Rediscovering the Secrets of Voice: Hildegard of Bingen

Detalhes bibliográficos
Autor(a) principal: Rabassó, Georgina
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://ojs.letras.up.pt/index.php/mediaevalia/article/view/1148
Resumo: Abstract This paper deals with the mystical and cognoscitive experience, conceptualized as «inner» vision and audition, of Hildegard of Bingen (1098-1179) and with the way in which the auditory relationship with the «heavenly voice» (uox de caelo) emerges in her compositions and in her re ections on music as a mediation of the divine present in the world. Hildegard’s theology of music is related to a particular conception of human being, whose «symphonic soul» (symphonialis est anima) harmonises with the celestial harmony. Her conception of harmony thus shows that music constitutes an agent of personal and social transformation. Keywords: 12th Century epistemology; senses; Theology of music. Medieval Authors: Augustine of Hippo; Boethius; Hildegard of Bingen; Jutta of Sponheim; Tengswich of Andernach.
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spelling Rediscovering the Secrets of Voice: Hildegard of BingenAbstract This paper deals with the mystical and cognoscitive experience, conceptualized as «inner» vision and audition, of Hildegard of Bingen (1098-1179) and with the way in which the auditory relationship with the «heavenly voice» (uox de caelo) emerges in her compositions and in her re ections on music as a mediation of the divine present in the world. Hildegard’s theology of music is related to a particular conception of human being, whose «symphonic soul» (symphonialis est anima) harmonises with the celestial harmony. Her conception of harmony thus shows that music constitutes an agent of personal and social transformation. Keywords: 12th Century epistemology; senses; Theology of music. Medieval Authors: Augustine of Hippo; Boethius; Hildegard of Bingen; Jutta of Sponheim; Tengswich of Andernach.Gabinete de Filosofia Medieval / MEMP-IF2016-01-28info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://ojs.letras.up.pt/index.php/mediaevalia/article/view/1148oai:ojs.letras.up.pt/ojs:article/1148Mediaevalia. Textos e estudos; Vol. 32 (2013); 53-70Mediaevalia. Textos e estudos; Vol. 32 (2013); 53-702183-68840872-0991reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://ojs.letras.up.pt/index.php/mediaevalia/article/view/1148https://ojs.letras.up.pt/index.php/mediaevalia/article/view/1148/1075Rabassó, Georginainfo:eu-repo/semantics/openAccess2022-12-20T10:56:06Zoai:ojs.letras.up.pt/ojs:article/1148Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:16:15.256212Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Rediscovering the Secrets of Voice: Hildegard of Bingen
title Rediscovering the Secrets of Voice: Hildegard of Bingen
spellingShingle Rediscovering the Secrets of Voice: Hildegard of Bingen
Rabassó, Georgina
title_short Rediscovering the Secrets of Voice: Hildegard of Bingen
title_full Rediscovering the Secrets of Voice: Hildegard of Bingen
title_fullStr Rediscovering the Secrets of Voice: Hildegard of Bingen
title_full_unstemmed Rediscovering the Secrets of Voice: Hildegard of Bingen
title_sort Rediscovering the Secrets of Voice: Hildegard of Bingen
author Rabassó, Georgina
author_facet Rabassó, Georgina
author_role author
dc.contributor.author.fl_str_mv Rabassó, Georgina
description Abstract This paper deals with the mystical and cognoscitive experience, conceptualized as «inner» vision and audition, of Hildegard of Bingen (1098-1179) and with the way in which the auditory relationship with the «heavenly voice» (uox de caelo) emerges in her compositions and in her re ections on music as a mediation of the divine present in the world. Hildegard’s theology of music is related to a particular conception of human being, whose «symphonic soul» (symphonialis est anima) harmonises with the celestial harmony. Her conception of harmony thus shows that music constitutes an agent of personal and social transformation. Keywords: 12th Century epistemology; senses; Theology of music. Medieval Authors: Augustine of Hippo; Boethius; Hildegard of Bingen; Jutta of Sponheim; Tengswich of Andernach.
publishDate 2016
dc.date.none.fl_str_mv 2016-01-28
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dc.identifier.uri.fl_str_mv https://ojs.letras.up.pt/index.php/mediaevalia/article/view/1148
oai:ojs.letras.up.pt/ojs:article/1148
url https://ojs.letras.up.pt/index.php/mediaevalia/article/view/1148
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dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://ojs.letras.up.pt/index.php/mediaevalia/article/view/1148
https://ojs.letras.up.pt/index.php/mediaevalia/article/view/1148/1075
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dc.publisher.none.fl_str_mv Gabinete de Filosofia Medieval / MEMP-IF
publisher.none.fl_str_mv Gabinete de Filosofia Medieval / MEMP-IF
dc.source.none.fl_str_mv Mediaevalia. Textos e estudos; Vol. 32 (2013); 53-70
Mediaevalia. Textos e estudos; Vol. 32 (2013); 53-70
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