The eternal apprentices of Euterpe: Women writing on music in circle(s) of sociability (1901-1930)
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.31447/AS00032573.2018228.01 |
Resumo: | This paper focuses on the published work of nine female writer-musicians on the topics of music and its education in Portugal between 1901 and 1930. This is a period marked by an extraordinary drive and demand for art(istic) education. However, the advent of these authors as experts in the music field invalidates the notion that writing could emerge only within the familiar boundaries of the “female educator”, a traditional role in which it became an extension of the teaching profession. Writer-musicians will be framed in the twofold movement that seems to both legitimize and support them: the establishment of a musical expertise and their specific forms of sociability. |
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The eternal apprentices of Euterpe: Women writing on music in circle(s) of sociability (1901-1930).As eternas aprendizes de Euterpe: mulheres que escrevem sobre música em círculo(s) de sociabilidade (1901-1930)história das mulhereshistória culturalséculo XXexpertise musicalsociabilidadewomen’s historycultural history20th Centurymusical expertisesociability.This paper focuses on the published work of nine female writer-musicians on the topics of music and its education in Portugal between 1901 and 1930. This is a period marked by an extraordinary drive and demand for art(istic) education. However, the advent of these authors as experts in the music field invalidates the notion that writing could emerge only within the familiar boundaries of the “female educator”, a traditional role in which it became an extension of the teaching profession. Writer-musicians will be framed in the twofold movement that seems to both legitimize and support them: the establishment of a musical expertise and their specific forms of sociability..Este artigo debruça-se sobre nove mulheres musicistas-escritoras, i. e., professoras, intérpretes ou compositoras, que, entre 1901 e 1930 publicaram em Portugal obras sobre música e sua educação. Foi uma época de extraordinário impulso e procura de ensino artístico – mas o que as levaria a publicar? O surgimento como autoras peritas ou divulgadoras invalida a interpretação de se dedicarem à escrita ao incorporarem o tradicional papel de mulher-educadora, geralmente prolongando a sua atividade docente. Propõe-se compreender o papel das escritoras-musicistas na constituição de uma expertise musical e a especificidade dos seus círculos de sociabilidade.Instituto de Ciências Sociais da Universidade de Lisboa2018-09-28info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.31447/AS00032573.2018228.01https://doi.org/10.31447/AS00032573.2018228.01Análise Social; Vol. 53 N.º 228 (2018); 548-5702182-29990003-2573reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://revistas.rcaap.pt/analisesocial/article/view/22268https://revistas.rcaap.pt/analisesocial/article/view/22268/16404Direitos de Autor (c) 2018 Análise Socialinfo:eu-repo/semantics/openAccessFernandes Paz, Ana Luísa2024-03-09T06:14:22Zoai:ojs.revistas.rcaap.pt:article/22268Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:00:08.683163Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
The eternal apprentices of Euterpe: Women writing on music in circle(s) of sociability (1901-1930) . As eternas aprendizes de Euterpe: mulheres que escrevem sobre música em círculo(s) de sociabilidade (1901-1930) |
title |
The eternal apprentices of Euterpe: Women writing on music in circle(s) of sociability (1901-1930) |
spellingShingle |
The eternal apprentices of Euterpe: Women writing on music in circle(s) of sociability (1901-1930) Fernandes Paz, Ana Luísa história das mulheres história cultural século XX expertise musical sociabilidade women’s history cultural history 20th Century musical expertise sociability . |
title_short |
The eternal apprentices of Euterpe: Women writing on music in circle(s) of sociability (1901-1930) |
title_full |
The eternal apprentices of Euterpe: Women writing on music in circle(s) of sociability (1901-1930) |
title_fullStr |
The eternal apprentices of Euterpe: Women writing on music in circle(s) of sociability (1901-1930) |
title_full_unstemmed |
The eternal apprentices of Euterpe: Women writing on music in circle(s) of sociability (1901-1930) |
title_sort |
The eternal apprentices of Euterpe: Women writing on music in circle(s) of sociability (1901-1930) |
author |
Fernandes Paz, Ana Luísa |
author_facet |
Fernandes Paz, Ana Luísa |
author_role |
author |
dc.contributor.author.fl_str_mv |
Fernandes Paz, Ana Luísa |
dc.subject.por.fl_str_mv |
história das mulheres história cultural século XX expertise musical sociabilidade women’s history cultural history 20th Century musical expertise sociability . |
topic |
história das mulheres história cultural século XX expertise musical sociabilidade women’s history cultural history 20th Century musical expertise sociability . |
description |
This paper focuses on the published work of nine female writer-musicians on the topics of music and its education in Portugal between 1901 and 1930. This is a period marked by an extraordinary drive and demand for art(istic) education. However, the advent of these authors as experts in the music field invalidates the notion that writing could emerge only within the familiar boundaries of the “female educator”, a traditional role in which it became an extension of the teaching profession. Writer-musicians will be framed in the twofold movement that seems to both legitimize and support them: the establishment of a musical expertise and their specific forms of sociability. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-09-28 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.31447/AS00032573.2018228.01 https://doi.org/10.31447/AS00032573.2018228.01 |
url |
https://doi.org/10.31447/AS00032573.2018228.01 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.rcaap.pt/analisesocial/article/view/22268 https://revistas.rcaap.pt/analisesocial/article/view/22268/16404 |
dc.rights.driver.fl_str_mv |
Direitos de Autor (c) 2018 Análise Social info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Direitos de Autor (c) 2018 Análise Social |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Instituto de Ciências Sociais da Universidade de Lisboa |
publisher.none.fl_str_mv |
Instituto de Ciências Sociais da Universidade de Lisboa |
dc.source.none.fl_str_mv |
Análise Social; Vol. 53 N.º 228 (2018); 548-570 2182-2999 0003-2573 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
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1799129873270177792 |