A Arquitetura no Cinema Musical. Análise da representação arquitetónica em filmes musicais
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://hdl.handle.net/10216/147414 |
Resumo: | Several artists resort to cinema to get a closer look of society, to either criticize or praise its values. Since its creation nearing the end of the XIX century by the Lumiére brothers, the cinematic art has been bringing together people and worlds totally different from their own. Architecture expression has always had connections with the other art forms, like painting, sculpture, and, in this case, with cinematography. Cinema can be, in its core, a conductor and creator of architectural languages. Through it, the spectator can experience several different spaces and atmospheres. Cinema plans cities, designs architectural images through its techniques, angles, light/shadow and its narratives in space and time. All these concepts, that are simultaneously in architecture, have their role in the birth of cinematic art. The dissertation, here presented, intends to do an intensive and rigorous study of the relation between these two art forms, that understand each other, architecture and cinema. Even though, there is a lot of cinematographic genres, this dissertation focuses solely on the musical genre. Using the support of various movies selected since the genre's origin in the 1930's, the Golden Age of Hollywood, up until the genre's decline in the 1980's and its rebirth during the 21st century, this work intends to, critically, analyze architectural representation in this genre, that's often forgotten. |
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A Arquitetura no Cinema Musical. Análise da representação arquitetónica em filmes musicaisArtesArtsSeveral artists resort to cinema to get a closer look of society, to either criticize or praise its values. Since its creation nearing the end of the XIX century by the Lumiére brothers, the cinematic art has been bringing together people and worlds totally different from their own. Architecture expression has always had connections with the other art forms, like painting, sculpture, and, in this case, with cinematography. Cinema can be, in its core, a conductor and creator of architectural languages. Through it, the spectator can experience several different spaces and atmospheres. Cinema plans cities, designs architectural images through its techniques, angles, light/shadow and its narratives in space and time. All these concepts, that are simultaneously in architecture, have their role in the birth of cinematic art. The dissertation, here presented, intends to do an intensive and rigorous study of the relation between these two art forms, that understand each other, architecture and cinema. Even though, there is a lot of cinematographic genres, this dissertation focuses solely on the musical genre. Using the support of various movies selected since the genre's origin in the 1930's, the Golden Age of Hollywood, up until the genre's decline in the 1980's and its rebirth during the 21st century, this work intends to, critically, analyze architectural representation in this genre, that's often forgotten.2022-11-242022-11-24T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttps://hdl.handle.net/10216/147414TID:203175425porDiogo de Carvalho Silvainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T14:56:13Zoai:repositorio-aberto.up.pt:10216/147414Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:11:58.385155Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
A Arquitetura no Cinema Musical. Análise da representação arquitetónica em filmes musicais |
title |
A Arquitetura no Cinema Musical. Análise da representação arquitetónica em filmes musicais |
spellingShingle |
A Arquitetura no Cinema Musical. Análise da representação arquitetónica em filmes musicais Diogo de Carvalho Silva Artes Arts |
title_short |
A Arquitetura no Cinema Musical. Análise da representação arquitetónica em filmes musicais |
title_full |
A Arquitetura no Cinema Musical. Análise da representação arquitetónica em filmes musicais |
title_fullStr |
A Arquitetura no Cinema Musical. Análise da representação arquitetónica em filmes musicais |
title_full_unstemmed |
A Arquitetura no Cinema Musical. Análise da representação arquitetónica em filmes musicais |
title_sort |
A Arquitetura no Cinema Musical. Análise da representação arquitetónica em filmes musicais |
author |
Diogo de Carvalho Silva |
author_facet |
Diogo de Carvalho Silva |
author_role |
author |
dc.contributor.author.fl_str_mv |
Diogo de Carvalho Silva |
dc.subject.por.fl_str_mv |
Artes Arts |
topic |
Artes Arts |
description |
Several artists resort to cinema to get a closer look of society, to either criticize or praise its values. Since its creation nearing the end of the XIX century by the Lumiére brothers, the cinematic art has been bringing together people and worlds totally different from their own. Architecture expression has always had connections with the other art forms, like painting, sculpture, and, in this case, with cinematography. Cinema can be, in its core, a conductor and creator of architectural languages. Through it, the spectator can experience several different spaces and atmospheres. Cinema plans cities, designs architectural images through its techniques, angles, light/shadow and its narratives in space and time. All these concepts, that are simultaneously in architecture, have their role in the birth of cinematic art. The dissertation, here presented, intends to do an intensive and rigorous study of the relation between these two art forms, that understand each other, architecture and cinema. Even though, there is a lot of cinematographic genres, this dissertation focuses solely on the musical genre. Using the support of various movies selected since the genre's origin in the 1930's, the Golden Age of Hollywood, up until the genre's decline in the 1980's and its rebirth during the 21st century, this work intends to, critically, analyze architectural representation in this genre, that's often forgotten. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-11-24 2022-11-24T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://hdl.handle.net/10216/147414 TID:203175425 |
url |
https://hdl.handle.net/10216/147414 |
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TID:203175425 |
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por |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
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reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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