Propelling cinema and aesthetics forwards through (un)reality: Pedro Afonso’s take on Roy Andersson’s complex image

Detalhes bibliográficos
Autor(a) principal: Chinita, Fátima
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10400.21/13263
Resumo: This short piece analyses Pedro Afonso’s video essay on Roy Andersson’s Complex Image, an aesthetic style based on the tableau shot. It proceeds by scrutinizing the relationship Andersson’s aesthetic maintains with painting, slow cinema and political ideology, three aspects connected with realism, one way or the other. By focusing on the operative word “complex”, instead of “image”, this text claims that the Complex Image is not strictly pictorial; that long shots do not necessarily equate with slow cinema; and that there is a strong political engagement alongside an undeniably creative form.
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spelling Propelling cinema and aesthetics forwards through (un)reality: Pedro Afonso’s take on Roy Andersson’s complex imageThe complex imagePaintingLong takeRealismThe living trilogyRoy AnderssonSlow cinemaPedro AfonsoThis short piece analyses Pedro Afonso’s video essay on Roy Andersson’s Complex Image, an aesthetic style based on the tableau shot. It proceeds by scrutinizing the relationship Andersson’s aesthetic maintains with painting, slow cinema and political ideology, three aspects connected with realism, one way or the other. By focusing on the operative word “complex”, instead of “image”, this text claims that the Complex Image is not strictly pictorial; that long shots do not necessarily equate with slow cinema; and that there is a strong political engagement alongside an undeniably creative form.Universidade Católica PortuguesaRCIPLChinita, Fátima2021-04-30T16:26:44Z20212021-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.21/13263enghttps://doi.org/10.34632/jsta.2021.98522183-0088info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-08-03T10:07:43Zoai:repositorio.ipl.pt:10400.21/13263Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T20:21:14.829454Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Propelling cinema and aesthetics forwards through (un)reality: Pedro Afonso’s take on Roy Andersson’s complex image
title Propelling cinema and aesthetics forwards through (un)reality: Pedro Afonso’s take on Roy Andersson’s complex image
spellingShingle Propelling cinema and aesthetics forwards through (un)reality: Pedro Afonso’s take on Roy Andersson’s complex image
Chinita, Fátima
The complex image
Painting
Long take
Realism
The living trilogy
Roy Andersson
Slow cinema
Pedro Afonso
title_short Propelling cinema and aesthetics forwards through (un)reality: Pedro Afonso’s take on Roy Andersson’s complex image
title_full Propelling cinema and aesthetics forwards through (un)reality: Pedro Afonso’s take on Roy Andersson’s complex image
title_fullStr Propelling cinema and aesthetics forwards through (un)reality: Pedro Afonso’s take on Roy Andersson’s complex image
title_full_unstemmed Propelling cinema and aesthetics forwards through (un)reality: Pedro Afonso’s take on Roy Andersson’s complex image
title_sort Propelling cinema and aesthetics forwards through (un)reality: Pedro Afonso’s take on Roy Andersson’s complex image
author Chinita, Fátima
author_facet Chinita, Fátima
author_role author
dc.contributor.none.fl_str_mv RCIPL
dc.contributor.author.fl_str_mv Chinita, Fátima
dc.subject.por.fl_str_mv The complex image
Painting
Long take
Realism
The living trilogy
Roy Andersson
Slow cinema
Pedro Afonso
topic The complex image
Painting
Long take
Realism
The living trilogy
Roy Andersson
Slow cinema
Pedro Afonso
description This short piece analyses Pedro Afonso’s video essay on Roy Andersson’s Complex Image, an aesthetic style based on the tableau shot. It proceeds by scrutinizing the relationship Andersson’s aesthetic maintains with painting, slow cinema and political ideology, three aspects connected with realism, one way or the other. By focusing on the operative word “complex”, instead of “image”, this text claims that the Complex Image is not strictly pictorial; that long shots do not necessarily equate with slow cinema; and that there is a strong political engagement alongside an undeniably creative form.
publishDate 2021
dc.date.none.fl_str_mv 2021-04-30T16:26:44Z
2021
2021-01-01T00:00:00Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10400.21/13263
url http://hdl.handle.net/10400.21/13263
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://doi.org/10.34632/jsta.2021.9852
2183-0088
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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