When the archive vomits Salazar: representations of women in contemporary Portuguese film

Detalhes bibliográficos
Autor(a) principal: Martins, Adriana
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10400.14/35748
Resumo: Starting from the provocative Paula Rego painting entitled “Salazar Vomiting the Homeland,” this essay discusses some filmic representations of women during Salazar’s New State. With a view to questioning the public representations of the dictatorship, a selection of films made by contemporary Portuguese filmmakers that mobilize public and private memories and a diversity of archival materials is analyzed. From a feminine and comparative perspective, this essay examines the epistemological gaps of the archive and reflects on how the latter, besides unveiling the intricate processes of ideological manipulation that illustrate the violence of the archive and its disciplinary power (Derrida 1995; Foucault 1972), interrogate cinema as a privileged means of formation, circulation, and reconfiguration of cultural memory.
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spelling When the archive vomits Salazar: representations of women in contemporary Portuguese filmArchivePortuguese filmFilmic representation of womenPortuguese filmmakersMargarida CardosoInês de MedeirosCatarina MourãoStarting from the provocative Paula Rego painting entitled “Salazar Vomiting the Homeland,” this essay discusses some filmic representations of women during Salazar’s New State. With a view to questioning the public representations of the dictatorship, a selection of films made by contemporary Portuguese filmmakers that mobilize public and private memories and a diversity of archival materials is analyzed. From a feminine and comparative perspective, this essay examines the epistemological gaps of the archive and reflects on how the latter, besides unveiling the intricate processes of ideological manipulation that illustrate the violence of the archive and its disciplinary power (Derrida 1995; Foucault 1972), interrogate cinema as a privileged means of formation, circulation, and reconfiguration of cultural memory.Veritati - Repositório Institucional da Universidade Católica PortuguesaMartins, Adriana2021-11-02T09:59:09Z2021-10-292021-10-29T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.14/35748eng2183-218810.34632/diffractions.2021.10301info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-07-12T17:41:16Zoai:repositorio.ucp.pt:10400.14/35748Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T18:29:01.971667Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv When the archive vomits Salazar: representations of women in contemporary Portuguese film
title When the archive vomits Salazar: representations of women in contemporary Portuguese film
spellingShingle When the archive vomits Salazar: representations of women in contemporary Portuguese film
Martins, Adriana
Archive
Portuguese film
Filmic representation of women
Portuguese filmmakers
Margarida Cardoso
Inês de Medeiros
Catarina Mourão
title_short When the archive vomits Salazar: representations of women in contemporary Portuguese film
title_full When the archive vomits Salazar: representations of women in contemporary Portuguese film
title_fullStr When the archive vomits Salazar: representations of women in contemporary Portuguese film
title_full_unstemmed When the archive vomits Salazar: representations of women in contemporary Portuguese film
title_sort When the archive vomits Salazar: representations of women in contemporary Portuguese film
author Martins, Adriana
author_facet Martins, Adriana
author_role author
dc.contributor.none.fl_str_mv Veritati - Repositório Institucional da Universidade Católica Portuguesa
dc.contributor.author.fl_str_mv Martins, Adriana
dc.subject.por.fl_str_mv Archive
Portuguese film
Filmic representation of women
Portuguese filmmakers
Margarida Cardoso
Inês de Medeiros
Catarina Mourão
topic Archive
Portuguese film
Filmic representation of women
Portuguese filmmakers
Margarida Cardoso
Inês de Medeiros
Catarina Mourão
description Starting from the provocative Paula Rego painting entitled “Salazar Vomiting the Homeland,” this essay discusses some filmic representations of women during Salazar’s New State. With a view to questioning the public representations of the dictatorship, a selection of films made by contemporary Portuguese filmmakers that mobilize public and private memories and a diversity of archival materials is analyzed. From a feminine and comparative perspective, this essay examines the epistemological gaps of the archive and reflects on how the latter, besides unveiling the intricate processes of ideological manipulation that illustrate the violence of the archive and its disciplinary power (Derrida 1995; Foucault 1972), interrogate cinema as a privileged means of formation, circulation, and reconfiguration of cultural memory.
publishDate 2021
dc.date.none.fl_str_mv 2021-11-02T09:59:09Z
2021-10-29
2021-10-29T00:00:00Z
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dc.identifier.uri.fl_str_mv http://hdl.handle.net/10400.14/35748
url http://hdl.handle.net/10400.14/35748
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv 2183-2188
10.34632/diffractions.2021.10301
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repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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