan Lyric Poetry Route. Experience Discourse LINGUISTICA, LETRAS E ARTES::LETRAS |
title_short |
Como um terraço sobre outra coisa ... linda: poéticas possíveis de Armindo Trevisan |
title_full |
Como um terraço sobre outra coisa ... linda: poéticas possíveis de Armindo Trevisan |
title_fullStr |
Como um terraço sobre outra coisa ... linda: poéticas possíveis de Armindo Trevisan |
title_full_unstemmed |
Como um terraço sobre outra coisa ... linda: poéticas possíveis de Armindo Trevisan |
title_sort |
Como um terraço sobre outra coisa ... linda: poéticas possíveis de Armindo Trevisan |
author |
Paz Filho, Luís Alberto dos Santos |
author_facet |
Paz Filho, Luís Alberto dos Santos |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Baumgarten, Carlos Alexandre |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/9047211743126405 |
dc.contributor.advisor-co1.fl_str_mv |
Teixeiro, Alva Martínez |
dc.contributor.advisor-co1Lattes.fl_str_mv |
http://lattes.cnpq.br/2570435891058140 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/2848683122794062 |
dc.contributor.author.fl_str_mv |
Paz Filho, Luís Alberto dos Santos |
contributor_str_mv |
Baumgarten, Carlos Alexandre Teixeiro, Alva Martínez |
dc.subject.por.fl_str_mv |
Armindo Trevisan Poesia Lírica Percurso Experiência Discurso |
topic |
Armindo Trevisan Poesia Lírica Percurso Experiência Discurso Armindo Trevisan Lyric Poetry Route. Experience Discourse LINGUISTICA, LETRAS E ARTES::LETRAS |
dc.subject.eng.fl_str_mv |
Armindo Trevisan Lyric Poetry Route. Experience Discourse |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::LETRAS |
description |
The present work aims to propose interpretations of a set of works in lyric poetry by Armindo Trevisan, in order to establish relationshis and conceptualizations about the elaboration of his poetic statements that, according to the examination, perform transversal movements. It is proposed a study that establishes the perception of different forms of manifestations of lyric self and poetic forms, which concern aesthetic and conceptual issues. Thus, by adopting as corpus of study a set of seventeen works of lyric poetry published by Armindo Trevisan over five decades of production (from 1967 to 2013), this paper hypothesizes the existence of three expressions of poetic practices in his textual phenomena, which intersect, while also maintaining differences in thematic, lexical, syntactic, and symbolic issues. They are: poetry as route ; poetry as experience , and poetry as discourse . In seeking to establish Trevisan's poetic connections, this research is guided by theoreticians such as Kate Hambürger, Mikel Dufrenne, Octavio Paz, and others. It also considers the reflections of poets who have theorized about poetic making, such as T.S. Elliot, Edgar Allan Poe, Paul Valery, and Armindo Trevisan himself, as well as reflecting on notes by specialized critics and reviews of literary histories by names such as Antônio Hohlfeldt, Alfredo Bosi, and Donaldo Schüler. On this point, there are, first, two chapters (second and third), in which we try to recover and promote Trevisan's artistic and personal trajectory. Then, because it is a work that aims not only at a general reading of Trevisan's body of work, but, above all, at looking at each work in its individuality, a structure is proposed in the research formed by three chapters (fourth, fifth, and sixth) that correspond to the analysis of the poetic works. In each chapter, a group of works and poems selected from them are listed in order to present and defend the arguments that underlie the consideration of the poetic concepts elaborated here ( route , experience , and discourse ). The first and seventh chapters of this research perform helical movements that, like a helicide, have an element that revolves around a fixed axis: being, proudly, its own voice |
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2023 |
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2023-07-18T14:06:07Z |
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2023-01-06 |
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https://tede2.pucrs.br/tede2/handle/tede/10930 |
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https://tede2.pucrs.br/tede2/handle/tede/10930 |
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por |
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por |
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407477848473845987 |
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500 500 500 600 |
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-6557531471218110192 |
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-5409419262886498088 |
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Pontifícia Universidade Católica do Rio Grande do Sul |
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Programa de Pós-Graduação em Letras |
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