«The recompositions of Buus´s ricercari from his Libro primo…(1547) in manuscript P-Cug MM 242 and the didactic processes of the friars of the Santa Cruz Monastery in Coimbra»
Autor(a) principal: | |
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Data de Publicação: | 2013 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10174/9979 |
Resumo: | The purpose of this article is to address the presence of seven recomposed ricercari by Jacques Buus in the Music Manuscript 242 from the Library of the University of Coimbra in Portugal (P-Cug MM 242). These recompositions, probably copied in the third quarter of the 16th century, were made after the previously copied Buus´s ricercari in Music Manuscript 48 (P-Cug MM 48) of the same library, which were based on the Libro primo de ricercari a quattro voci, published in Venice in 1547 by Antonio Gardane. In this article, I intend to focus in two main aspects of the research done on this subject. The first topic concerns the score-format of both manuscripts 48 & 242, which testify the instrumental activity in mid-sixteenth century Portugal. I will demonstrate that this format served once, in the Santa Cruz Monastery in Coimbra, as a didactic tool in the teaching of counterpoint through the music of a northern European master such as Jacques Buus. The copies in the manuscripts were never intended to be used as a performing support – they contain many errors of vertical coordination between the voices that make the performance impossible. The second topic focuses on Buus´s recomposed ricercari, which were the object of many cuts, brief recomposed bridges, newly inserted sections, and written glosa figurations. Through these recompositions, I will describe the theoretic assimilation of formal processes, of style, mode, counterpoint and performing practice. The achievement of this article is to offer historic musicology researchers a new perspective about the enormous influence that Buus´s ricercari from his Libro primo… had in the learning processes of music composition and in the development of didactic and performing practices in the Santa Cruz Monastery in Coimbra, during the mid-sixteenth century decades. |
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«The recompositions of Buus´s ricercari from his Libro primo…(1547) in manuscript P-Cug MM 242 and the didactic processes of the friars of the Santa Cruz Monastery in Coimbra»Jacques BuusRicercareP-Cug MM 48P-Cug MM 242Score-formatSanta Cruz Monastery - CoimbraThe purpose of this article is to address the presence of seven recomposed ricercari by Jacques Buus in the Music Manuscript 242 from the Library of the University of Coimbra in Portugal (P-Cug MM 242). These recompositions, probably copied in the third quarter of the 16th century, were made after the previously copied Buus´s ricercari in Music Manuscript 48 (P-Cug MM 48) of the same library, which were based on the Libro primo de ricercari a quattro voci, published in Venice in 1547 by Antonio Gardane. In this article, I intend to focus in two main aspects of the research done on this subject. The first topic concerns the score-format of both manuscripts 48 & 242, which testify the instrumental activity in mid-sixteenth century Portugal. I will demonstrate that this format served once, in the Santa Cruz Monastery in Coimbra, as a didactic tool in the teaching of counterpoint through the music of a northern European master such as Jacques Buus. The copies in the manuscripts were never intended to be used as a performing support – they contain many errors of vertical coordination between the voices that make the performance impossible. The second topic focuses on Buus´s recomposed ricercari, which were the object of many cuts, brief recomposed bridges, newly inserted sections, and written glosa figurations. Through these recompositions, I will describe the theoretic assimilation of formal processes, of style, mode, counterpoint and performing practice. The achievement of this article is to offer historic musicology researchers a new perspective about the enormous influence that Buus´s ricercari from his Libro primo… had in the learning processes of music composition and in the development of didactic and performing practices in the Santa Cruz Monastery in Coimbra, during the mid-sixteenth century decades.David Publishing Company2014-01-24T11:42:09Z2014-01-242013-06-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttp://hdl.handle.net/10174/9979http://hdl.handle.net/10174/9979eng«The recompositions of Buus´s ricercari from his Libro primo…(1547) in manuscript P-Cug MM 242 and the didactic processes of the friars of the Santa Cruz Monastery in Coimbra» History Research, June 2013, Vol. 3, Nº6, 16-33. ISSN 2159-550X2159-550Xfilipe.mesquita.oliveira@gmail.com203Oliveira, Filipe Mesquita deinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-01-03T18:52:24Zoai:dspace.uevora.pt:10174/9979Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:03:57.367832Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
«The recompositions of Buus´s ricercari from his Libro primo…(1547) in manuscript P-Cug MM 242 and the didactic processes of the friars of the Santa Cruz Monastery in Coimbra» |
title |
«The recompositions of Buus´s ricercari from his Libro primo…(1547) in manuscript P-Cug MM 242 and the didactic processes of the friars of the Santa Cruz Monastery in Coimbra» |
spellingShingle |
«The recompositions of Buus´s ricercari from his Libro primo…(1547) in manuscript P-Cug MM 242 and the didactic processes of the friars of the Santa Cruz Monastery in Coimbra» Oliveira, Filipe Mesquita de Jacques Buus Ricercare P-Cug MM 48 P-Cug MM 242 Score-format Santa Cruz Monastery - Coimbra |
title_short |
«The recompositions of Buus´s ricercari from his Libro primo…(1547) in manuscript P-Cug MM 242 and the didactic processes of the friars of the Santa Cruz Monastery in Coimbra» |
title_full |
«The recompositions of Buus´s ricercari from his Libro primo…(1547) in manuscript P-Cug MM 242 and the didactic processes of the friars of the Santa Cruz Monastery in Coimbra» |
title_fullStr |
«The recompositions of Buus´s ricercari from his Libro primo…(1547) in manuscript P-Cug MM 242 and the didactic processes of the friars of the Santa Cruz Monastery in Coimbra» |
title_full_unstemmed |
«The recompositions of Buus´s ricercari from his Libro primo…(1547) in manuscript P-Cug MM 242 and the didactic processes of the friars of the Santa Cruz Monastery in Coimbra» |
title_sort |
«The recompositions of Buus´s ricercari from his Libro primo…(1547) in manuscript P-Cug MM 242 and the didactic processes of the friars of the Santa Cruz Monastery in Coimbra» |
author |
Oliveira, Filipe Mesquita de |
author_facet |
Oliveira, Filipe Mesquita de |
author_role |
author |
dc.contributor.author.fl_str_mv |
Oliveira, Filipe Mesquita de |
dc.subject.por.fl_str_mv |
Jacques Buus Ricercare P-Cug MM 48 P-Cug MM 242 Score-format Santa Cruz Monastery - Coimbra |
topic |
Jacques Buus Ricercare P-Cug MM 48 P-Cug MM 242 Score-format Santa Cruz Monastery - Coimbra |
description |
The purpose of this article is to address the presence of seven recomposed ricercari by Jacques Buus in the Music Manuscript 242 from the Library of the University of Coimbra in Portugal (P-Cug MM 242). These recompositions, probably copied in the third quarter of the 16th century, were made after the previously copied Buus´s ricercari in Music Manuscript 48 (P-Cug MM 48) of the same library, which were based on the Libro primo de ricercari a quattro voci, published in Venice in 1547 by Antonio Gardane. In this article, I intend to focus in two main aspects of the research done on this subject. The first topic concerns the score-format of both manuscripts 48 & 242, which testify the instrumental activity in mid-sixteenth century Portugal. I will demonstrate that this format served once, in the Santa Cruz Monastery in Coimbra, as a didactic tool in the teaching of counterpoint through the music of a northern European master such as Jacques Buus. The copies in the manuscripts were never intended to be used as a performing support – they contain many errors of vertical coordination between the voices that make the performance impossible. The second topic focuses on Buus´s recomposed ricercari, which were the object of many cuts, brief recomposed bridges, newly inserted sections, and written glosa figurations. Through these recompositions, I will describe the theoretic assimilation of formal processes, of style, mode, counterpoint and performing practice. The achievement of this article is to offer historic musicology researchers a new perspective about the enormous influence that Buus´s ricercari from his Libro primo… had in the learning processes of music composition and in the development of didactic and performing practices in the Santa Cruz Monastery in Coimbra, during the mid-sixteenth century decades. |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-06-01T00:00:00Z 2014-01-24T11:42:09Z 2014-01-24 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10174/9979 http://hdl.handle.net/10174/9979 |
url |
http://hdl.handle.net/10174/9979 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
«The recompositions of Buus´s ricercari from his Libro primo…(1547) in manuscript P-Cug MM 242 and the didactic processes of the friars of the Santa Cruz Monastery in Coimbra» History Research, June 2013, Vol. 3, Nº6, 16-33. ISSN 2159-550X 2159-550X filipe.mesquita.oliveira@gmail.com 203 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
David Publishing Company |
publisher.none.fl_str_mv |
David Publishing Company |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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