3(4) AA - Antologia de arquitectura, arquivo e arte: à procura de um modo para coleccionar a modernidade
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://hdl.handle.net/10216/155661 |
Resumo: | This dissertation is a quest for answers in the past to current problems. Furthermore, it is also an attempt to understand how effective this method can or cannot be. It is an endeavor to organize the chaos regarding the author's understanding of what he believes to be the discipline of architecture. It is a confrontation between the imaginary and reality, which becomes objectified by inserting the former into the latter. This is accomplished through the representation of memory in a very specific regulatory instrument, which is the archive. With this method, the work delves into a relatively recent past, advocating modernism as a movement in architecture that took advantage of the instruments of representing reality in various interdisciplinary areas for the benefit of the development and progress of the discipline itself. While the object of study in the temporal field is the modern, in the physical realm, the city of Porto takes the spotlight as a practical example of proximity. One final definition of this work is the exhibition and comparison of organized ideas and topics on an inevitably chaotic mental map. This turns the work into a collection of numerous fragments of the same matter. |
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3(4) AA - Antologia de arquitectura, arquivo e arte: à procura de um modo para coleccionar a modernidadeArtesArtsThis dissertation is a quest for answers in the past to current problems. Furthermore, it is also an attempt to understand how effective this method can or cannot be. It is an endeavor to organize the chaos regarding the author's understanding of what he believes to be the discipline of architecture. It is a confrontation between the imaginary and reality, which becomes objectified by inserting the former into the latter. This is accomplished through the representation of memory in a very specific regulatory instrument, which is the archive. With this method, the work delves into a relatively recent past, advocating modernism as a movement in architecture that took advantage of the instruments of representing reality in various interdisciplinary areas for the benefit of the development and progress of the discipline itself. While the object of study in the temporal field is the modern, in the physical realm, the city of Porto takes the spotlight as a practical example of proximity. One final definition of this work is the exhibition and comparison of organized ideas and topics on an inevitably chaotic mental map. This turns the work into a collection of numerous fragments of the same matter.2023-11-062023-11-06T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttps://hdl.handle.net/10216/155661TID:203435613porJoaquim Pedro Arantes Ferreirainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-12-22T01:35:48Zoai:repositorio-aberto.up.pt:10216/155661Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:54:36.829910Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
3(4) AA - Antologia de arquitectura, arquivo e arte: à procura de um modo para coleccionar a modernidade |
title |
3(4) AA - Antologia de arquitectura, arquivo e arte: à procura de um modo para coleccionar a modernidade |
spellingShingle |
3(4) AA - Antologia de arquitectura, arquivo e arte: à procura de um modo para coleccionar a modernidade Joaquim Pedro Arantes Ferreira Artes Arts |
title_short |
3(4) AA - Antologia de arquitectura, arquivo e arte: à procura de um modo para coleccionar a modernidade |
title_full |
3(4) AA - Antologia de arquitectura, arquivo e arte: à procura de um modo para coleccionar a modernidade |
title_fullStr |
3(4) AA - Antologia de arquitectura, arquivo e arte: à procura de um modo para coleccionar a modernidade |
title_full_unstemmed |
3(4) AA - Antologia de arquitectura, arquivo e arte: à procura de um modo para coleccionar a modernidade |
title_sort |
3(4) AA - Antologia de arquitectura, arquivo e arte: à procura de um modo para coleccionar a modernidade |
author |
Joaquim Pedro Arantes Ferreira |
author_facet |
Joaquim Pedro Arantes Ferreira |
author_role |
author |
dc.contributor.author.fl_str_mv |
Joaquim Pedro Arantes Ferreira |
dc.subject.por.fl_str_mv |
Artes Arts |
topic |
Artes Arts |
description |
This dissertation is a quest for answers in the past to current problems. Furthermore, it is also an attempt to understand how effective this method can or cannot be. It is an endeavor to organize the chaos regarding the author's understanding of what he believes to be the discipline of architecture. It is a confrontation between the imaginary and reality, which becomes objectified by inserting the former into the latter. This is accomplished through the representation of memory in a very specific regulatory instrument, which is the archive. With this method, the work delves into a relatively recent past, advocating modernism as a movement in architecture that took advantage of the instruments of representing reality in various interdisciplinary areas for the benefit of the development and progress of the discipline itself. While the object of study in the temporal field is the modern, in the physical realm, the city of Porto takes the spotlight as a practical example of proximity. One final definition of this work is the exhibition and comparison of organized ideas and topics on an inevitably chaotic mental map. This turns the work into a collection of numerous fragments of the same matter. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-11-06 2023-11-06T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://hdl.handle.net/10216/155661 TID:203435613 |
url |
https://hdl.handle.net/10216/155661 |
identifier_str_mv |
TID:203435613 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
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openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799136433719476224 |