Handmade Films: Questioning and Integrating Cinematic Technology
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Data de Publicação: | 2005 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10400.1/875 |
Resumo: | Artigo publicado enquanto investigadora na Universidade de Aalborg, Dinamarca. |
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Handmade Films: Questioning and Integrating Cinematic TechnologyFilm TheoryDirect-on-film AnimationNorman McLarenTechnologyBodyArtigo publicado enquanto investigadora na Universidade de Aalborg, Dinamarca.Norman McLaren’s most important creation strategy was that of making a film completely by hand: not only the visuals, which he painted or scratched directly on film, but also sound and – most important – motion. He propounded muscular memory to control the formal differences between successive images (1976/1978), proclaiming the physiological development of a consciousness of movement and thus neglecting what has always been considered up to now the main ontological foundations of film: the automatic recording of physical reality. At the same time he was questioning the epistemological model they integrate, i.e. the perception of order and the ways in which that order is imposed upon reality by films and the technology which holds them. In this paper I will try to demonstrate that, by overwhelming the cinematic technical workings with his gesture – literally with his body – Norman McLaren exposed its technological scheme to contingency, thus opening the production process to new unpredictable expressive and communicative possibilities. I will attempt to explain how this corresponds to a renewed way of comprehending technology by, simultaneously, revealing the human reality it contains and physiologically incorporating it.CGPublisherSapientiaGraça, Marina Estela2011-11-22T10:47:16Z20052005-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.1/875engInternational Journal of the Humanities, Volume 3, Issue 3, pp.101-106.1447-9559 (online)AUT: MGR00043;info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-07-24T10:11:44Zoai:sapientia.ualg.pt:10400.1/875Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T19:55:09.540771Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Handmade Films: Questioning and Integrating Cinematic Technology |
title |
Handmade Films: Questioning and Integrating Cinematic Technology |
spellingShingle |
Handmade Films: Questioning and Integrating Cinematic Technology Graça, Marina Estela Film Theory Direct-on-film Animation Norman McLaren Technology Body |
title_short |
Handmade Films: Questioning and Integrating Cinematic Technology |
title_full |
Handmade Films: Questioning and Integrating Cinematic Technology |
title_fullStr |
Handmade Films: Questioning and Integrating Cinematic Technology |
title_full_unstemmed |
Handmade Films: Questioning and Integrating Cinematic Technology |
title_sort |
Handmade Films: Questioning and Integrating Cinematic Technology |
author |
Graça, Marina Estela |
author_facet |
Graça, Marina Estela |
author_role |
author |
dc.contributor.none.fl_str_mv |
Sapientia |
dc.contributor.author.fl_str_mv |
Graça, Marina Estela |
dc.subject.por.fl_str_mv |
Film Theory Direct-on-film Animation Norman McLaren Technology Body |
topic |
Film Theory Direct-on-film Animation Norman McLaren Technology Body |
description |
Artigo publicado enquanto investigadora na Universidade de Aalborg, Dinamarca. |
publishDate |
2005 |
dc.date.none.fl_str_mv |
2005 2005-01-01T00:00:00Z 2011-11-22T10:47:16Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/article |
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article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10400.1/875 |
url |
http://hdl.handle.net/10400.1/875 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
International Journal of the Humanities, Volume 3, Issue 3, pp.101-106. 1447-9559 (online) AUT: MGR00043; |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
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CGPublisher |
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CGPublisher |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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