MAD Clarinet 3.0: Dialogues with my computer

Detalhes bibliográficos
Autor(a) principal: Travasso, Rui
Data de Publicação: 2024
Outros Autores: Marques, Luís
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
DOI: 10.34623/bh3w-w556
Texto Completo: https://doi.org/10.34623/bh3w-w556
Resumo: MAD Clarinet 3.0 is an article that discusses a Static Artificial Intelligence (SAI) system, dialoguing with a clarinet performance under a Tangible Acoustic Interface (TAI) system and using the software Max/MSP. The TAI system, working through solid vibrations, enables the use of the clarinet as an interface to trigger the computer’s sonic response, employing the parametrisation of the clarinet´s sonic characteristics, such as pitch and duration. This dialogue is made from the harmonic and melodic point of view, and, whereas the harmonic paths are chosen randomly – from among several possibilities – by the computer, the melodic paths are made by measuring the clarinettist preferences in real-time. Throughout the document, it will discuss the concepts, the system, the patches, and potentialities. Thus, this article arises from the junction of a clarinet – under a TAI system – with an SAI system and, from the artistic point of view, using a computer as a performative partner with an essential role.
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spelling MAD Clarinet 3.0: Dialogues with my computerClarinetPerformanceStatic Artificial IntelligenceTAIClarinetPerformanceStatic Artificial IntelligenceTAIClarinetPerformanceStatic Artificial IntelligenceTAIClarinetPerformanceStatic Artificial IntelligenceTAIMAD Clarinet 3.0 is an article that discusses a Static Artificial Intelligence (SAI) system, dialoguing with a clarinet performance under a Tangible Acoustic Interface (TAI) system and using the software Max/MSP. The TAI system, working through solid vibrations, enables the use of the clarinet as an interface to trigger the computer’s sonic response, employing the parametrisation of the clarinet´s sonic characteristics, such as pitch and duration. This dialogue is made from the harmonic and melodic point of view, and, whereas the harmonic paths are chosen randomly – from among several possibilities – by the computer, the melodic paths are made by measuring the clarinettist preferences in real-time. Throughout the document, it will discuss the concepts, the system, the patches, and potentialities. Thus, this article arises from the junction of a clarinet – under a TAI system – with an SAI system and, from the artistic point of view, using a computer as a performative partner with an essential role.MAD Clarinet 3.0 is an article that discusses a Static Artificial Intelligence (SAI) system, dialoguing with a clarinet performance under a Tangible Acoustic Interface (TAI) system and using the software Max/MSP. The TAI system, working through solid vibrations, enables the use of the clarinet as an interface to trigger the computer’s sonic response, employing the parametrisation of the clarinet´s sonic characteristics, such as pitch and duration. This dialogue is made from the harmonic and melodic point of view, and, whereas the harmonic paths are chosen randomly – from among several possibilities – by the computer, the melodic paths are made by measuring the clarinettist preferences in real-time. Throughout the document, it will discuss the concepts, the system, the patches, and potentialities. Thus, this article arises from the junction of a clarinet – under a TAI system – with an SAI system and, from the artistic point of view, using a computer as a performative partner with an essential role.MAD Clarinet 3.0 is an article that discusses a Static Artificial Intelligence (SAI) system, dialoguing with a clarinet performance under a Tangible Acoustic Interface (TAI) system and using the software Max/MSP. The TAI system, working through solid vibrations, enables the use of the clarinet as an interface to trigger the computer’s sonic response, employing the parametrisation of the clarinet´s sonic characteristics, such as pitch and duration. This dialogue is made from the harmonic and melodic point of view, and, whereas the harmonic paths are chosen randomly – from among several possibilities – by the computer, the melodic paths are made by measuring the clarinettist preferences in real-time. Throughout the document, it will discuss the concepts, the system, the patches, and potentialities. Thus, this article arises from the junction of a clarinet – under a TAI system – with an SAI system and, from the artistic point of view, using a computer as a performative partner with an essential role.MAD Clarinet 3.0 is an article that discusses a Static Artificial Intelligence (SAI) system, dialoguing with a clarinet performance under a Tangible Acoustic Interface (TAI) system and using the software Max/MSP. The TAI system, working through solid vibrations, enables the use of the clarinet as an interface to trigger the computer’s sonic response, employing the parametrisation of the clarinet´s sonic characteristics, such as pitch and duration. This dialogue is made from the harmonic and melodic point of view, and, whereas the harmonic paths are chosen randomly – from among several possibilities – by the computer, the melodic paths are made by measuring the clarinettist preferences in real-time. Throughout the document, it will discuss the concepts, the system, the patches, and potentialities. Thus, this article arises from the junction of a clarinet – under a TAI system – with an SAI system and, from the artistic point of view, using a computer as a performative partner with an essential role.CIAC – Centro de Investigação em Artes e Comunicação2024-02-29info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfapplication/epub+ziphttps://doi.org/10.34623/bh3w-w556https://doi.org/10.34623/bh3w-w556Rotura – Revista de Comunicação, Cultura e Artes; v. 4 n. 1 (2024): Discurso de ódio online: impactos, prevenção e intervenção; 212-2192184-8661reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://publicacoes.ciac.pt/index.php/rotura/article/view/208https://publicacoes.ciac.pt/index.php/rotura/article/view/208/212https://publicacoes.ciac.pt/index.php/rotura/article/view/208/213Direitos de Autor (c) 2024 Rui Travasso, Luís Márquesinfo:eu-repo/semantics/openAccessTravasso, RuiMarques, Luís2024-09-10T04:02:30Zoai:ojs.publicacoes.ciac.pt:article/208Portal AgregadorONGhttps://www.rcaap.pt/oai/openairemluisa.alvim@gmail.comopendoar:71602024-09-10T04:02:30Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv MAD Clarinet 3.0: Dialogues with my computer
title MAD Clarinet 3.0: Dialogues with my computer
spellingShingle MAD Clarinet 3.0: Dialogues with my computer
MAD Clarinet 3.0: Dialogues with my computer
Travasso, Rui
Clarinet
Performance
Static Artificial Intelligence
TAI
Clarinet
Performance
Static Artificial Intelligence
TAI
Clarinet
Performance
Static Artificial Intelligence
TAI
Clarinet
Performance
Static Artificial Intelligence
TAI
Travasso, Rui
Clarinet
Performance
Static Artificial Intelligence
TAI
Clarinet
Performance
Static Artificial Intelligence
TAI
Clarinet
Performance
Static Artificial Intelligence
TAI
Clarinet
Performance
Static Artificial Intelligence
TAI
title_short MAD Clarinet 3.0: Dialogues with my computer
title_full MAD Clarinet 3.0: Dialogues with my computer
title_fullStr MAD Clarinet 3.0: Dialogues with my computer
MAD Clarinet 3.0: Dialogues with my computer
title_full_unstemmed MAD Clarinet 3.0: Dialogues with my computer
MAD Clarinet 3.0: Dialogues with my computer
title_sort MAD Clarinet 3.0: Dialogues with my computer
author Travasso, Rui
author_facet Travasso, Rui
Travasso, Rui
Marques, Luís
Marques, Luís
author_role author
author2 Marques, Luís
author2_role author
dc.contributor.author.fl_str_mv Travasso, Rui
Marques, Luís
dc.subject.por.fl_str_mv Clarinet
Performance
Static Artificial Intelligence
TAI
Clarinet
Performance
Static Artificial Intelligence
TAI
Clarinet
Performance
Static Artificial Intelligence
TAI
Clarinet
Performance
Static Artificial Intelligence
TAI
topic Clarinet
Performance
Static Artificial Intelligence
TAI
Clarinet
Performance
Static Artificial Intelligence
TAI
Clarinet
Performance
Static Artificial Intelligence
TAI
Clarinet
Performance
Static Artificial Intelligence
TAI
description MAD Clarinet 3.0 is an article that discusses a Static Artificial Intelligence (SAI) system, dialoguing with a clarinet performance under a Tangible Acoustic Interface (TAI) system and using the software Max/MSP. The TAI system, working through solid vibrations, enables the use of the clarinet as an interface to trigger the computer’s sonic response, employing the parametrisation of the clarinet´s sonic characteristics, such as pitch and duration. This dialogue is made from the harmonic and melodic point of view, and, whereas the harmonic paths are chosen randomly – from among several possibilities – by the computer, the melodic paths are made by measuring the clarinettist preferences in real-time. Throughout the document, it will discuss the concepts, the system, the patches, and potentialities. Thus, this article arises from the junction of a clarinet – under a TAI system – with an SAI system and, from the artistic point of view, using a computer as a performative partner with an essential role.
publishDate 2024
dc.date.none.fl_str_mv 2024-02-29
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.34623/bh3w-w556
https://doi.org/10.34623/bh3w-w556
url https://doi.org/10.34623/bh3w-w556
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://publicacoes.ciac.pt/index.php/rotura/article/view/208
https://publicacoes.ciac.pt/index.php/rotura/article/view/208/212
https://publicacoes.ciac.pt/index.php/rotura/article/view/208/213
dc.rights.driver.fl_str_mv Direitos de Autor (c) 2024 Rui Travasso, Luís Márques
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Direitos de Autor (c) 2024 Rui Travasso, Luís Márques
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/epub+zip
dc.publisher.none.fl_str_mv CIAC – Centro de Investigação em Artes e Comunicação
publisher.none.fl_str_mv CIAC – Centro de Investigação em Artes e Comunicação
dc.source.none.fl_str_mv Rotura – Revista de Comunicação, Cultura e Artes; v. 4 n. 1 (2024): Discurso de ódio online: impactos, prevenção e intervenção; 212-219
2184-8661
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv mluisa.alvim@gmail.com
_version_ 1822226951972061184
dc.identifier.doi.none.fl_str_mv 10.34623/bh3w-w556

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