Music to Face the Lockdown: An Analysis of Covid‐19 Music Narratives on Individual and Social Well‐Being

Detalhes bibliográficos
Autor(a) principal: Alvarez-Cueva, Priscila
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.17645/si.v10i2.4894
Resumo: When the world seemed to collapse due to the Covid‐19 pandemic in 2020, music was employed to promote positivity and strength among citizens and communities, especially during worldwide lockdowns. Because the general context of the pandemic was saturated with anxiety, uncertainty, and fear, music—in all its forms of production—became an ideal resource for entertainment and accompaniment, and helped people face the challenges associated with the crisis. Following a qualitative content analysis, this study deeply examines 13 examples of music production published by the United Nations during the Covid‐19 crisis, highlighting the narrative elements and how they relate to individual and social well‐being. In so doing, the study identifies eight main categories among both lyrics and performances in the music examples. These are: (a) desires, (b) emotions, (c) people, (d) practices, (e) reflections, (f) education/entertainment, (g) allusion to war, and (h) nationalism. The results suggest that music narratives have empowered individuals and social groups by evoking sentiments of solidarity and kindness at both individual and community levels and, in so doing, have contributed to individual and social well‐being.
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spelling Music to Face the Lockdown: An Analysis of Covid‐19 Music Narratives on Individual and Social Well‐Beingcontent analysis; Covid‐19; lockdown; music; well‐beingWhen the world seemed to collapse due to the Covid‐19 pandemic in 2020, music was employed to promote positivity and strength among citizens and communities, especially during worldwide lockdowns. Because the general context of the pandemic was saturated with anxiety, uncertainty, and fear, music—in all its forms of production—became an ideal resource for entertainment and accompaniment, and helped people face the challenges associated with the crisis. Following a qualitative content analysis, this study deeply examines 13 examples of music production published by the United Nations during the Covid‐19 crisis, highlighting the narrative elements and how they relate to individual and social well‐being. In so doing, the study identifies eight main categories among both lyrics and performances in the music examples. These are: (a) desires, (b) emotions, (c) people, (d) practices, (e) reflections, (f) education/entertainment, (g) allusion to war, and (h) nationalism. The results suggest that music narratives have empowered individuals and social groups by evoking sentiments of solidarity and kindness at both individual and community levels and, in so doing, have contributed to individual and social well‐being.Cogitatio2022-04-20info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.17645/si.v10i2.4894oai:ojs.cogitatiopress.com:article/4894Social Inclusion; Vol 10, No 2 (2022): Promoting Social Inclusive Experiences in Uncertain Times; 6-182183-2803reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://www.cogitatiopress.com/socialinclusion/article/view/4894https://doi.org/10.17645/si.v10i2.4894https://www.cogitatiopress.com/socialinclusion/article/view/4894/4894Copyright (c) 2022 Priscila Alvarez-Cuevahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessAlvarez-Cueva, Priscila2022-12-20T10:59:09Zoai:ojs.cogitatiopress.com:article/4894Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:21:19.364910Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Music to Face the Lockdown: An Analysis of Covid‐19 Music Narratives on Individual and Social Well‐Being
title Music to Face the Lockdown: An Analysis of Covid‐19 Music Narratives on Individual and Social Well‐Being
spellingShingle Music to Face the Lockdown: An Analysis of Covid‐19 Music Narratives on Individual and Social Well‐Being
Alvarez-Cueva, Priscila
content analysis; Covid‐19; lockdown; music; well‐being
title_short Music to Face the Lockdown: An Analysis of Covid‐19 Music Narratives on Individual and Social Well‐Being
title_full Music to Face the Lockdown: An Analysis of Covid‐19 Music Narratives on Individual and Social Well‐Being
title_fullStr Music to Face the Lockdown: An Analysis of Covid‐19 Music Narratives on Individual and Social Well‐Being
title_full_unstemmed Music to Face the Lockdown: An Analysis of Covid‐19 Music Narratives on Individual and Social Well‐Being
title_sort Music to Face the Lockdown: An Analysis of Covid‐19 Music Narratives on Individual and Social Well‐Being
author Alvarez-Cueva, Priscila
author_facet Alvarez-Cueva, Priscila
author_role author
dc.contributor.author.fl_str_mv Alvarez-Cueva, Priscila
dc.subject.por.fl_str_mv content analysis; Covid‐19; lockdown; music; well‐being
topic content analysis; Covid‐19; lockdown; music; well‐being
description When the world seemed to collapse due to the Covid‐19 pandemic in 2020, music was employed to promote positivity and strength among citizens and communities, especially during worldwide lockdowns. Because the general context of the pandemic was saturated with anxiety, uncertainty, and fear, music—in all its forms of production—became an ideal resource for entertainment and accompaniment, and helped people face the challenges associated with the crisis. Following a qualitative content analysis, this study deeply examines 13 examples of music production published by the United Nations during the Covid‐19 crisis, highlighting the narrative elements and how they relate to individual and social well‐being. In so doing, the study identifies eight main categories among both lyrics and performances in the music examples. These are: (a) desires, (b) emotions, (c) people, (d) practices, (e) reflections, (f) education/entertainment, (g) allusion to war, and (h) nationalism. The results suggest that music narratives have empowered individuals and social groups by evoking sentiments of solidarity and kindness at both individual and community levels and, in so doing, have contributed to individual and social well‐being.
publishDate 2022
dc.date.none.fl_str_mv 2022-04-20
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url https://doi.org/10.17645/si.v10i2.4894
identifier_str_mv oai:ojs.cogitatiopress.com:article/4894
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://www.cogitatiopress.com/socialinclusion/article/view/4894
https://doi.org/10.17645/si.v10i2.4894
https://www.cogitatiopress.com/socialinclusion/article/view/4894/4894
dc.rights.driver.fl_str_mv Copyright (c) 2022 Priscila Alvarez-Cueva
http://creativecommons.org/licenses/by/4.0
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rights_invalid_str_mv Copyright (c) 2022 Priscila Alvarez-Cueva
http://creativecommons.org/licenses/by/4.0
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dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Cogitatio
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dc.source.none.fl_str_mv Social Inclusion; Vol 10, No 2 (2022): Promoting Social Inclusive Experiences in Uncertain Times; 6-18
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