Activism, Textuality, and Feedback in La nueva banda de la terraza’s Graffiti- Projections
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.25765/sauc.v9i3.803 |
Resumo: | In the social mobilizations (2020-2022) during and after the COVID-19 lockdown in Colombia, the graffiti- projections produced, projected, and published by La nueva banda de la terraza played an essential role in visualizing, nurturing, and accompanying the social protests and the demands. As part of an unparalleled visual activism in Colombia, the graffiti-projections, which began in Medellín and soon expanded to other cities and beyond the country’s borders, created an expanded para-cinema of protests, played an essential role in a complex web of actions and practices that made it possible, for the first time in the republican history of Colombia, to create a comprehensive, multivocal, and diverse social movement. The present analysis discusses how the graffiti- projections catalyzed engagement and dialogue and strengthened the democratization of the public sphere by developing an expanded para-cinema that involved textuality and social media, reenergized graffiti, street art, and communal Do-It-With-Others, and developed emancipatory strategies and networks. |
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Activism, Textuality, and Feedback in La nueva banda de la terraza’s Graffiti- ProjectionsIn the social mobilizations (2020-2022) during and after the COVID-19 lockdown in Colombia, the graffiti- projections produced, projected, and published by La nueva banda de la terraza played an essential role in visualizing, nurturing, and accompanying the social protests and the demands. As part of an unparalleled visual activism in Colombia, the graffiti-projections, which began in Medellín and soon expanded to other cities and beyond the country’s borders, created an expanded para-cinema of protests, played an essential role in a complex web of actions and practices that made it possible, for the first time in the republican history of Colombia, to create a comprehensive, multivocal, and diverse social movement. The present analysis discusses how the graffiti- projections catalyzed engagement and dialogue and strengthened the democratization of the public sphere by developing an expanded para-cinema that involved textuality and social media, reenergized graffiti, street art, and communal Do-It-With-Others, and developed emancipatory strategies and networks.AP22023-12-30info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.25765/sauc.v9i3.803https://doi.org/10.25765/sauc.v9i3.803SAUC - Street Art and Urban Creativity; Vol 9 No 3 (2023): Street Art and Political Aesthetics in the Contested Urban Contexts; 8 - 222183-99562183-3869reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/sauc/article/view/803https://journals.ap2.pt/index.php/sauc/article/view/803/480Guerrero Hernandez, Juan Carlosinfo:eu-repo/semantics/openAccess2024-01-26T14:15:45Zoai:journals.ap2.pt:article/803Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:54.307038Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Activism, Textuality, and Feedback in La nueva banda de la terraza’s Graffiti- Projections |
title |
Activism, Textuality, and Feedback in La nueva banda de la terraza’s Graffiti- Projections |
spellingShingle |
Activism, Textuality, and Feedback in La nueva banda de la terraza’s Graffiti- Projections Guerrero Hernandez, Juan Carlos |
title_short |
Activism, Textuality, and Feedback in La nueva banda de la terraza’s Graffiti- Projections |
title_full |
Activism, Textuality, and Feedback in La nueva banda de la terraza’s Graffiti- Projections |
title_fullStr |
Activism, Textuality, and Feedback in La nueva banda de la terraza’s Graffiti- Projections |
title_full_unstemmed |
Activism, Textuality, and Feedback in La nueva banda de la terraza’s Graffiti- Projections |
title_sort |
Activism, Textuality, and Feedback in La nueva banda de la terraza’s Graffiti- Projections |
author |
Guerrero Hernandez, Juan Carlos |
author_facet |
Guerrero Hernandez, Juan Carlos |
author_role |
author |
dc.contributor.author.fl_str_mv |
Guerrero Hernandez, Juan Carlos |
description |
In the social mobilizations (2020-2022) during and after the COVID-19 lockdown in Colombia, the graffiti- projections produced, projected, and published by La nueva banda de la terraza played an essential role in visualizing, nurturing, and accompanying the social protests and the demands. As part of an unparalleled visual activism in Colombia, the graffiti-projections, which began in Medellín and soon expanded to other cities and beyond the country’s borders, created an expanded para-cinema of protests, played an essential role in a complex web of actions and practices that made it possible, for the first time in the republican history of Colombia, to create a comprehensive, multivocal, and diverse social movement. The present analysis discusses how the graffiti- projections catalyzed engagement and dialogue and strengthened the democratization of the public sphere by developing an expanded para-cinema that involved textuality and social media, reenergized graffiti, street art, and communal Do-It-With-Others, and developed emancipatory strategies and networks. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-12-30 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.25765/sauc.v9i3.803 https://doi.org/10.25765/sauc.v9i3.803 |
url |
https://doi.org/10.25765/sauc.v9i3.803 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://journals.ap2.pt/index.php/sauc/article/view/803 https://journals.ap2.pt/index.php/sauc/article/view/803/480 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
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application/pdf |
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AP2 |
publisher.none.fl_str_mv |
AP2 |
dc.source.none.fl_str_mv |
SAUC - Street Art and Urban Creativity; Vol 9 No 3 (2023): Street Art and Political Aesthetics in the Contested Urban Contexts; 8 - 22 2183-9956 2183-3869 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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