Memory as the Aspatial Domain for the Perception of Certain Genres of Contemporary Art Music

Detalhes bibliográficos
Autor(a) principal: Wanke, Riccardo
Data de Publicação: 2021
Outros Autores: Santarcangelo, Vincenzo
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10362/127183
Resumo: UIDB/00693/2020 UIDP/00693/2020
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spelling Memory as the Aspatial Domain for the Perception of Certain Genres of Contemporary Art MusicAuditory perceptionAuditory scene analysisContemporary art musicGestaltic formationMemoryMusicHistory and Philosophy of SciencePsychology (miscellaneous)UIDB/00693/2020 UIDP/00693/2020This paper enquires into the nature of the connections between memory and certain genres of contemporary art music whose unique features rely particularly on our early mnemonic processes. Specific sound configurations of this music are often associated, during listening, with visual and tactile sensorial qualities and with abstract geometries. They are perceived fundamentally as the results of acoustic-physical forces and energies and are organized according to Gestalt and kinesthetic principles. This kind of music calls for a specific listening attitude, which we define as the vertical stance, and seems particularly apt to respond to mechanisms of the working memory where echoic, short- and long-term memories assume a central role. In this vertical stance, memory is involved in the mental construction (segregation, storage, and prediction) of the Gestalt configurations of this music within a perceptual domain that crucially has no spatial connection to the external world. In tying in neurophysiological and psychological research with musicological theories, we discuss the perceptual approach to these music practices in the light of the philosophical concept of the ‘No-Space world’ as conceived by the philosopher Peter Strawson. We propose that – under certain conditions – memory may be the realm of the purely spectro-temporal features of music. The sound configurations of this music in particular are part of an internal-external perceptual framework, being decoded in the conceptual space of perception and able to elicit high-order recollections typical of an embodied engagement with the external world.Centro de Estudos de Sociologia e Estética Musical (CESEM - NOVA FCSH)RUNWanke, RiccardoSantarcangelo, Vincenzo2021-11-04T23:38:34Z20212021-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article18application/pdfhttp://hdl.handle.net/10362/127183eng2059-2043PURE: 34620314https://doi.org/10.1177/2059204321997658info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-03-11T05:07:15Zoai:run.unl.pt:10362/127183Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T03:46:03.935441Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Memory as the Aspatial Domain for the Perception of Certain Genres of Contemporary Art Music
title Memory as the Aspatial Domain for the Perception of Certain Genres of Contemporary Art Music
spellingShingle Memory as the Aspatial Domain for the Perception of Certain Genres of Contemporary Art Music
Wanke, Riccardo
Auditory perception
Auditory scene analysis
Contemporary art music
Gestaltic formation
Memory
Music
History and Philosophy of Science
Psychology (miscellaneous)
title_short Memory as the Aspatial Domain for the Perception of Certain Genres of Contemporary Art Music
title_full Memory as the Aspatial Domain for the Perception of Certain Genres of Contemporary Art Music
title_fullStr Memory as the Aspatial Domain for the Perception of Certain Genres of Contemporary Art Music
title_full_unstemmed Memory as the Aspatial Domain for the Perception of Certain Genres of Contemporary Art Music
title_sort Memory as the Aspatial Domain for the Perception of Certain Genres of Contemporary Art Music
author Wanke, Riccardo
author_facet Wanke, Riccardo
Santarcangelo, Vincenzo
author_role author
author2 Santarcangelo, Vincenzo
author2_role author
dc.contributor.none.fl_str_mv Centro de Estudos de Sociologia e Estética Musical (CESEM - NOVA FCSH)
RUN
dc.contributor.author.fl_str_mv Wanke, Riccardo
Santarcangelo, Vincenzo
dc.subject.por.fl_str_mv Auditory perception
Auditory scene analysis
Contemporary art music
Gestaltic formation
Memory
Music
History and Philosophy of Science
Psychology (miscellaneous)
topic Auditory perception
Auditory scene analysis
Contemporary art music
Gestaltic formation
Memory
Music
History and Philosophy of Science
Psychology (miscellaneous)
description UIDB/00693/2020 UIDP/00693/2020
publishDate 2021
dc.date.none.fl_str_mv 2021-11-04T23:38:34Z
2021
2021-01-01T00:00:00Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10362/127183
url http://hdl.handle.net/10362/127183
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv 2059-2043
PURE: 34620314
https://doi.org/10.1177/2059204321997658
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv 18
application/pdf
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reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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