Exhibiting Lav Diaz’s Long Films: Currencies of Circulation and Dialectics of Spectatorship
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.14591/aniki.v4n2.327 |
Resumo: | This article forms part of a larger project to explore the contemporaneity of the long films and mode of artistic practice of Filipino independent filmmaker Lav Diaz. Its research method encompasses the practice of curation combined with an exploration of the trajectories of circulation and exhibition of Diaz’s films. Drawing on my recent experience of co-curating the exhibition Lav Diaz: Journeys (January-March 2017), the article discusses the practical, institutional, conceptual, and discursive challenges of exhibiting Diaz’s long films. The process of exhibition making, and some responses to the strengths and limitations of the exhibition’s form, opened up productive hesitancies over the question of how one is to exhibit Diaz’s long films in the way that they are ‘meant to be shown.’ The frictions encountered in the curatorial process and during the exhibition’s life would seem to signal the way that Diaz’s films invoke disparate, and at times contending, conceptions of cinematic experience, participation, and spectatorial ethics. |
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Exhibiting Lav Diaz’s Long Films: Currencies of Circulation and Dialectics of SpectatorshipExibindo os longos filmes de Lav Diaz: Formas de circulação e dialéticas de espectatorialidadeLav Diazfilm durationcurationdigital cinemanational cinemaLav Diazduração fílmicacuradoriacinema digitalcinema nacionalThis article forms part of a larger project to explore the contemporaneity of the long films and mode of artistic practice of Filipino independent filmmaker Lav Diaz. Its research method encompasses the practice of curation combined with an exploration of the trajectories of circulation and exhibition of Diaz’s films. Drawing on my recent experience of co-curating the exhibition Lav Diaz: Journeys (January-March 2017), the article discusses the practical, institutional, conceptual, and discursive challenges of exhibiting Diaz’s long films. The process of exhibition making, and some responses to the strengths and limitations of the exhibition’s form, opened up productive hesitancies over the question of how one is to exhibit Diaz’s long films in the way that they are ‘meant to be shown.’ The frictions encountered in the curatorial process and during the exhibition’s life would seem to signal the way that Diaz’s films invoke disparate, and at times contending, conceptions of cinematic experience, participation, and spectatorial ethics.Este artigo faz parte de um projeto maior que explora a contemporaneidade dos filmes longos e do modo de prática artística do realizador independente filipino Lav Diaz. O método de pesquisa engloba a prática da curadoria combinada com uma exploração das trajetórias de circulação e exibição dos filmes de Diaz. Recorrendo à minha experiência recente como co-curadora da exposição Lav Diaz: Journeys (janbeiro-março de 2017), o artigo discute os desafios práticos, institucionais, conceptuais e discursivos de mostrar os filmes longos de Diaz. O processo de feitura da exposição, e algumas respostas às forças e limitações da forma da exposição, abriram hesitações produtivas sobre a questão de como devem ser mostrados os filmes longos de Diaz da forma que foram “pensados para serem vistos”. As fricções encontradas durante o processo de curadoria e durante o período da exposição parecem assinalar o modo como os filmes de Diaz evocam conceções diferentes, às vezes conflituosas, da experiência cinemática, bem como da participação e da ética do espectador.AIM - Associação de Investigadores da Imagem em Movimento2017-07-04info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.14591/aniki.v4n2.327https://doi.org/10.14591/aniki.v4n2.327Aniki: Portuguese Journal of the Moving Image; Vol 4 No 2 (2017): Long duration; 411-433Aniki: Revista Portuguesa da Imagem em Movimento; v. 4 n. 2 (2017): A longa duração; 411-4332183-1750reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttp://aim.org.pt/ojs/index.php/revista/article/view/327http://aim.org.pt/ojs/index.php/revista/article/view/327/pdfIngawanij, May Adadolinfo:eu-repo/semantics/openAccess2024-01-26T02:03:06Zoai:aim.org.pt/ojs/:article/327Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:14.979358Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Exhibiting Lav Diaz’s Long Films: Currencies of Circulation and Dialectics of Spectatorship Exibindo os longos filmes de Lav Diaz: Formas de circulação e dialéticas de espectatorialidade |
title |
Exhibiting Lav Diaz’s Long Films: Currencies of Circulation and Dialectics of Spectatorship |
spellingShingle |
Exhibiting Lav Diaz’s Long Films: Currencies of Circulation and Dialectics of Spectatorship Ingawanij, May Adadol Lav Diaz film duration curation digital cinema national cinema Lav Diaz duração fílmica curadoria cinema digital cinema nacional |
title_short |
Exhibiting Lav Diaz’s Long Films: Currencies of Circulation and Dialectics of Spectatorship |
title_full |
Exhibiting Lav Diaz’s Long Films: Currencies of Circulation and Dialectics of Spectatorship |
title_fullStr |
Exhibiting Lav Diaz’s Long Films: Currencies of Circulation and Dialectics of Spectatorship |
title_full_unstemmed |
Exhibiting Lav Diaz’s Long Films: Currencies of Circulation and Dialectics of Spectatorship |
title_sort |
Exhibiting Lav Diaz’s Long Films: Currencies of Circulation and Dialectics of Spectatorship |
author |
Ingawanij, May Adadol |
author_facet |
Ingawanij, May Adadol |
author_role |
author |
dc.contributor.author.fl_str_mv |
Ingawanij, May Adadol |
dc.subject.por.fl_str_mv |
Lav Diaz film duration curation digital cinema national cinema Lav Diaz duração fílmica curadoria cinema digital cinema nacional |
topic |
Lav Diaz film duration curation digital cinema national cinema Lav Diaz duração fílmica curadoria cinema digital cinema nacional |
description |
This article forms part of a larger project to explore the contemporaneity of the long films and mode of artistic practice of Filipino independent filmmaker Lav Diaz. Its research method encompasses the practice of curation combined with an exploration of the trajectories of circulation and exhibition of Diaz’s films. Drawing on my recent experience of co-curating the exhibition Lav Diaz: Journeys (January-March 2017), the article discusses the practical, institutional, conceptual, and discursive challenges of exhibiting Diaz’s long films. The process of exhibition making, and some responses to the strengths and limitations of the exhibition’s form, opened up productive hesitancies over the question of how one is to exhibit Diaz’s long films in the way that they are ‘meant to be shown.’ The frictions encountered in the curatorial process and during the exhibition’s life would seem to signal the way that Diaz’s films invoke disparate, and at times contending, conceptions of cinematic experience, participation, and spectatorial ethics. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-07-04 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.14591/aniki.v4n2.327 https://doi.org/10.14591/aniki.v4n2.327 |
url |
https://doi.org/10.14591/aniki.v4n2.327 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
http://aim.org.pt/ojs/index.php/revista/article/view/327 http://aim.org.pt/ojs/index.php/revista/article/view/327/pdf |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
AIM - Associação de Investigadores da Imagem em Movimento |
publisher.none.fl_str_mv |
AIM - Associação de Investigadores da Imagem em Movimento |
dc.source.none.fl_str_mv |
Aniki: Portuguese Journal of the Moving Image; Vol 4 No 2 (2017): Long duration; 411-433 Aniki: Revista Portuguesa da Imagem em Movimento; v. 4 n. 2 (2017): A longa duração; 411-433 2183-1750 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799137059340812288 |