Reviving DIY: the importance of do it youself to the portuguese alternative rock scene

Detalhes bibliográficos
Autor(a) principal: Oliveira, Ana
Data de Publicação: 2016
Outros Autores: Guerra, Paula, Costa, Pedro
Tipo de documento: Livro
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://repositorio-aberto.up.pt/handle/10216/87283
Resumo: The approach of DIY music careers lies in the premise that music is a unifyingpole of activities, clustering a diversity of practices and lifestylesaround it. The analysis of musical production is usually based on an entrepreneurialperspective about creative workers and, specifically, aboutthe musicians. In this context, it can be useful to revisit one of the corevalues of the punk subculture, the DIY ethos, based on empowerment, ontaking possession of the means of production, as an alternative to mainstreamproduction circuits. Starting from the case of three projects - FilhoÚnico, Haus and Hey, Pachuco! - we explore the relevance of do it yourselflogics and procedures in the construction and maintenance of musicalcareers in the alternative rock, considering their impact on Lisbon metropolitanareas music alternative scenes.
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spelling Reviving DIY: the importance of do it youself to the portuguese alternative rock sceneArtes do espectáculo, SociologiaPerforming arts, SociologyThe approach of DIY music careers lies in the premise that music is a unifyingpole of activities, clustering a diversity of practices and lifestylesaround it. The analysis of musical production is usually based on an entrepreneurialperspective about creative workers and, specifically, aboutthe musicians. In this context, it can be useful to revisit one of the corevalues of the punk subculture, the DIY ethos, based on empowerment, ontaking possession of the means of production, as an alternative to mainstreamproduction circuits. Starting from the case of three projects - FilhoÚnico, Haus and Hey, Pachuco! - we explore the relevance of do it yourselflogics and procedures in the construction and maintenance of musicalcareers in the alternative rock, considering their impact on Lisbon metropolitanareas music alternative scenes.20162016-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/bookapplication/pdfhttps://repositorio-aberto.up.pt/handle/10216/87283engOliveira, AnaGuerra, PaulaCosta, Pedroinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T14:28:08Zoai:repositorio-aberto.up.pt:10216/87283Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:01:54.581554Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Reviving DIY: the importance of do it youself to the portuguese alternative rock scene
title Reviving DIY: the importance of do it youself to the portuguese alternative rock scene
spellingShingle Reviving DIY: the importance of do it youself to the portuguese alternative rock scene
Oliveira, Ana
Artes do espectáculo, Sociologia
Performing arts, Sociology
title_short Reviving DIY: the importance of do it youself to the portuguese alternative rock scene
title_full Reviving DIY: the importance of do it youself to the portuguese alternative rock scene
title_fullStr Reviving DIY: the importance of do it youself to the portuguese alternative rock scene
title_full_unstemmed Reviving DIY: the importance of do it youself to the portuguese alternative rock scene
title_sort Reviving DIY: the importance of do it youself to the portuguese alternative rock scene
author Oliveira, Ana
author_facet Oliveira, Ana
Guerra, Paula
Costa, Pedro
author_role author
author2 Guerra, Paula
Costa, Pedro
author2_role author
author
dc.contributor.author.fl_str_mv Oliveira, Ana
Guerra, Paula
Costa, Pedro
dc.subject.por.fl_str_mv Artes do espectáculo, Sociologia
Performing arts, Sociology
topic Artes do espectáculo, Sociologia
Performing arts, Sociology
description The approach of DIY music careers lies in the premise that music is a unifyingpole of activities, clustering a diversity of practices and lifestylesaround it. The analysis of musical production is usually based on an entrepreneurialperspective about creative workers and, specifically, aboutthe musicians. In this context, it can be useful to revisit one of the corevalues of the punk subculture, the DIY ethos, based on empowerment, ontaking possession of the means of production, as an alternative to mainstreamproduction circuits. Starting from the case of three projects - FilhoÚnico, Haus and Hey, Pachuco! - we explore the relevance of do it yourselflogics and procedures in the construction and maintenance of musicalcareers in the alternative rock, considering their impact on Lisbon metropolitanareas music alternative scenes.
publishDate 2016
dc.date.none.fl_str_mv 2016
2016-01-01T00:00:00Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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dc.identifier.uri.fl_str_mv https://repositorio-aberto.up.pt/handle/10216/87283
url https://repositorio-aberto.up.pt/handle/10216/87283
dc.language.iso.fl_str_mv eng
language eng
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
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repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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