Propelling Cinema and Aesthetics Forwards Through (Un)Reality: Pedro Afonso’s Take On Roy Andersson’s Complex Image

Detalhes bibliográficos
Autor(a) principal: Chinita, Fátima
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34632/jsta.2021.9912
Resumo: This short piece analyses Pedro Afonso’s video essay on Roy Andersson’s Complex Image, an aesthetic style based on the tableau shot. It proceeds by scrutinizing the relationship Andersson’s aesthetic maintains with painting, slow cinema and political ideology, three aspects connected with realism, one way or the other. By focusing on the operative word “complex”, instead of “image”, this text claims that the Complex Image is not strictly pictorial; that long shots do not necessarily equate with slow cinema; and that there is a strong political engagement alongside an undeniably creative form.   
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spelling Propelling Cinema and Aesthetics Forwards Through (Un)Reality: Pedro Afonso’s Take On Roy Andersson’s Complex ImageThis short piece analyses Pedro Afonso’s video essay on Roy Andersson’s Complex Image, an aesthetic style based on the tableau shot. It proceeds by scrutinizing the relationship Andersson’s aesthetic maintains with painting, slow cinema and political ideology, three aspects connected with realism, one way or the other. By focusing on the operative word “complex”, instead of “image”, this text claims that the Complex Image is not strictly pictorial; that long shots do not necessarily equate with slow cinema; and that there is a strong political engagement alongside an undeniably creative form.   Universidade Católica Portuguesa2021-04-05T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34632/jsta.2021.9912oai:ojs.revistas.ucp.pt:article/9912Journal of Science and Technology of the Arts; Vol 13 No 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 100-104Journal of Science and Technology of the Arts; v. 13 n. 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 100-1042183-00881646-979810.34632/jsta.2021.13.1reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/9912https://doi.org/10.34632/jsta.2021.9912https://revistas.ucp.pt/index.php/jsta/article/view/9912/9719Copyright (c) 2021 Fátima Chinitahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessChinita, Fátima2022-09-22T16:19:29Zoai:ojs.revistas.ucp.pt:article/9912Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:59:07.450246Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Propelling Cinema and Aesthetics Forwards Through (Un)Reality: Pedro Afonso’s Take On Roy Andersson’s Complex Image
title Propelling Cinema and Aesthetics Forwards Through (Un)Reality: Pedro Afonso’s Take On Roy Andersson’s Complex Image
spellingShingle Propelling Cinema and Aesthetics Forwards Through (Un)Reality: Pedro Afonso’s Take On Roy Andersson’s Complex Image
Chinita, Fátima
title_short Propelling Cinema and Aesthetics Forwards Through (Un)Reality: Pedro Afonso’s Take On Roy Andersson’s Complex Image
title_full Propelling Cinema and Aesthetics Forwards Through (Un)Reality: Pedro Afonso’s Take On Roy Andersson’s Complex Image
title_fullStr Propelling Cinema and Aesthetics Forwards Through (Un)Reality: Pedro Afonso’s Take On Roy Andersson’s Complex Image
title_full_unstemmed Propelling Cinema and Aesthetics Forwards Through (Un)Reality: Pedro Afonso’s Take On Roy Andersson’s Complex Image
title_sort Propelling Cinema and Aesthetics Forwards Through (Un)Reality: Pedro Afonso’s Take On Roy Andersson’s Complex Image
author Chinita, Fátima
author_facet Chinita, Fátima
author_role author
dc.contributor.author.fl_str_mv Chinita, Fátima
description This short piece analyses Pedro Afonso’s video essay on Roy Andersson’s Complex Image, an aesthetic style based on the tableau shot. It proceeds by scrutinizing the relationship Andersson’s aesthetic maintains with painting, slow cinema and political ideology, three aspects connected with realism, one way or the other. By focusing on the operative word “complex”, instead of “image”, this text claims that the Complex Image is not strictly pictorial; that long shots do not necessarily equate with slow cinema; and that there is a strong political engagement alongside an undeniably creative form.   
publishDate 2021
dc.date.none.fl_str_mv 2021-04-05T00:00:00Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.34632/jsta.2021.9912
oai:ojs.revistas.ucp.pt:article/9912
url https://doi.org/10.34632/jsta.2021.9912
identifier_str_mv oai:ojs.revistas.ucp.pt:article/9912
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.ucp.pt/index.php/jsta/article/view/9912
https://doi.org/10.34632/jsta.2021.9912
https://revistas.ucp.pt/index.php/jsta/article/view/9912/9719
dc.rights.driver.fl_str_mv Copyright (c) 2021 Fátima Chinita
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Fátima Chinita
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Journal of Science and Technology of the Arts; Vol 13 No 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 100-104
Journal of Science and Technology of the Arts; v. 13 n. 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 100-104
2183-0088
1646-9798
10.34632/jsta.2021.13.1
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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