When the Archive Vomits Salazar: Representations of Women in Contemporary Portuguese Film
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.34632/diffractions.2021.10301 |
Resumo: | Starting from the provocative Paula Rego painting entitled “Salazar Vomiting the Homeland,” this essay discusses some filmic representations of women during Salazar’s New State. With a view to questioning the public representations of the dictatorship, a selection of films made by contemporary Portuguese filmmakers that mobilize public and private memories and a diversity of archival materials is analyzed. From a feminine and comparative perspective, this essay examines the epistemological gaps of the archive and reflects on how the latter, besides unveiling the intricate processes of ideological manipulation that illustrate the violence of the archive and its disciplinary power (Derrida 1995; Foucault 1972), interrogate cinema as a privileged means of formation, circulation, and reconfiguration of cultural memory. |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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When the Archive Vomits Salazar: Representations of Women in Contemporary Portuguese FilmStarting from the provocative Paula Rego painting entitled “Salazar Vomiting the Homeland,” this essay discusses some filmic representations of women during Salazar’s New State. With a view to questioning the public representations of the dictatorship, a selection of films made by contemporary Portuguese filmmakers that mobilize public and private memories and a diversity of archival materials is analyzed. From a feminine and comparative perspective, this essay examines the epistemological gaps of the archive and reflects on how the latter, besides unveiling the intricate processes of ideological manipulation that illustrate the violence of the archive and its disciplinary power (Derrida 1995; Foucault 1972), interrogate cinema as a privileged means of formation, circulation, and reconfiguration of cultural memory.Universidade Católica Portuguesa2021-10-29T00:00:00Zinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/otherinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.34632/diffractions.2021.10301oai:ojs.revistas.ucp.pt:article/10301Diffractions; No 4 (2021): Archives, Migration, and Gender; 99-117Diffractions; n. 4 (2021): Archives, Migration, and Gender; 99-1172183-218810.34632/diffractions.2021.n4reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/diffractions/article/view/10301https://doi.org/10.34632/diffractions.2021.10301https://revistas.ucp.pt/index.php/diffractions/article/view/10301/10014Copyright (c) 2021 Adriana Martinshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMartins, Adriana2022-09-23T15:11:50Zoai:ojs.revistas.ucp.pt:article/10301Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:03:49.122813Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
When the Archive Vomits Salazar: Representations of Women in Contemporary Portuguese Film |
title |
When the Archive Vomits Salazar: Representations of Women in Contemporary Portuguese Film |
spellingShingle |
When the Archive Vomits Salazar: Representations of Women in Contemporary Portuguese Film Martins, Adriana |
title_short |
When the Archive Vomits Salazar: Representations of Women in Contemporary Portuguese Film |
title_full |
When the Archive Vomits Salazar: Representations of Women in Contemporary Portuguese Film |
title_fullStr |
When the Archive Vomits Salazar: Representations of Women in Contemporary Portuguese Film |
title_full_unstemmed |
When the Archive Vomits Salazar: Representations of Women in Contemporary Portuguese Film |
title_sort |
When the Archive Vomits Salazar: Representations of Women in Contemporary Portuguese Film |
author |
Martins, Adriana |
author_facet |
Martins, Adriana |
author_role |
author |
dc.contributor.author.fl_str_mv |
Martins, Adriana |
description |
Starting from the provocative Paula Rego painting entitled “Salazar Vomiting the Homeland,” this essay discusses some filmic representations of women during Salazar’s New State. With a view to questioning the public representations of the dictatorship, a selection of films made by contemporary Portuguese filmmakers that mobilize public and private memories and a diversity of archival materials is analyzed. From a feminine and comparative perspective, this essay examines the epistemological gaps of the archive and reflects on how the latter, besides unveiling the intricate processes of ideological manipulation that illustrate the violence of the archive and its disciplinary power (Derrida 1995; Foucault 1972), interrogate cinema as a privileged means of formation, circulation, and reconfiguration of cultural memory. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-10-29T00:00:00Z |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/other |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.34632/diffractions.2021.10301 oai:ojs.revistas.ucp.pt:article/10301 |
url |
https://doi.org/10.34632/diffractions.2021.10301 |
identifier_str_mv |
oai:ojs.revistas.ucp.pt:article/10301 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://revistas.ucp.pt/index.php/diffractions/article/view/10301 https://doi.org/10.34632/diffractions.2021.10301 https://revistas.ucp.pt/index.php/diffractions/article/view/10301/10014 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Adriana Martins http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Adriana Martins http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
dc.source.none.fl_str_mv |
Diffractions; No 4 (2021): Archives, Migration, and Gender; 99-117 Diffractions; n. 4 (2021): Archives, Migration, and Gender; 99-117 2183-2188 10.34632/diffractions.2021.n4 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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