Culturas de resistência e média alternativos: os fanzines punk portugueses

Detalhes bibliográficos
Autor(a) principal: Guerra, Paula
Data de Publicação: 2016
Outros Autores: Quintela, Pedro
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://hdl.handle.net/10216/82969
Resumo: Although fanzines existed before punk appeared, the truth is that they only became important alternative spaces to conventional media when they devoted themselves to the punk genre, in a kind of materialisation of the DIY ethos. Since the 1970s this universe has expanded, not only thematically and stylistically, but also in terms of both geographic coverage and the types of communicational support used to produce and disseminate fanzines. This article takes an approach that goes beyond the Anglo-Saxon reality and seeks to look at fanzines as communities founded around a cultural object, and at the production of texts, photos and other materials about the punk scene in Portugal from 1978 to the present day.
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spelling Culturas de resistência e média alternativos: os fanzines punk portuguesesCiências sociaisSocial sciencesAlthough fanzines existed before punk appeared, the truth is that they only became important alternative spaces to conventional media when they devoted themselves to the punk genre, in a kind of materialisation of the DIY ethos. Since the 1970s this universe has expanded, not only thematically and stylistically, but also in terms of both geographic coverage and the types of communicational support used to produce and disseminate fanzines. This article takes an approach that goes beyond the Anglo-Saxon reality and seeks to look at fanzines as communities founded around a cultural object, and at the production of texts, photos and other materials about the punk scene in Portugal from 1978 to the present day.20162016-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://hdl.handle.net/10216/82969por0873-652910.7458/SPP2015806009Guerra, PaulaQuintela, Pedroinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T14:45:36Zoai:repositorio-aberto.up.pt:10216/82969Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:07:56.198096Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Culturas de resistência e média alternativos: os fanzines punk portugueses
title Culturas de resistência e média alternativos: os fanzines punk portugueses
spellingShingle Culturas de resistência e média alternativos: os fanzines punk portugueses
Guerra, Paula
Ciências sociais
Social sciences
title_short Culturas de resistência e média alternativos: os fanzines punk portugueses
title_full Culturas de resistência e média alternativos: os fanzines punk portugueses
title_fullStr Culturas de resistência e média alternativos: os fanzines punk portugueses
title_full_unstemmed Culturas de resistência e média alternativos: os fanzines punk portugueses
title_sort Culturas de resistência e média alternativos: os fanzines punk portugueses
author Guerra, Paula
author_facet Guerra, Paula
Quintela, Pedro
author_role author
author2 Quintela, Pedro
author2_role author
dc.contributor.author.fl_str_mv Guerra, Paula
Quintela, Pedro
dc.subject.por.fl_str_mv Ciências sociais
Social sciences
topic Ciências sociais
Social sciences
description Although fanzines existed before punk appeared, the truth is that they only became important alternative spaces to conventional media when they devoted themselves to the punk genre, in a kind of materialisation of the DIY ethos. Since the 1970s this universe has expanded, not only thematically and stylistically, but also in terms of both geographic coverage and the types of communicational support used to produce and disseminate fanzines. This article takes an approach that goes beyond the Anglo-Saxon reality and seeks to look at fanzines as communities founded around a cultural object, and at the production of texts, photos and other materials about the punk scene in Portugal from 1978 to the present day.
publishDate 2016
dc.date.none.fl_str_mv 2016
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url https://hdl.handle.net/10216/82969
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv 0873-6529
10.7458/SPP2015806009
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