Anonymous Inscriptions in Rio de Janeiro
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.25765/sauc.v2i2.48 |
Resumo: | Parallel to the moment graffiti becomes an integrated component, legal and regular part of the city walls of Rio de Janeiro (mainly owing to the laws and actions that legalize and legitimize a once transgressive practice) a new kind of artistic intervention in the city emerged. Phrases written with spray, stencil or even pasted on the walls have the power to surprise, to question and challenge the townspeople. Interventions that can be comprehended as what Certeau (1994) defines as strange practices in the geometric space of the big cities. Actions that refer to specific forms of operations, which provide new visibility in urban areas. If the space is a practiced place, as the author affirms, the written phrases on the walls transform not only the backing, but also the space in which they are written. |
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Anonymous Inscriptions in Rio de JaneiroParallel to the moment graffiti becomes an integrated component, legal and regular part of the city walls of Rio de Janeiro (mainly owing to the laws and actions that legalize and legitimize a once transgressive practice) a new kind of artistic intervention in the city emerged. Phrases written with spray, stencil or even pasted on the walls have the power to surprise, to question and challenge the townspeople. Interventions that can be comprehended as what Certeau (1994) defines as strange practices in the geometric space of the big cities. Actions that refer to specific forms of operations, which provide new visibility in urban areas. If the space is a practiced place, as the author affirms, the written phrases on the walls transform not only the backing, but also the space in which they are written.AP22018-05-24info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.25765/sauc.v2i2.48https://doi.org/10.25765/sauc.v2i2.48SAUC - Street Art and Urban Creativity; Vol 2 No 2 (2016): Center Periphery: Theory; 16 - 212183-99562183-3869reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/sauc/article/view/48https://journals.ap2.pt/index.php/sauc/article/view/48/38Júnior, Hely Costainfo:eu-repo/semantics/openAccess2024-01-26T14:15:31Zoai:journals.ap2.pt:article/48Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:47.100328Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Anonymous Inscriptions in Rio de Janeiro |
title |
Anonymous Inscriptions in Rio de Janeiro |
spellingShingle |
Anonymous Inscriptions in Rio de Janeiro Júnior, Hely Costa |
title_short |
Anonymous Inscriptions in Rio de Janeiro |
title_full |
Anonymous Inscriptions in Rio de Janeiro |
title_fullStr |
Anonymous Inscriptions in Rio de Janeiro |
title_full_unstemmed |
Anonymous Inscriptions in Rio de Janeiro |
title_sort |
Anonymous Inscriptions in Rio de Janeiro |
author |
Júnior, Hely Costa |
author_facet |
Júnior, Hely Costa |
author_role |
author |
dc.contributor.author.fl_str_mv |
Júnior, Hely Costa |
description |
Parallel to the moment graffiti becomes an integrated component, legal and regular part of the city walls of Rio de Janeiro (mainly owing to the laws and actions that legalize and legitimize a once transgressive practice) a new kind of artistic intervention in the city emerged. Phrases written with spray, stencil or even pasted on the walls have the power to surprise, to question and challenge the townspeople. Interventions that can be comprehended as what Certeau (1994) defines as strange practices in the geometric space of the big cities. Actions that refer to specific forms of operations, which provide new visibility in urban areas. If the space is a practiced place, as the author affirms, the written phrases on the walls transform not only the backing, but also the space in which they are written. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-05-24 |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/article |
format |
article |
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publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.25765/sauc.v2i2.48 https://doi.org/10.25765/sauc.v2i2.48 |
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https://doi.org/10.25765/sauc.v2i2.48 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
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https://journals.ap2.pt/index.php/sauc/article/view/48 https://journals.ap2.pt/index.php/sauc/article/view/48/38 |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
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AP2 |
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AP2 |
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SAUC - Street Art and Urban Creativity; Vol 2 No 2 (2016): Center Periphery: Theory; 16 - 21 2183-9956 2183-3869 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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