Media appropriation and explicitation

Detalhes bibliográficos
Autor(a) principal: Laurenzo, Tomas
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.7559/citarj.v8i2.181
Resumo: This paper presents a novel characterization of new media art together with an exploration of some key aspects of its practice: I propose that new media art’s defining characteristics are media appropriation and explicitation. With media appropriation I refer to the dialectal inscription into the art practice of the knowledge that allows for some particular technological production. I also propose that new media art’s language is constructed in part via the explicitation of certain aspects of more ‘traditional’ art, and that this explicitation allows for a construction of a new vocabulary. Examples of this are the explicitation of randomness, interaction, programming, or of the role that tools and instruments play, among others.
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spelling Media appropriation and explicitationThis paper presents a novel characterization of new media art together with an exploration of some key aspects of its practice: I propose that new media art’s defining characteristics are media appropriation and explicitation. With media appropriation I refer to the dialectal inscription into the art practice of the knowledge that allows for some particular technological production. I also propose that new media art’s language is constructed in part via the explicitation of certain aspects of more ‘traditional’ art, and that this explicitation allows for a construction of a new vocabulary. Examples of this are the explicitation of randomness, interaction, programming, or of the role that tools and instruments play, among others.Universidade Católica Portuguesa2016-07-01T00:00:00Zjournal articleinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.7559/citarj.v8i2.181oai:ojs.revistas.ucp.pt:article/7270Journal of Science and Technology of the Arts; Vol 8 No 2 (2016); 27-36Journal of Science and Technology of the Arts; v. 8 n. 2 (2016); 27-362183-00881646-979810.34632/citarj.2016.8.2reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/7270https://doi.org/10.7559/citarj.v8i2.181https://revistas.ucp.pt/index.php/jsta/article/view/7270/7063Copyright (c) 2016 Tomas Laurenzohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessLaurenzo, Tomas2022-09-22T16:19:20Zoai:ojs.revistas.ucp.pt:article/7270Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:59:01.633053Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Media appropriation and explicitation
title Media appropriation and explicitation
spellingShingle Media appropriation and explicitation
Laurenzo, Tomas
title_short Media appropriation and explicitation
title_full Media appropriation and explicitation
title_fullStr Media appropriation and explicitation
title_full_unstemmed Media appropriation and explicitation
title_sort Media appropriation and explicitation
author Laurenzo, Tomas
author_facet Laurenzo, Tomas
author_role author
dc.contributor.author.fl_str_mv Laurenzo, Tomas
description This paper presents a novel characterization of new media art together with an exploration of some key aspects of its practice: I propose that new media art’s defining characteristics are media appropriation and explicitation. With media appropriation I refer to the dialectal inscription into the art practice of the knowledge that allows for some particular technological production. I also propose that new media art’s language is constructed in part via the explicitation of certain aspects of more ‘traditional’ art, and that this explicitation allows for a construction of a new vocabulary. Examples of this are the explicitation of randomness, interaction, programming, or of the role that tools and instruments play, among others.
publishDate 2016
dc.date.none.fl_str_mv 2016-07-01T00:00:00Z
dc.type.driver.fl_str_mv journal article
info:eu-repo/semantics/article
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.7559/citarj.v8i2.181
oai:ojs.revistas.ucp.pt:article/7270
url https://doi.org/10.7559/citarj.v8i2.181
identifier_str_mv oai:ojs.revistas.ucp.pt:article/7270
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.ucp.pt/index.php/jsta/article/view/7270
https://doi.org/10.7559/citarj.v8i2.181
https://revistas.ucp.pt/index.php/jsta/article/view/7270/7063
dc.rights.driver.fl_str_mv Copyright (c) 2016 Tomas Laurenzo
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Tomas Laurenzo
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Journal of Science and Technology of the Arts; Vol 8 No 2 (2016); 27-36
Journal of Science and Technology of the Arts; v. 8 n. 2 (2016); 27-36
2183-0088
1646-9798
10.34632/citarj.2016.8.2
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
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collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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