The role and purpose of film narration
Autor(a) principal: | |
---|---|
Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.7559/citarj.v9i2.247 |
Resumo: | Throughout history we can identify a great number of authors discussing the nature of narrative. From Plato's and Aristotle's original mimetic and diegetic influential theories to Gérard Genette's or Roland Barthes' essential contribution to structuralism, narrative has been studied and discussed as a fundamental process for the human mind in terms of producing and communicating meaning and expressing experience. Over the past few decades major scholars such as Bordwell, Metz, Genette, Carroll, Chatman, Eisenstein, Bal, Abbot, Tan, Smith or Branigan have produced some of the most significant contributions to the study of film narratology. Some scholars envisage narration as a means to process information. Others argue that narration can be better understood as a strategy to cue narrative comprehension. Others envisage narration as a means for emotion. This paper intends to establish that film narrative can be better understood as an act of communication through and from experience from filmmaker to an audience and vice-versa. |
id |
RCAP_1ae53d0d177aa9bff94c53df6295aad8 |
---|---|
oai_identifier_str |
oai:ojs.revistas.ucp.pt:article/7284 |
network_acronym_str |
RCAP |
network_name_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository_id_str |
7160 |
spelling |
The role and purpose of film narrationThroughout history we can identify a great number of authors discussing the nature of narrative. From Plato's and Aristotle's original mimetic and diegetic influential theories to Gérard Genette's or Roland Barthes' essential contribution to structuralism, narrative has been studied and discussed as a fundamental process for the human mind in terms of producing and communicating meaning and expressing experience. Over the past few decades major scholars such as Bordwell, Metz, Genette, Carroll, Chatman, Eisenstein, Bal, Abbot, Tan, Smith or Branigan have produced some of the most significant contributions to the study of film narratology. Some scholars envisage narration as a means to process information. Others argue that narration can be better understood as a strategy to cue narrative comprehension. Others envisage narration as a means for emotion. This paper intends to establish that film narrative can be better understood as an act of communication through and from experience from filmmaker to an audience and vice-versa.Universidade Católica Portuguesa2017-05-01T00:00:00Zjournal articleinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.7559/citarj.v9i2.247oai:ojs.revistas.ucp.pt:article/7284Journal of Science and Technology of the Arts; Vol 9 No 2 (2017): Narrative and Audiovisual Creation; 7-16Journal of Science and Technology of the Arts; v. 9 n. 2 (2017): Narrative and Audiovisual Creation; 7-162183-00881646-979810.34632/citarj.2017.9.2reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/7284https://doi.org/10.7559/citarj.v9i2.247https://revistas.ucp.pt/index.php/jsta/article/view/7284/7075Copyright (c) 2017 Carlos Ruiz Carmonahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCarmona, Carlos Ruiz2022-09-22T16:19:21Zoai:ojs.revistas.ucp.pt:article/7284Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:59:02.173472Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
The role and purpose of film narration |
title |
The role and purpose of film narration |
spellingShingle |
The role and purpose of film narration Carmona, Carlos Ruiz |
title_short |
The role and purpose of film narration |
title_full |
The role and purpose of film narration |
title_fullStr |
The role and purpose of film narration |
title_full_unstemmed |
The role and purpose of film narration |
title_sort |
The role and purpose of film narration |
author |
Carmona, Carlos Ruiz |
author_facet |
Carmona, Carlos Ruiz |
author_role |
author |
dc.contributor.author.fl_str_mv |
Carmona, Carlos Ruiz |
description |
Throughout history we can identify a great number of authors discussing the nature of narrative. From Plato's and Aristotle's original mimetic and diegetic influential theories to Gérard Genette's or Roland Barthes' essential contribution to structuralism, narrative has been studied and discussed as a fundamental process for the human mind in terms of producing and communicating meaning and expressing experience. Over the past few decades major scholars such as Bordwell, Metz, Genette, Carroll, Chatman, Eisenstein, Bal, Abbot, Tan, Smith or Branigan have produced some of the most significant contributions to the study of film narratology. Some scholars envisage narration as a means to process information. Others argue that narration can be better understood as a strategy to cue narrative comprehension. Others envisage narration as a means for emotion. This paper intends to establish that film narrative can be better understood as an act of communication through and from experience from filmmaker to an audience and vice-versa. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-05-01T00:00:00Z |
dc.type.driver.fl_str_mv |
journal article info:eu-repo/semantics/article |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.7559/citarj.v9i2.247 oai:ojs.revistas.ucp.pt:article/7284 |
url |
https://doi.org/10.7559/citarj.v9i2.247 |
identifier_str_mv |
oai:ojs.revistas.ucp.pt:article/7284 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://revistas.ucp.pt/index.php/jsta/article/view/7284 https://doi.org/10.7559/citarj.v9i2.247 https://revistas.ucp.pt/index.php/jsta/article/view/7284/7075 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Carlos Ruiz Carmona http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Carlos Ruiz Carmona http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
dc.source.none.fl_str_mv |
Journal of Science and Technology of the Arts; Vol 9 No 2 (2017): Narrative and Audiovisual Creation; 7-16 Journal of Science and Technology of the Arts; v. 9 n. 2 (2017): Narrative and Audiovisual Creation; 7-16 2183-0088 1646-9798 10.34632/citarj.2017.9.2 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
|
_version_ |
1799130457419284480 |