Handmade Films: Questioning and Integrating Cinematic Technology

Detalhes bibliográficos
Autor(a) principal: Graça, Marina Estela
Data de Publicação: 2005
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10400.1/875
Resumo: Artigo publicado enquanto investigadora na Universidade de Aalborg, Dinamarca.
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spelling Handmade Films: Questioning and Integrating Cinematic TechnologyFilm TheoryDirect-on-film AnimationNorman McLarenTechnologyBodyArtigo publicado enquanto investigadora na Universidade de Aalborg, Dinamarca.Norman McLaren’s most important creation strategy was that of making a film completely by hand: not only the visuals, which he painted or scratched directly on film, but also sound and – most important – motion. He propounded muscular memory to control the formal differences between successive images (1976/1978), proclaiming the physiological development of a consciousness of movement and thus neglecting what has always been considered up to now the main ontological foundations of film: the automatic recording of physical reality. At the same time he was questioning the epistemological model they integrate, i.e. the perception of order and the ways in which that order is imposed upon reality by films and the technology which holds them. In this paper I will try to demonstrate that, by overwhelming the cinematic technical workings with his gesture – literally with his body – Norman McLaren exposed its technological scheme to contingency, thus opening the production process to new unpredictable expressive and communicative possibilities. I will attempt to explain how this corresponds to a renewed way of comprehending technology by, simultaneously, revealing the human reality it contains and physiologically incorporating it.CGPublisherSapientiaGraça, Marina Estela2011-11-22T10:47:16Z20052005-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.1/875engInternational Journal of the Humanities, Volume 3, Issue 3, pp.101-106.1447-9559 (online)AUT: MGR00043;info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-07-24T10:11:44Zoai:sapientia.ualg.pt:10400.1/875Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T19:55:09.540771Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Handmade Films: Questioning and Integrating Cinematic Technology
title Handmade Films: Questioning and Integrating Cinematic Technology
spellingShingle Handmade Films: Questioning and Integrating Cinematic Technology
Graça, Marina Estela
Film Theory
Direct-on-film Animation
Norman McLaren
Technology
Body
title_short Handmade Films: Questioning and Integrating Cinematic Technology
title_full Handmade Films: Questioning and Integrating Cinematic Technology
title_fullStr Handmade Films: Questioning and Integrating Cinematic Technology
title_full_unstemmed Handmade Films: Questioning and Integrating Cinematic Technology
title_sort Handmade Films: Questioning and Integrating Cinematic Technology
author Graça, Marina Estela
author_facet Graça, Marina Estela
author_role author
dc.contributor.none.fl_str_mv Sapientia
dc.contributor.author.fl_str_mv Graça, Marina Estela
dc.subject.por.fl_str_mv Film Theory
Direct-on-film Animation
Norman McLaren
Technology
Body
topic Film Theory
Direct-on-film Animation
Norman McLaren
Technology
Body
description Artigo publicado enquanto investigadora na Universidade de Aalborg, Dinamarca.
publishDate 2005
dc.date.none.fl_str_mv 2005
2005-01-01T00:00:00Z
2011-11-22T10:47:16Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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dc.identifier.uri.fl_str_mv http://hdl.handle.net/10400.1/875
url http://hdl.handle.net/10400.1/875
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv International Journal of the Humanities, Volume 3, Issue 3, pp.101-106.
1447-9559 (online)
AUT: MGR00043;
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eu_rights_str_mv openAccess
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