Anonymous Inscriptions in Rio de Janeiro

Detalhes bibliográficos
Autor(a) principal: Júnior, Hely Costa
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.25765/sauc.v2i2.48
Resumo: Parallel to the moment graffiti becomes an integrated component, legal and regular part of the city walls of Rio de Janeiro (mainly owing to the laws and actions that legalize and legitimize a once transgressive practice) a new kind of artistic intervention in the city emerged. Phrases written with spray, stencil or even pasted on the walls have the power to surprise, to question and challenge the townspeople. Interventions that can be comprehended as what Certeau (1994) defines as strange practices in the geometric space of the big cities. Actions that refer to specific forms of operations, which provide new visibility in urban areas. If the space is a practiced place, as the author affirms, the written phrases on the walls transform not only the backing, but also the space in which they are written.
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spelling Anonymous Inscriptions in Rio de JaneiroParallel to the moment graffiti becomes an integrated component, legal and regular part of the city walls of Rio de Janeiro (mainly owing to the laws and actions that legalize and legitimize a once transgressive practice) a new kind of artistic intervention in the city emerged. Phrases written with spray, stencil or even pasted on the walls have the power to surprise, to question and challenge the townspeople. Interventions that can be comprehended as what Certeau (1994) defines as strange practices in the geometric space of the big cities. Actions that refer to specific forms of operations, which provide new visibility in urban areas. If the space is a practiced place, as the author affirms, the written phrases on the walls transform not only the backing, but also the space in which they are written.AP22018-05-24info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.25765/sauc.v2i2.48https://doi.org/10.25765/sauc.v2i2.48SAUC - Street Art and Urban Creativity; Vol 2 No 2 (2016): Center Periphery: Theory; 16 - 212183-99562183-3869reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/sauc/article/view/48https://journals.ap2.pt/index.php/sauc/article/view/48/38Júnior, Hely Costainfo:eu-repo/semantics/openAccess2024-01-26T14:15:31Zoai:journals.ap2.pt:article/48Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:47.100328Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Anonymous Inscriptions in Rio de Janeiro
title Anonymous Inscriptions in Rio de Janeiro
spellingShingle Anonymous Inscriptions in Rio de Janeiro
Júnior, Hely Costa
title_short Anonymous Inscriptions in Rio de Janeiro
title_full Anonymous Inscriptions in Rio de Janeiro
title_fullStr Anonymous Inscriptions in Rio de Janeiro
title_full_unstemmed Anonymous Inscriptions in Rio de Janeiro
title_sort Anonymous Inscriptions in Rio de Janeiro
author Júnior, Hely Costa
author_facet Júnior, Hely Costa
author_role author
dc.contributor.author.fl_str_mv Júnior, Hely Costa
description Parallel to the moment graffiti becomes an integrated component, legal and regular part of the city walls of Rio de Janeiro (mainly owing to the laws and actions that legalize and legitimize a once transgressive practice) a new kind of artistic intervention in the city emerged. Phrases written with spray, stencil or even pasted on the walls have the power to surprise, to question and challenge the townspeople. Interventions that can be comprehended as what Certeau (1994) defines as strange practices in the geometric space of the big cities. Actions that refer to specific forms of operations, which provide new visibility in urban areas. If the space is a practiced place, as the author affirms, the written phrases on the walls transform not only the backing, but also the space in which they are written.
publishDate 2018
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