Exploring disparities between acoustic and digital sound
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10437/13966 |
Resumo: | Mapping digital sound to an acoustic input enables the performer and the software to ‘talk’ simultaneously. Whilst the performer has direct control over the acoustic outcome, the digital can become a means of destabilization - as it is mediated through code. Musical expression substantiates as the performer addresses the unexpected resourcefully. This text describes the performative dynamics in terms of perceptual mechanics. Keywords: acoustic instruments, digital instruments, perception, conscious awareness, chance |
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Exploring disparities between acoustic and digital soundAUDIOVISUALSOMPERCEÇÃO MUSICALAUDIOVISUALSOUNDSOM DIGITALDIGITAL SOUNDMUSIC PERCEPTIONMapping digital sound to an acoustic input enables the performer and the software to ‘talk’ simultaneously. Whilst the performer has direct control over the acoustic outcome, the digital can become a means of destabilization - as it is mediated through code. Musical expression substantiates as the performer addresses the unexpected resourcefully. This text describes the performative dynamics in terms of perceptual mechanics. Keywords: acoustic instruments, digital instruments, perception, conscious awareness, chanceMIT Press2023-06-21T13:27:59Z2015-01-01T00:00:00Z2015info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10437/13966eng1530-9282Sá, Adrianainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-06-30T01:30:46Zoai:recil.ensinolusofona.pt:10437/13966Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T18:01:18.285748Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Exploring disparities between acoustic and digital sound |
title |
Exploring disparities between acoustic and digital sound |
spellingShingle |
Exploring disparities between acoustic and digital sound Sá, Adriana AUDIOVISUAL SOM PERCEÇÃO MUSICAL AUDIOVISUAL SOUND SOM DIGITAL DIGITAL SOUND MUSIC PERCEPTION |
title_short |
Exploring disparities between acoustic and digital sound |
title_full |
Exploring disparities between acoustic and digital sound |
title_fullStr |
Exploring disparities between acoustic and digital sound |
title_full_unstemmed |
Exploring disparities between acoustic and digital sound |
title_sort |
Exploring disparities between acoustic and digital sound |
author |
Sá, Adriana |
author_facet |
Sá, Adriana |
author_role |
author |
dc.contributor.author.fl_str_mv |
Sá, Adriana |
dc.subject.por.fl_str_mv |
AUDIOVISUAL SOM PERCEÇÃO MUSICAL AUDIOVISUAL SOUND SOM DIGITAL DIGITAL SOUND MUSIC PERCEPTION |
topic |
AUDIOVISUAL SOM PERCEÇÃO MUSICAL AUDIOVISUAL SOUND SOM DIGITAL DIGITAL SOUND MUSIC PERCEPTION |
description |
Mapping digital sound to an acoustic input enables the performer and the software to ‘talk’ simultaneously. Whilst the performer has direct control over the acoustic outcome, the digital can become a means of destabilization - as it is mediated through code. Musical expression substantiates as the performer addresses the unexpected resourcefully. This text describes the performative dynamics in terms of perceptual mechanics. Keywords: acoustic instruments, digital instruments, perception, conscious awareness, chance |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-01-01T00:00:00Z 2015 2023-06-21T13:27:59Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10437/13966 |
url |
http://hdl.handle.net/10437/13966 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
1530-9282 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
MIT Press |
publisher.none.fl_str_mv |
MIT Press |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
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1799131681030930432 |