Callas and the Hologram
| Autor(a) principal: | |
|---|---|
| Data de Publicação: | 2022 |
| Tipo de documento: | Artigo |
| Idioma: | eng |
| Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
| Texto Completo: | http://hdl.handle.net/10362/145859 |
Resumo: | UIDB/00693/2020 UIDP/00693/2020 |
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Callas and the HologramA Live Concert with a Dead DivaMaria CallasHologramPerformancePerformance and technologyPerformance and digital technologyRemediationOperaUIDB/00693/2020 UIDP/00693/2020In this paper, I investigate Callas in Concert, a multimedia show that employs holographic digital and laser technology to bring the legendary diva back to the stage almost 50 years after her death. The aim of the spectacle, which bears witness to the persistence of the Callas cult to the present day, is to allow audiences to see and listen to a digitally manipulated reproduction of the dead singer’s body and voice. At the same time, Callas in Concert is a live concert, where an orchestra performs in front of an audience. My interest lies in two interrelated issues. The first concerns the question as to whether the visual or the aural dimension takes the lead in the attempt to fictionally resurrect a dead singer as a live performer. The second revolves around the paradox inherent in the use of digital technologies of reproduction and remediation to emphasize the peerless uniqueness of Maria Callas’s artistry. In bringing together these two issues, my ultimate goal is to shed light on the artistic nuances and ideological assumptions that pervade the fascination with operatic liveness today.Centro de Estudos de Sociologia e Estética Musical (CESEM - NOVA FCSH)RUNCachopo, João Pedro2022-11-28T22:15:52Z2022-08-012022-08-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article24application/pdfhttp://hdl.handle.net/10362/145859eng2784-8949PURE: 47913027https://doi.org/10.54103/sss18310info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-03-11T05:26:33Zoai:run.unl.pt:10362/145859Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T03:52:18.347807Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
| dc.title.none.fl_str_mv |
Callas and the Hologram A Live Concert with a Dead Diva |
| title |
Callas and the Hologram |
| spellingShingle |
Callas and the Hologram Cachopo, João Pedro Maria Callas Hologram Performance Performance and technology Performance and digital technology Remediation Opera |
| title_short |
Callas and the Hologram |
| title_full |
Callas and the Hologram |
| title_fullStr |
Callas and the Hologram |
| title_full_unstemmed |
Callas and the Hologram |
| title_sort |
Callas and the Hologram |
| author |
Cachopo, João Pedro |
| author_facet |
Cachopo, João Pedro |
| author_role |
author |
| dc.contributor.none.fl_str_mv |
Centro de Estudos de Sociologia e Estética Musical (CESEM - NOVA FCSH) RUN |
| dc.contributor.author.fl_str_mv |
Cachopo, João Pedro |
| dc.subject.por.fl_str_mv |
Maria Callas Hologram Performance Performance and technology Performance and digital technology Remediation Opera |
| topic |
Maria Callas Hologram Performance Performance and technology Performance and digital technology Remediation Opera |
| description |
UIDB/00693/2020 UIDP/00693/2020 |
| publishDate |
2022 |
| dc.date.none.fl_str_mv |
2022-11-28T22:15:52Z 2022-08-01 2022-08-01T00:00:00Z |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/article |
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article |
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publishedVersion |
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http://hdl.handle.net/10362/145859 |
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http://hdl.handle.net/10362/145859 |
| dc.language.iso.fl_str_mv |
eng |
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eng |
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2784-8949 PURE: 47913027 https://doi.org/10.54103/sss18310 |
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info:eu-repo/semantics/openAccess |
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openAccess |
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24 application/pdf |
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